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Discovery (Electric Light Orchestra Album)
''Discovery'' is the eighth studio album by English rock band Electric Light Orchestra (ELO). It was released on 1 June 1979 in the United Kingdom by Jet Records, where it topped record charts, and on 8 June in the United States on Jet through Columbia Records distribution. A music video album featuring all the songs being played by the band was then released on VHS in 1979, then re-released as part of the '' Out of the Blue: Live at Wembley'' DVD and VHS in 1998. Background ''Discovery'' was the band's first number 1 album in the UK, entering the chart at that position and staying there for five weeks. The album contained five hit songs in " Shine a Little Love", " Don't Bring Me Down", " Last Train to London", "Confusion" and " The Diary of Horace Wimp", many of which were heavily influenced by disco (in fact, Richard Tandy nicknamed the album, ''Disco Very''). "Don't Bring Me Down" would become one of their only two top three hits in the UK throughout their career ("Xanadu" ...
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Electric Light Orchestra
The Electric Light Orchestra (ELO) are an English rock band formed in Birmingham in 1970 by songwriters and multi-instrumentalists Jeff Lynne and Roy Wood with drummer Bev Bevan. Their music is characterised by a fusion of pop, classical arrangements and futuristic iconography. After Wood's departure in 1972, Lynne became the band's sole leader, arranging and producing every album while writing nearly all of their original material. For their initial tenure, Lynne, Bevan and keyboardist Richard Tandy were the group's only consistent members. ELO was formed out of Lynne's and Wood's desire to create modern rock and pop songs with classical overtones. It derived as an offshoot of Wood's previous band, the Move, of which Lynne and Bevan were also members. During the 1970s and 1980s, ELO released a string of top 10 albums and singles, including the band's most commercially successful album, the double album '' Out of the Blue'' (1977). Two ELO albums reached the top of Briti ...
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Last Train To London
"Last Train to London" is a song from the English rock band Electric Light Orchestra (ELO), the fifth track from their album ''Discovery''. The song was released in 1979 in the UK as a double A-side single with "Confusion". It peaked at number 8 in the UK Singles Chart. However, in the US the two songs charted separately, with "Confusion" in late 1979 followed by "Last Train to London" in early 1980. It peaked at number 39 on the ''Billboard'' Hot 100. ''Billboard Magazine'' described the song as having a "catchy pop melody with Beatlesque vocal qualities and a smooth layered sound." ''Cash Box'' said that the song has "a frothy pop melody" and "a bouncy R&B-tinged rhythm line," making it sound somewhat like Heatwave's 1977 single "Boogie Nights." In Spain the single was released with the Spanish title "Último tren a Londres". Chart history Cover versions * In 2002 British girl group Atomic Kitten Atomic Kitten is an English girl group formed in Liverpool in 1998, ...
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Mik Kaminski
Michael Kaminski (born 2 September 1951) is an English musician. He is best known for playing violin in the rock band Electric Light Orchestra (ELO) between 1973 and 1979 and touring from 1981 to 1986, as well as being a member of Electric Light Orchestra Part II from 1991 until its end 2000 and The Orchestra from 2000–present. Early life Kaminski was born in Harrogate, West Riding of Yorkshire, England. He made his first professional performance with the Leeds Orchestra, when he was 14. During his time at the Leeds School of Music, he founded the band Cow, together with his friends John Hodgson, who played drums, and John Marcangelo, who played keyboards and other percussion. Career In 1973, he joined Joe Soap and played violin on their ''Keep It Clean'' album. Their producer Sandy Roberton suggested Kaminski to Andy Roberts, who needed a violinist for his album. Thus Kaminski played in 1973 on Roberts' ''Andy Roberts and The Grand Stampede''.
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RIAA
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and ...
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Double A-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The t ...
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Beatlesque
"Beatlesque" () or "Beatles-esque" describes a musical resemblance to the English rock band the Beatles. The term is loosely defined and has been applied inconsistently to a wide variety of disparate artists. Definitions To better explain what the word might mean, eight possible answers were formulated by radio producer Kevin Howlett, music professor Rob Bowman, and Klaatu drummer Terry Draper: * "Penny Lane"-style piano tone clusters (also heard on " Getting Better" and "With a Little Help from My Friends") * "the big ending", as in "It's All Too Much" * bluegrass-influenced close harmonies, using fourth intervals * "I Am the Walrus"-inspired cellos * the stylistic contrast between Lennon and McCartney * the left-handed, right-handed drumming; referencing Ringo Starr's habit of playing right-handed drum kits despite being left-handed * when audiences feel that the band is a continuation of the Beatles, as was the case for Klaatu * a simulacrum of the Beatles' reputed sound ...
