|
Neoclassicism (music)
Neoclassicism in music was a twentieth-century trend, particularly current in the interwar period, in which composers sought to return to aesthetic precepts associated with the broadly defined concept of "classicism", namely order, balance, clarity, economy, and emotional restraint. As such, neoclassicism was a reaction against the unrestrained emotionalism and perceived formlessness of late Romanticism, as well as a "call to order" after the experimental ferment of the first two decades of the twentieth century. The neoclassical impulse found its expression in such features as the use of pared-down performing forces, an emphasis on rhythm and on contrapuntal texture, an updated or expanded tonal harmony, and a concentration on absolute music as opposed to Romantic program music. In form and thematic technique, neoclassical music often drew inspiration from music of the 18th century, though the inspiring canon belonged as frequently to the Baroque and even earlier periods as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Period (music)
The Classical period was an era of classical music between roughly 1750 and 1820. The Classical period falls between the Baroque and the Romantic periods. Classical music has a lighter, clearer texture than Baroque music, but a more sophisticated use of form. It is mainly homophonic, using a clear melody line over a subordinate chordal accompaniment, Blume, Friedrich. ''Classic and Romantic Music: A Comprehensive Survey''. New York: W. W. Norton, 1970 but counterpoint was by no means forgotten, especially in liturgical vocal music and, later in the period, secular instrumental music. It also makes use of '' style galant'' which emphasized light elegance in place of the Baroque's dignified seriousness and impressive grandeur. Variety and contrast within a piece became more pronounced than before and the orchestra increased in size, range, and power. The harpsichord was replaced as the main keyboard instrument by the piano (or fortepiano). Unlike the harpsichord, which plucks ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets '' Swan Lake'' and ''The Nutcracker'', the '' 1812 Overture'', his First Piano Concerto, Violin Concerto, the '' Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that he received there set him apart from composers of the contemporary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pulcinella (ballet)
''Pulcinella'' is a one-act ballet by Igor Stravinsky based on an 18th-century play, ''Quatre Polichinelles semblables'' ("Four identical Pulcinellas"). Pulcinella is a stock character originating from '' commedia dell'arte''. The ballet premiered at the Paris Opera on 15 May 1920 under the baton of Ernest Ansermet. The dancer Léonide Massine created both the libretto and choreography, and Pablo Picasso designed the original costumes and sets. The ballet was commissioned by Sergei Diaghilev, impresario of the '' Ballets Russes''. A performance of the work typically lasts 35 minutes. The ballet score was revised by Stravinsky in 1965. History Diaghilev wanted a ballet based on an early 18th-century ''commedia dell'arte'' libretto and music then believed to have been composed by Giovanni Battista Pergolesi. This attribution has since been proved to be spurious. Some of the music may have been by Domenico Gallo, Unico Wilhelm van Wassenaer, Carlo Ignazio Monza and Alessand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Monteverdi
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history. Born in Cremona, where he undertook his first musical studies and compositions, Monteverdi developed his career first at the court of Mantua () and then until his death in the Republic of Venice where he was '' maestro di cappella'' at the basilica of San Marco. His surviving letters give insight into the life of a professional musician in Italy of the period, including problems of income, patronage and politics. Much of Monteverdi's output, including many stage works, has been lost. His surviving music includes nine books of madrigals, large-scale religious works, such as his '' Vespro della Beata Vergine'' (''Vespers for the Blessed Virg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Francesco Malipiero
Gian Francesco Malipiero (; 18 March 1882 – 1 August 1973) was an Italian composer, musicologist, music teacher and editor. Life Early years Born in Venice into an aristocratic family, the grandson of the opera composer Francesco Malipiero, Gian Francesco Malipiero was prevented by family troubles from pursuing his musical education in a consistent manner. His father separated from his mother in 1893 and took Gian Francesco to Trieste, Berlin and eventually to Vienna. The young Malipiero and his father broke up their relationship bitterly, and in 1899 Malipiero returned to his mother's home in Venice, where he entered the Venice ''Liceo Musicale'' (now the Conservatorio di Musica Benedetto Marcello di Venezia).John C.G. Watherhouse (1993). "Gian Francesco Malipiero (1883–1973)". In Symphonies nos.3 and 4 · Sinfonia del mare (pp. 3–5) D booklet Germany: Naxos. After stopping counterpoint lessons with the composer, organist and pedagogue Marco Enrico Bossi, Malipiero con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Airs And Dances
