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Doctor Who
''Doctor Who'' is a British science fiction television series broadcast by the BBC since 1963. The series depicts the adventures of a Time Lord called the Doctor, an extraterrestrial being who appears to be human. The Doctor explores the universe in a time-travelling space ship called the TARDIS. The TARDIS exterior appears as a blue British police box, which was a common sight in Britain in 1963 when the series first aired. With various companions, the Doctor combats foes, works to save civilisations, and helps people in need. Beginning with William Hartnell, thirteen actors have headlined the series as the Doctor; in 2017, Jodie Whittaker became the first woman to officially play the role on television. The transition from one actor to another is written into the plot of the series with the concept of regeneration into a new incarnation, a plot device in which a Time Lord "transforms" into a new body when the current one is too badly harmed to heal normally. Each acto ...
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List Of Doctor Who Composers
This is a list of composers for science fiction television series '' Doctor Who''. It is sortable by a number of different criteria. The list defaults to ascending alphabetical order the composer's last name. ''Doctor Who'' composers The Revived Series' original soundtracks were entirely composed by Murray Gold for the first ten series. Gold utilised an orchestra score for many episodes, with heavy use of leitmotifs for characters such as the Doctor, the companions and monsters. Gold's music was played at the Proms, such as for the 50th anniversary celebration. Several singers performed in the soundtracks of these series, for instance, Neil Hannon in "Song for Ten". However, the programme had previously had a singer - The Gunfighters featured Lynda Baron singing "The Ballad of the Last Chance Saloon" in 1966. Segun Akinola replaced Gold for the duration of the Thirteenth Doctor's run. Akinola's scores tended to be more ambient than Gold's, with a great variety of instruments ...
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Companion (Doctor Who)
In the long-running BBC science fiction on television, television science fiction programme ''Doctor Who'' and related works, the term "companion" refers to a character who travels or shares adventures with the Doctor (Doctor Who), Doctor. In most ''Doctor Who'' stories, the primary companion acts as an audience surrogate. They provide the lens through which the viewer is introduced to the series. The companion character often furthers the story by asking questions (often to help the audience understand too) and getting into trouble, or by helping, rescuing, or challenging the Doctor. This designation is applied to a character by the show's producers and appears in the BBC's promotional material and off-screen fictional terminology. The Doctor also refers to the show's other leads as their “friends" or "assistants"; the British press have also used the latter term. History In the earliest episodes of ''Doctor Who'', the dramatic structure of the programme's cast was rather diffe ...
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Multi-camera
The multiple-camera setup, multiple-camera mode of production, multi-camera or simply multicam is a method of filmmaking and video production. Several cameras—either film or professional video cameras—are employed on the set and simultaneously record or broadcast a scene. It is often contrasted with a single-camera setup, which uses one camera. Description Generally, the two outer cameras shoot close-up shots or "crosses" of the two most active characters on the set at any given time, while the central camera or cameras shoot a wider master shot to capture the overall action and establish the geography of the room. In this way, multiple shots are obtained in a single take without having to start and stop the action. This is more efficient for programs that are to be shown a short time after being shot as it reduces the time spent in film or video editing. It is also a virtual necessity for regular, high-output shows like daily soap operas. Apart from saving editing time, s ...
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576i
576i is a standard-definition television, standard-definition digital video mode, originally used for digitizing analog television in most countries of the world where the utility frequency for electric power distribution is 50 Hz. Because of its close association with the legacy color encoding systems, it is often referred to as PAL, PAL/SECAM or SECAM when compared to its 60 Hz (typically, see PAL-M) NTSC-colour-encoded counterpart, 480i. The ''576'' identifies a vertical resolution of 576 lines, and the ''i'' identifies it as an Interlaced video, interlaced resolution. The field rate, which is 50 Hertz, Hz, is sometimes included when identifying the video mode, i.e. 576i50; another notation, endorsed by both the International Telecommunication Union in BT.601 and SMPTE in SMPTE 259M, includes the frame rate, as in 576i/25. Operation In analogue television, the full Raster scan, raster uses 625 lines, with 49 lines having no image content to allow time for cathode r ...
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DVB-T
DVB-T, short for Digital Video Broadcasting – Terrestrial, is the DVB European-based consortium standard for the broadcast transmission of digital terrestrial television that was first published in 1997 and first broadcast in Singapore in February, 1998. This system transmits compressed digital audio, digital video and other data in an MPEG transport stream, using coded orthogonal frequency-division multiplexing (COFDM or OFDM) modulation. It is also the format widely used worldwide (including North America) for Electronic News Gathering for transmission of video and audio from a mobile newsgathering vehicle to a central receive point. It is also used in the US by Amateur television operators. Basics Rather than carrying one data carrier on a single radio frequency (RF) channel, COFDM works by splitting the digital data stream into a large number of slower digital streams, each of which digitally modulates a set of closely spaced adjacent sub-carrier frequencies. In the cas ...
