''Der junge Lord'' (''The Young Lord'') is an

opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librett ...

in two acts by

Hans Werner Henze Hans Werner Henze (1 July 1926 – 27 October 2012) was a German composer. His large oeuvre of works is extremely varied in style, having been influenced by serialism, atonality, Stravinsky, Italian music, Arabic music and jazz, as well as t ...

to a German

libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ...

Ingeborg Bachmann Ingeborg Bachmann (25 June 1926 – 17 October 1973) was an Austrian poet and author. Biography Bachmann was born in Klagenfurt, in the Austrian state of Carinthia, the daughter of Olga (née Haas) and Matthias Bachmann, a schoolteacher. Her fa ...

, after

Wilhelm Hauff Wilhelm Hauff (29 November 180218 November 1827) was a Württembergian poet and novelist. Early life Hauff was born in Stuttgart, the son of August Friedrich Hauff, a secretary in the Württemberg ministry of foreign affairs, and Hedwig Wilhelmi ...

's 1827 fairy tale "Der Affe als Mensch" (The Ape as Man) from ''Der Scheik von Alessandria und seine Sklaven'' (The Sheik of Alexandria and his Slaves). The style and plot owe much to Italian

opera buffa ''Opera buffa'' (; "comic opera", plural: ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramm ...

, with the influence of

Vincenzo Bellini Vincenzo Salvatore Carmelo Francesco Bellini (; 3 November 1801 – 23 September 1835) was a Sicilian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". Many years later, in 1898, Giu ...

and

Gioachino Rossini Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards f ...

noted. Andrew Porter has noted four distinct musical styles in the opera, corresponding to four different levels of characters: * " neo-classical" style, for the townspeople; * "neo-

Straussian Leo Strauss (, ; September 20, 1899 – October 18, 1973) was a German-American political philosopher who specialized in classical political philosophy. Born in Germany to Jewish parents, Strauss later emigrated from Germany to the United States. ...

arioso", for Sir Edgar's entrance; * a "wilder, more erratic" style, for the traveling circus; * lyrical style, for Luise's love music. Robert Henderson has commented on the

Brechtian Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a pl ...

nature of Bachmann and Henze's treatment of the story.

Performance history

The opera was commissioned by the

Deutsche Oper Berlin The Deutsche Oper Berlin is a German opera company located in the Charlottenburg district of Berlin. The resident building is the country's second largest opera house (after Munich's) and also home to the Berlin State Ballet. Since 2004, the De ...

, and was first performed there on 7 April 1965. The production was by

Rudolf Sellner Rudolf Sellner, born Gustav Rudolf Sellner (25 May 1905 – 8 May 1990) was a German actor, dramaturge, stage director, and intendant.Hugo Thielen: ''Sellner, Gustav Rudolf'', in: ''Hannoversches Biographisches Lexikon'', p. 332 He represented i ...

, and the conductor was

Christoph von Dohnányi Christoph von Dohnányi (; born 8 September 1929) is a German conducting, conductor. Biography Youth and World War II Dohnányi was born in Berlin, Germany to Hans von Dohnanyi, a German jurist of Hungarian ancestry, and Christine von Dohnanyi ...

Roles

Synopsis

The opera is in two acts of three scenes each, linked by interludes. Sir Edgar, an English gentleman and scientist, visits a small German town with a vast entourage, including black slaves and a large collection of animals. The townspeople are curious about the new personage in their town, but Sir Edgar is initially aloof to the townsfolk. Through his secretary, Sir Edgar declines all invitations to social events, and the townspeople become angry at this attitude. In scene 2 of act 1, the Baroness Grünwiesel hosts a tea and expects Sir Edgar to attend, but he does not, via a note from his Moor servant. The Baroness promises revenge on Sir Edgar for this slight. In scene 3, a traveling circus sets up their show in front of Sir Edgar's residence. Sir Edgar leaves his house for the first time since his arrival, and enjoys the circus performance. However, when city officials try to talk with Sir Edgar, he again refuses. The city officials then shut the circus down, but Sir Edgar invites the circus troupe into his mansion. At the start of act 2, several months have elapsed. A lamplighter hears screams and groans from Sir Edgar's mansion. He reports this to the town mayor, who demands an explanation from Sir Edgar. Sir Edgar's secretary explains that the noises are from Lord Barrat, Sir Edgar's nephew (the 'young lord' of the title), who has arrived recently in Germany and is learning German, but is making mistakes and is punished with lashings. However, the prospect of a pending social event at Sir Edgar's mansion becomes evident. This is fulfilled in scene 2 of act 2, where Lord Barrat is presented to the townspeople at a social event at Sir Edgar's mansion. Lord Barrat behaves eccentrically, but the townsfolk are charmed and begin to imitate his actions. Luise, the ward of the local baroness, had previously been in love with Wilhelm, a student, but now has become enamoured of the 'young lord'. Finally, in the climactic dance, Lord Barrat's attire falls from him, and he is revealed as a trained ape.

Recording

Deutsche Grammophon Deutsche Grammophon (; DGG) is a German classical music record label that was the precursor of the corporation PolyGram. Headquartered in Berlin Friedrichshain, it is now part of Universal Music Group (UMG) since its merger with the UMG family of ...

445 248-2 (CD reissue);

Edith Mathis Edith Mathis (born 11 February 1938) is a Swiss soprano and a leading exponent of the works of Wolfgang Amadeus Mozart worldwide. She is known for parts in Mozart operas, but also took part in premieres of operas such as Henze's ''Der junge Lord' ...

, Bella Jasper, Vera Little,

Donald Grobe Donald Roth Grobe (16 December 1929 – 1 April 1986) was an American tenor, lyric tenor who sang at the ''Deutsche Oper Berlin'' during the 1960s, 1970s and 1980s. He made his début in Chicago, in 1952, as Borsa in ''Rigoletto''. He sang at his ...

Barry McDaniel Barry McDaniel (October 18, 1930 – June 18, 2018) was an American operatic baritone who spent his career almost exclusively in Germany, including 37 years at the Deutsche Oper Berlin. He appeared internationally at major opera houses and fes ...

, Patricia Johnson,

Loren Driscoll Loren Driscoll (April 14, 1928 – April 8, 2008) was an American tenor who had an active international career from the 1950s through the mid-1980s. Driscoll was particularly noted for his performances in contemporary operas and sang in many w ...

, Manfred Röhrl, Günther Treptow;

Schöneberger Sängerknaben The Schöneberger Sängerknaben were a German boys' choir from Berlin, named after the . The choir performed with about 30 boys at a time. They wore short black trousers, black blazers with emblems, white shirts and white knee socks. The rep ...

; chorus and orchestra of the

;

, conductor

References

{{DEFAULTSORT:Junge Lord, Der Operas German-language operas Operas by Hans Werner Henze 1965 operas Operas set in Germany Operas based on fairy tales Adaptations of works by Wilhelm Hauff