|
Der Junge Lord
''Der junge Lord'' (''The Young Lord'') is an opera in two acts by Hans Werner Henze to a German libretto by Ingeborg Bachmann, after Wilhelm Hauff's 1827 fairy tale "Der Affe als Mensch" (The Ape as Man) from ''Der Scheik von Alessandria und seine Sklaven'' (The Sheik of Alexandria and his Slaves). The style and plot owe much to Italian opera buffa, with the influence of Vincenzo Bellini and Gioachino Rossini noted. Andrew Porter has noted four distinct musical styles in the opera, corresponding to four different levels of characters: * " neo-classical" style, for the townspeople; * "neo-Straussian arioso", for Sir Edgar's entrance; * a "wilder, more erratic" style, for the traveling circus; * lyrical style, for Luise's love music. Robert Henderson has commented on the Brechtian nature of Bachmann and Henze's treatment of the story. Performance history The opera was commissioned by the Deutsche Oper Berlin, and was first performed there on 7 April 1965. The production was by Ru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolf Sellner
Rudolf Sellner, born Gustav Rudolf Sellner (25 May 1905 – 8 May 1990) was a German actor, dramaturge, stage director, and intendant.Hugo Thielen: ''Sellner, Gustav Rudolf'', in: ''Hannoversches Biographisches Lexikon'', p. 332 He represented in the 1950s a radical ''Instrumentales Theater'' (instrumental theatre). After decades of acting and directing plays, he turned to staging operas, and was a long-time intendant of the Deutsche Oper Berlin from 1961, when the Berlin Wall was built. He staged notable world premieres, including Ernst Barlach's play ''Der Graf von Ratzeburg'' in 1951, Ionesco's '' Mörder ohne Bezahlung'' in 1958, Giselher Klebe's ''Alkmene'' in 1961 for the opening of the Deutsche Oper, and Aribert Reimann's opera ''Melusine'' in 1971. Career Born Gustav Rudolf Sellner in Traunstein, he began his career as an actor, dramaturge and stage director at theatres in Mannheim under from 1925, in Gotha from 1928, and in Coburg from 1929 to 1931. He was influenced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vera Little
Vera Pearl Little-Augustithis (December 10, 1928October 24, 2012) was an American contralto and mezzo-soprano opera singer who belonged to the ensemble of the Deutsche Oper Berlin for more than four decades. She performed each of the important mezzo-soprano roles of the repertoire, appearing at major international opera houses and festivals. She took part in world premieres of operas by Hans Werner Henze, in 1965 ''Der junge Lord'' in Berlin and in 1966 '' Die Bassariden'' at the Salzburg Festival. Life Little was born in Memphis, Tennessee. She won a Munich opera competition in 1950. After graduating from Talladega College in Alabama in 1952, she came to Paris to study with a Fulbright Scholarship with Georges Jouatte. She studied further in Rome, Copenhagen, and in Germany with Margarete Bärwinkel and Richard Sengeleiter. In 1958, Carl Ebert brought her to Berlin to what was then called the "Städtische Oper Berlin", later Deutsche Oper Berlin, where she remained based f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barry McDaniel
Barry McDaniel (October 18, 1930 – June 18, 2018) was an American operatic baritone who spent his career almost exclusively in Germany, including 37 years at the Deutsche Oper Berlin. He appeared internationally at major opera houses and festivals, and created roles in several new operas, including Henze's ''Der junge Lord'', Nabokov's '' Love's Labour's Lost'', and Reimann's ''Melusine''. He was also a celebrated concert singer and recitalist, focused on German '' Lied'' and French ''mélodie''. He was the first singer of Wilhelm Killmayer's song cycle '' Tre Canti di Leopardi''. He recorded both operatic and concert repertory. Career McDaniel was born in Lyndon, Kansas, to musical parents who soon became aware of his talent. From the age of nine he took systematic lessons in singing, piano and percussion and enjoyed considerable local popularity as a boy soprano soloist in churches and private concerts. When his voice changed from soprano to baritone, he studied voice fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the aver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patricia Johnson (mezzo-soprano)
Patricia Johnson (born 1934) is an English operatic mezzo-soprano. She made an international career and is known for her dramatic voice and her stage presence. She appeared in leading roles of the repertory, such as Carmen and Eboli, and created new roles, such as the Baronin Grünwiesel in Henze's ''Der junge Lord'', and the Princess in Nicolas Nabokov's '' Love's Labour's Lost''. Career Born as Patricia Marion Johnson in London, England in 1934, she studied voice there with Maria Linkers. She first worked as a choir member at the Royal Opera House. From 1954, she was a soloist at the Sadler's Wells Opera, where she appeared in the title role of Bizet's '' Carmen'', as Dalila in ''Samson et Dalila'' by Camille Saint-Saëns, and as Azucena in Verdi's ''Il trovatore''). From 1957, she worked at the Basel Opera, performing the title role of Rossini's ''La Cenerentola'', among others. In 1961, she moved to the Deutsche Oper Berlin, where she appeared as Verdi's Azucena and Ebol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina ( Cinderella) in Rossini's '' La Cenerentola'', and Rosina in Rossini's '' Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edith Mathis
Edith Mathis (born 11 February 1938) is a Swiss soprano and a leading exponent of the works of Wolfgang Amadeus Mozart worldwide. She is known for parts in Mozart operas, but also took part in premieres of operas such as Henze's '' Der junge Lord''. Her voice was featured in a key scene of the film '' The Shawshank Redemption'', joining with that of Gundula Janowitz in a duet from ''Le Nozze di Figaro'', "soar ngover a prison yard, signifying joy and hope in a world of despair," as described in a 2014 article in ''The New York Times''. Career Mathis was born and studied in Lucerne, and made her operatic debut in 1956 as the second boy in '' Die Zauberflöte''. She continued gaining stage experience in her native Switzerland for the next three years. Her first appearance abroad was at the Cologne Opera in 1959. In the early 1960s she made frequent guest appearances in Hamburg, at the Glyndebourne Festival, and the Salzburg Festival. In 1963, she became a member of the Deutsch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_playbill.jpg "Click for more on -> Der Junge Lord")
