Die Königin Von Saba
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Die Königin Von Saba
' (''The Queen of Sheba'') is an opera in four acts by Karl Goldmark. The German libretto by Hermann Salomon Mosenthal sets a love triangle into the context of the Queen of Sheba's visit to the court of King Solomon, recorded in First Kings (largely copied in 2 Chronicles ). The plot centres on a love triangle not found in the Bible between the Queen of Sheba, Assad (an ambassador at the court of Solomon), and Sulamith (Assad's betrothed). The opera was first performed at the Hofoper (now the State Opera) in Vienna, on 10 March 1875. It became Goldmark's most famous opera and subsequent performances have been mounted internationally. Creating the opera Goldmark's interest in the subject of the Queen of Sheba was inspired by his pupil, mezzo-soprano Caroline von Gomperz-Bettelheim, whose beauty was once compared to that of the Queen of Sheba by a friend of Goldmark. Bettelheim possessed a striking voice and the role was written to show off her wide range and dramatic skill ...
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Karl Goldmark
Karl Goldmark (born Károly Goldmark, Keszthely, 18 May 1830 – Vienna, 2 January 1915) was a Hungarian-born Viennese composer.Peter Revers, Michael Cherlin, Halina Filipowicz, Richard L. Rudolph The Great Tradition and Its Legacy 2004; , p. 227; "During the late nineteenth century, Karl Goldmark was among the most internationally celebrated of Viennese composers." Life and career Goldmark came from a large Jewish family. His father, Ruben Goldmark, was a chazan (cantor) to the Jewish congregation at Keszthely, Hungary, where Karl was born. Karl Goldmark's older brother Joseph became a physician and was later involved in the Revolution of 1848, and forced to emigrate to the United States. Karl Goldmark's early training as a violinist was at the musical academy of Sopron (1842–44). He continued his music studies there and two years later was sent by his father to Vienna, where he was able to study for some eighteen months with Leopold Jansa before his money ran out. He prep ...
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Sheba Demin
Sheba (; he, ''Šəḇāʾ''; ar, سبأ ''Sabaʾ''; Ge'ez: ሳባ ''Saba'') is a kingdom mentioned in the Hebrew Bible (Old Testament) and the Quran. Sheba features in Jewish, Muslim, and Christian traditions, particularly the Ethiopian Orthodox Tewahedo tradition. It was the home of the biblical "Queen of Sheba", who is left unnamed in the Bible, but receives the names ''Makeda'' in Ethiopian and ''Bilqīs'' in Arabic tradition. According to Josephus it was also the home of the biblical " Princess Tharbis" said to have been the first wife of Moses when he was still a prince of Egypt. There are competing theories of where this kingdom was, with some placing it in either South Arabia or the Horn of Africa. Encyclopedia Britannica posits that the biblical narrative about the kingdom of Sheba was based on the ancient civilization of Saba (Old South Arabian: 𐩪𐩨𐩱 ''S-b-ʾ'') in South Arabia. This view is echoed by Israel Finkelstein and Neil Asher Silberman who write ...
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Lebanon
Lebanon ( , ar, لُبْنَان, translit=lubnān, ), officially the Republic of Lebanon () or the Lebanese Republic, is a country in Western Asia. It is located between Syria to the north and east and Israel to the south, while Cyprus lies to its west across the Mediterranean Sea; its location at the crossroads of the Mediterranean Basin and the Arabian hinterland has contributed to its rich history and shaped a cultural identity of religious diversity. It is part of the Levant region of the Middle East. Lebanon is home to roughly six million people and covers an area of , making it the second smallest country in continental Asia. The official language of the state is Arabic, while French is also formally recognized; the Lebanese dialect of Arabic is used alongside Modern Standard Arabic throughout the country. The earliest evidence of civilization in Lebanon dates back over 7000 years, predating recorded history. Modern-day Lebanon was home to the Phoenicians, a m ...
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Jerusalem
Jerusalem (; he, יְרוּשָׁלַיִם ; ar, القُدس ) (combining the Biblical and common usage Arabic names); grc, Ἱερουσαλήμ/Ἰεροσόλυμα, Hierousalḗm/Hierosóluma; hy, Երուսաղեմ, Erusałēm. is a city in Western Asia. Situated on a plateau in the Judaean Mountains between the Mediterranean Sea, Mediterranean and the Dead Sea, it is one of the List of oldest continuously inhabited cities, oldest cities in the world and is considered to be a holy city for the three major Abrahamic religions: Judaism, Christianity, and Islam. Both Israelis and Palestinians claim Jerusalem as their Capital city, capital, as Israel maintains its primary governmental institutions there and the State of Palestine ultimately foresees it as its seat of power. Because of this dispute, Status of Jerusalem, neither claim is widely recognized internationally. Throughout History of Jerusalem, its long history, Jerusalem has been destroyed at least twice, Sie ...