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NTSC
The first American standard for analog television broadcast was developed by National Television System Committee (NTSC)National Television System Committee (1951–1953), Report and Reports of Panel No. 11, 11-A, 12–19, with Some supplementary references cited in the Reports, and the Petition for adoption of transmission standards for color television before the Federal Communications Commission, n.p., 1953], 17 v. illus., diagrs., tables. 28 cm. LC Control No.:5402138Library of Congress Online Catalog/ref> in 1941. In 1961, it was assigned the designation CCIR System M, System M. In 1953, a second NTSC standard was adopted, which allowed for color television broadcast compatible with the existing stock of black-and-white receivers. It is one of three major color formats for analog television, the others being PAL and SECAM. NTSC color is usually associated with the System M. The only other broadcast television system to use NTSC color was the System J. Since the introdu ...
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625-line
625-lines is a standard-definition television resolution used mainly in the context of analog systems. It was first demonstrated by Mark Iosifovich Krivosheev in 1948. Analog broadcast television standards The following International Telecommunication Union standards use 625-lines: * CCIR System B * CCIR System D * CCIR System G * CCIR System H * CCIR System I * CCIR System K * CCIR System L Analog color television systems The following analog television color systems were used in conjunction with the 625-line standards listed previously: * PAL analog color television system * SECAM analog color television system Digital video 625-lines is sometimes mentioned when digitizing analog video, or when outputting digital video in a standard-definition analog compatible format. * 576i, a standard-definition television digital video mode * PAL region, a common term regarding video games, meaning regions where the 625-lines PAL standard was traditionally used. * PAL/SECAM DVD * PAL ...
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Black-and-white
Black-and-white (B&W or B/W) images combine black and white in a continuous spectrum, producing a range of shades of grey. Media The history of various visual media began with black and white, and as technology improved, altered to color. However, there are exceptions to this rule, including black-and-white fine art photography, as well as many film motion pictures and art film(s). Photography Contemporary use Since the late 1960s, few mainstream films have been shot in black-and-white. The reasons are frequently commercial, as it is difficult to sell a film for television broadcasting if the film is not in color. 1961 was the last year in which the majority of Hollywood films were released in black and white. Computing In computing terminology, ''black-and-white'' is sometimes used to refer to a binary image consisting solely of pure black pixels and pure white ones; what would normally be called a black-and-white image, that is, an image containing shades of ...
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405-line
The 405-line monochrome analogue television broadcasting system was the first fully electronic television system to be used in regular broadcasting. The number of television lines influences the image resolution, or quality of the picture. It was introduced with the BBC Television Service in 1936, suspended for the duration of World War II, and remained in operation in the UK until 1985. It was also used between 1961 and 1982 in Ireland, as well as from 1957 to 1973 for the Rediffusion Television cable service in Hong Kong. Sometimes called the Marconi-EMI system, it was developed in 1934 by the EMI Research Team led by Isaac Shoenberg. The figure of 405 lines had been chosen following discussions over Sunday lunch at the home of Alan Blumlein. The system used interlacing; EMI had been experimenting with a 243-line all-electronic interlaced system since 1933. In the 405 system the scanning lines were broadcast in two complementary fields, 50 times per second, creating 25 frame ...
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1080i
1080i (also known as Full HD or BT.709) is a combination of frame resolution and scan type. 1080i is used in high-definition television (HDTV) and high-definition video. The number "1080" refers to the number of horizontal lines on the screen. The "i" is an abbreviation for "interlaced"; this indicates that only the even lines, then the odd lines of each frame (each image called a video field) are drawn alternately, so that only half the number of actual image frames are used to produce video. A related display resolution is 1080p, which also has 1080 lines of resolution; the "p" refers to progressive scan, which indicates that the lines of resolution for each frame are "drawn" on the screen in sequence. The term assumes a widescreen aspect ratio of 16:9 (a rectangular TV that is wider than it is tall), so the 1080 lines of vertical resolution implies 1920 columns of horizontal resolution, or 1920 pixels × 1080 lines. A 1920 pixels × 1080 lines screen has a total of 2.1 ...
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HDTV
High-definition television (HD or HDTV) describes a television system which provides a substantially higher image resolution than the previous generation of technologies. The term has been used since 1936; in more recent times, it refers to the generation following standard-definition television (SDTV), often abbreviated to HDTV or HD-TV. It is the current de facto standard video format used in most broadcasts: terrestrial broadcast television, cable television, satellite television and Blu-ray Discs. Formats HDTV may be transmitted in various formats: * 720p (1280 horizontal pixels × 720 lines): 921,600 pixels * 1080i (1920×1080) interlaced scan: 1,036,800 pixels (~1.04 MP). * 1080p (1920×1080) progressive scan: 2,073,600 pixels (~2.07 MP). ** Some countries also use a non-standard CEA resolution, such as 1440×1080i: 777,600 pixels (~0.78 MP) per field or 1,555,200 pixels (~1.56 MP) per frame When transmitted at two megapixels per frame, HDTV provides about five times a ...
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