''Ancient Airs and Dances'' ( it, Antiche arie e danze) is a set of three orchestral suites by Italian composer Ottorino Respighi, freely transcribed from original pieces for lute. In addition to being a renowned composer and conductor, Respighi was also a notable musicologist. His interest in Italian music of the 16th, 17th, and 18th centuries led him to compose works inspired by the music of these periods. Suite No. 1 (1917) Suite No. 1 P 109 was composed in 1917. It was based on Renaissance lute pieces by Simone Molinaro, Vincenzo Galilei (father of Galileo Galilei) and additional anonymous composers. The orchestration calls for 2 flutes, 2 oboes, English horn, 2 bassoons, 2 horns in F, trumpet in D, harp, harpsichord and strings. Suite No. 2 (1923) Suite No. 2, P 138 was composed in 1923. It was based on pieces for lute, archlute, and viol by Fabritio Caroso, Jean-Baptiste Besard, Bernardo Gianoncelli, and an anonymous composer. It also includes an aria attributed to M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottorino Respighi
Ottorino Respighi ( , , ; 9 July 187918 April 1936) was an Italian composer, violinist, teacher, and musicologist and one of the leading Italian composers of the early 20th century. His compositions range over operas, ballets, orchestral suites, choral songs, chamber music, and transcriptions of Italian compositions of the 16th–18th centuries, but his best known and most performed works are his three orchestral tone poems which brought him international fame: ''Fountains of Rome'' (1916), '' Pines of Rome'' (1924), and '' Roman Festivals'' (1928). Respighi was born in Bologna to a musical and artistic family. He was encouraged by his father to pursue music at a young age, and took formal tuition in the violin and piano. In 1891, he enrolled at the Liceo Musicale di Bologna, where he studied the violin, viola, and composition, was principal violinist at the Russian Imperial Theatre, and studied briefly with Nikolai Rimsky-Korsakov. He relocated to Rome in 1913 to become ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Bourgeois Gentilhomme (Strauss)
''Le bourgeois gentilhomme'' (in German, ''Der Bürger als Edelmann''), Op. 60, is an orchestral suite compiled by Richard Strauss from music he wrote between 1911 and 1917. The work has a complex genesis. Originally, Strauss collaborator Hugo von Hofmannsthal had the idea of reviving Molière's 1670 play '' Le bourgeois gentilhomme'', simplifying its plot, introducing a ''commedia dell'arte'' troupe, adding incidental music, and concluding what would be a long evening with a newly written one-act opera called ''Ariadne auf Naxos''. This idea did materialize, as planned, in Stuttgart on 25 October 1912. But it was apparent that the result was too long and expensive and that many in the audience for the play were uninterested in the opera, and vice versa. Strauss and Hofmannsthal accordingly opted to separate the two works entirely. In the case of the opera, this meant Strauss composing a new “Prologue” for it to explain the presence of the comedians. (The revised ''Ariadne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was '' Don Juan'', and this was followed by other lauded works of this kind, including '' Death and Transfiguration'', '' Till Eulenspiegel's Merry Pranks'', '' Also sprach Zarathustra'', '' Don Quixote'', ''Ein Heldenl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1917 In Music
This is a list of notable events in music that took place in the year 1917. Specific locations *1917 in British music *1917 in Norwegian music Specific genres *1917 in country music *1917 in jazz Events *March 7 – "Livery Stable Blues", recorded with "Dixie Jazz Band One Step" on February 26 by the Original Dixieland Jass Band (a white 5-piece group from New Orleans led by cornetist Nick LaRocca) for the Victor Talking Machine Company in the United States, becomes the first jazz recording commercially released (described as a "foxtrot"). On August 17 the band records "Tiger Rag" *May 12 – Béla Bartók's ballet ''The Wooden Prince'' is premiered in Budapest * First African American jazz recordings made by Wilbur Sweatman's Band * Eddie Cantor makes his first recordings * Songs of the First World War become popular in the U.S. Bands formed *''See :Musical groups established in 1917'' Published popular music * "All The World Will Be Jealous Of Me" w. Al Dubin m. Ernest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section ( violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Prokofiev
Sergei Sergeyevich Prokofiev; alternative transliterations of his name include ''Sergey'' or ''Serge'', and ''Prokofief'', ''Prokofieff'', or ''Prokofyev''., group=n (27 April .S. 15 April1891 – 5 March 1953) was a Russian composer, pianist, and conductor who later worked in the Soviet Union. As the creator of acknowledged masterpieces across numerous music genres, he is regarded as one of the major composers of the 20th century. His works include such widely heard pieces as the March from '' The Love for Three Oranges,'' the suite ''Lieutenant Kijé'', the ballet ''Romeo and Juliet''—from which "Dance of the Knights" is taken—and '' Peter and the Wolf.'' Of the established forms and genres in which he worked, he created—excluding juvenilia—seven completed operas, seven symphonies, eight ballets, five piano concertos, two violin concertos, a cello concerto, a symphony-concerto for cello and orchestra, and nine completed piano sonatas. A graduate of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Pyotr Ilyich Tchaikovsky")
.jpg "Click for more on -> Claudio Monteverdi")
.jpg "Click for more on -> 1917 In Music")