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Hans Von Rokitansky
Baron Hans von Rokitansky (German: ''Hans Freiherr von Rokitansky'') (8 March 18352 November 1909) was an Austrian operatic bass who sang for three decades at the Vienna Hofoper (now Vienna State Opera) and in concerts and operas throughout Europe between 1856 and 1877. He performed a wide repertoire that encompassed French grand opera, Italian bel canto opera, the German operas of Richard Wagner, and the works of Wolfgang Amadeus Mozart. He possessed a deep resonant voice which remained clear until the very end of his career when his intonation began to suffer somewhat. After retiring from the stage in 1893, he became a much celebrated singing teacher at the Vienna Conservatory and many of his pupils went on to have highly successful opera careers. Life and career Hans Freiherr von Rokitansky was born in Vienna, the son of Baron Carl von Rokitansky who was a famous physician and natural scientist. Hans's younger brother Baron Victor von Rokitansky (1836–1896), also beca ...
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Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Theodor Lay
Theodor Lay was a nineteenth-century German operatic baritone who was particularly admired for his interpretations of the roles of Richard Wagner and Albert Lortzing. He is best remembered today for portraying the role of Baal-Hanan in the world premiere of Karl Goldmark's ''Die Königin von Saba'' in 1875. Biography Lay began his performing career as a child appearing in stage plays at the young age of four. From 1857-1849, he sang in the opera chorus and acted in plays in Leipzig. He appeared in his first featured opera role in the world premiere of Albert Lortzing's ''Rolands Knappen oder Das ersehnte Glück'' in 1849. That same year he became the principle baritone soloist at the Hamburg State Opera. Over the next seven years he made several appearances in Olomouc and Brno in addition to his performances in Hamburg. In 1856 he returned to Leipzig to portray the role of Peter the Great in Lortzing's ''Zar und Zimmermann''. That same year he joined the roster at the Vienna Hofope ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Hermine Von Siegstädt
Hermine von Siegstädt (1844-1883), was an Austrian operatic soprano. She joined the company at the Vienna Hofoper (now Vienna State Opera) in 1864 where she sang regularly in mostly supporting roles for the next 19 years. She most notably portrayed the role of Astaroth in the world premiere of Karl Goldmark's ''Die Königin von Saba ' (''The Queen of Sheba'') is an opera in four acts by Karl Goldmark. The German libretto by Hermann Salomon Mosenthal sets a love triangle into the context of the Queen of Sheba's visit to the court of King Solomon, recorded in First Kings (l ...'' in 1875. After leaving the Vienna Hofoper in 1883, her activities and whereabouts are unknown. ReferencesBiography of Hermine von Siegstädton Operissimo.com (in German). Accessed 1 February 2009. 1844 births Austrian operatic sopranos Year of death missing {{opera-singer-stub ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Marie Wilt
Marie Wilt (also Maria Vilda and Marie Liebenthaler) (30 January 1833 – 24 September 1891) was an Austrian dramatic coloratura soprano. Possessing a wide vocal range with a significant amount of power and flexibility, Wilt sang a wide repertoire that encompassed the operas of Wolfgang Amadeus Mozart, the German operas of Richard Wagner, the grand operas of Giuseppe Verdi, and the bel canto operas of Bellini, Rossini, and Donizetti. She sang for many years at the Vienna Hofoper (now Vienna State Opera) and for a number of seasons at the Royal Opera House, Covent Garden in London. She notably portrayed the role of Sulamith in the world premiere of Karl Goldmark's ''Die Königin von Saba'' in 1875. Also a regular performer of the concert repertoire, Wilt often appeared in performances of works by Beethoven, Haydn, and Mendelssohn. Biography Early life and education Born in Vienna, with the name Marie Liebenthaler, Wilt was orphaned as a young child and adopted by a family with ...
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Johann Nepomuk Beck
Johann Nepomuk Beck (5 May 1827 – 9 April 1904) was a Hungarian operatic baritone. He possessed a flexible and strong voice that was particularly suited to the French and Italian operatic repertoire. Beginning in 1853, he sang for more than thirty years at the Hofoper (now the Vienna State Opera), particularly excelling in works by Giacomo Meyerbeer, Wolfgang Amadeus Mozart, and Giuseppe Verdi. He notably portrayed the role of King Solomon in the world première of Karl Goldmark’s ''Die Königin von Saba'' in 1875. Elizabeth Forbes: "Johann Nepomuk Beck", ''Grove Music Online'' ed. L. Macy (Accessed January 31, 2009)(subscription access) Biography Born at Budapest, Beck first trained as a theology student there but was an active member of the choral society. During a touring season at Budapest from the Vienna Hofoper in about 1847, he sought advice over his 'splendid baritone' voice from the bass Karl Formes and tenor Josef Erl. Formes coached him in the role of Riccardo in ...
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