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Flashback (Electric Light Orchestra Album)
''Flashback'' is the second box set compilation by Electric Light Orchestra (ELO), released in November 2000 in the US and the following month in the UK. History In 2000, Jeff Lynne found a new impetus to work on the music of his old band and returned to the recording studio to work on an ELO project for the first time in some 15 years just prior to the comeback album ''Zoom'' in 2001. This work resulted in a digitally remastered compilation released in late 2000. Unlike its predecessors, this project, ''Flashback'', was personally approved and endorsed by Lynne. The set includes songs featured from all 11 studio albums up to that point, including an edit of "Great Balls of Fire" from their live album ''The Night the Light Went On in Long Beach'', plus some new recordings amongst the band's extensive back catalogue, most notably a reworking of Lynne's only UK number one hit " Xanadu". The album includes a booklet inside, plus liner notes by David Wild with quotes on each song f ...
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Richard Tandy
Richard Tandy (born 26 March 1948) is an English musician. He is best known as the keyboardist in the rock band Electric Light Orchestra ("ELO"). His palette of keyboards (including Minimoog, Clavinet, Mellotron, and piano) was an important ingredient in the group's sound, especially on the albums '' A New World Record'', '' Out of the Blue'', ''Discovery'', and ''Time''. Tandy was inducted into the Rock and Roll Hall of Fame on 7 April 2017 as a member of Electric Light Orchestra. Life and career Tandy was born on 26 March 1948 in Birmingham and educated at Moseley School, where he first met future bandmate Bev Bevan. Tandy would later be reunited with Bevan in 1968 when he played the harpsichord on The Move's number one chart-topper " Blackberry Way" and briefly joined them live playing keyboards, but switched to bass while regular bassist Trevor Burton was sidelined due to a shoulder injury. When Burton was able to play again, Tandy left to join The Uglys. In 1972, Tandy ...
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Live At Wembley
Live at Wembley or Live at Wembley Stadium may refer to: * ''Live at Wembley'' (Meat Loaf album), 1987 * ''Live at Wembley'' (Beyoncé Knowles album), 2004 * ''Live at Wembley'' (Bad Company album), 2011 * ''Live at Wembley'' (Alter Bridge DVD), 2012 * ''Live at Wembley'' (Bring Me the Horizon album), 2015 * ''Live at Wembley'' (Babymetal album), 2016 * ''Live at Wembley '86'', a 1992 album by Queen * ''Live at Wembley '78'', a 1998 album by Electric Light Orchestra * ''Live at Wembley July 16, 1988'', a 2012 DVD by Michael Jackson * ''Live at Wembley Arena ''Live at Wembley Arena'' is an album of live recordings by Swedish pop group ABBA, released by Polar Music on 26 September 2014, on 2 CD, 3 LP and digital format. The album, produced by Ludvig Andersson, includes the complete concert at London' ...'', a 2014 album by ABBA * ''Live at Wembley Stadium'' (Spice Girls DVD), 1998 * ''Live at Wembley Stadium'' (Genesis DVD), 2003 * ''Live at Wembley Stadium'' (Foo Fighters ...
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Rock Music
Rock music is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, but ...
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Smash Hits
''Smash Hits'' was a British music magazine aimed at young adults, originally published by EMAP. It ran from 1978 to 2006, and, after initially appearing monthly, was issued fortnightly during most of that time. The name survived as a brand for a spin-off digital television channel, now named Box Hits, and website. A digital radio station was also available but closed on 5 August 2013. Overview ''Smash Hits'' featured the lyrics of latest hits and interviews with big names in music. It was initially published monthly, then went fortnightly. The style of the magazine was initially serious, but from the mid-1980s became increasingly irreverent. Its interviewing technique was novel at the time and, rather than looking up to the big names, it often made fun of them, asking strange questions rather than talking about their music. Created by journalist Nick Logan, the title was launched in 1978 and appeared monthly for its first few issues. He based the idea on a songwords mag ...
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The Rolling Stone Album Guide
''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1979 and its last in 2004. The guide can be seen at Rate Your Music, while a list of albums given a five star rating by the guide can be seen at Rocklist.net. First edition (1979) ''The Rolling Stone Record Guide'' was the first edition of what would later become ''The Rolling Stone Album Guide''. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Leo ...
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