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Der Golem (opera)
''Der Golem'' is an opera in three acts by composer Eugen d'Albert. The work uses a German language libretto by Ferdinand Lion after Arthur Holitscher's 1908 play ''Der Golem: Ghettolengende in drei Aufzügen''. The opera premiered on 14 November 1926 at the Oper Frankfurt, conducted by Clemens Krauss. Roles Recordings In 2010 the German company Musikproduktion Dabringhaus und Grimm (MDG) released a live recording made early 2010, with conducting the Beethoven Orchester Bonn The Beethoven Orchester Bonn is a German symphony orchestra based in Bonn, North Rhine-Westphalia. It dates back to 1907, when a professional orchestra was established. Named for Ludwig van Beethoven, who was born in Bonn, the orchestra's princ .... References External links * {{DEFAULTSORT:Golem, Der Operas by Eugen d'Albert 1926 operas German-language operas Operas based on plays Operas set in the 16th century Golem Operas ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two st ...
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Robert Vom Scheidt
Robert vom Scheidt (16 April 1881, Elberfeld – 10 April 1964, Frankfurt) was a German operatic baritone. He created roles in several world premieres at the Oper Frankfurt, including Wolf in Franz Schreker's '' Das Spielwerk und die Prinzessin'' (1913), Vitellozzo Tamare/Andrea in Schreker's ''Die Gezeichneten'' (1918), Baliv in Schreker's ''Der Schatzgräber'' (1920), and Rabbi Leone in Eugène d'Albert's '' Der Golem'' (1926). His elder sister was Selma vom Scheidt (1874–1959), a soprano at the court of the Grand Duke in Weimar Weimar is a city in the state of Thuringia, Germany. It is located in Central Germany between Erfurt in the west and Jena in the east, approximately southwest of Leipzig, north of Nuremberg and west of Dresden. Together with the neighbouri .... His elder brother, Julius vom Scheidt (1877–1949), was also an opera singer. Vom Scheidt left records for G&T (Bayreuth 1904), Gramophone (Berlin 1909), Homokord (Berlin 1909), Anker (Berlin 1909 ...
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Operas Based On Plays
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of sing ...
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German-language Operas
German ( ) is a West Germanic language mainly spoken in Central Europe. It is the most widely spoken and official or co-official language in Germany, Austria, Switzerland, Liechtenstein, and the Italian province of South Tyrol. It is also a co-official language of Luxembourg and Belgium, as well as a national language in Namibia. Outside Germany, it is also spoken by German communities in France (Bas-Rhin), Czech Republic (North Bohemia), Poland (Upper Silesia), Slovakia (Bratislava Region), and Hungary (Sopron). German is most similar to other languages within the West Germanic language branch, including Afrikaans, Dutch, English, the Frisian languages, Low German, Luxembourgish, Scots, and Yiddish. It also contains close similarities in vocabulary to some languages in the North Germanic group, such as Danish, Norwegian, and Swedish. German is the second most widely spoken Germanic language after English, which is also a West Germanic language. German is one of the ...
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1926 Operas
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ...
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Operas By Eugen D'Albert
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Beethoven Orchester Bonn
The Beethoven Orchester Bonn is a German symphony orchestra based in Bonn, North Rhine-Westphalia. It dates back to 1907, when a professional orchestra was established. Named for Ludwig van Beethoven, who was born in Bonn, the orchestra's principal concert venue is the Beethovenhalle. History The orchestra dates back to 1907 when the town of Bonn signed a contract with the ''Philharmonische Orchester Koblenz'' from Koblenz and its Kapellmeister, to serve Bonn. It was the first professional orchestra in Bonn since the court chapel had been dissolved in 1794. It was first named ''Städtisches Orchester Bonn'' (Municipal orchestra Bonn), from 1963 ''Orchester der Beethovenhalle Bonn'' (Orchestra of the Beethovenhalle Bonn), and from 2003 ''Beethoven Orchester Bonn''. The orchestra suffered in World War I, when its main venue, the old Beethovenhalle, served as a lazaretto, and many players were recruited. The orchestra was dissolved in April 1916, and only reestablished in 1920 ...
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Walter Schneider (bass)
Walter Schneider (1878–1935) was a German operatic bass. Professional career Born in Bretzenheim, his initial musical ambition was to become a conductor, but in the end he decided on a singing career. His first engagement was at the Cologne Opera in 1903. During the 1904-1905 season he was engaged at the Stadttheater in Aachen. In 1905 he moved to the Frankfurt Opera: he was a member of this opera house for the remainder of his professional career, singing more than 200 roles in over 4000 performances. His repertoire included several major Wagner bass roles (Gurnemanz in ''Parsifal'', King Marke in ''Tristan und Isolde'', Fasolt and Hunding in ''Der Ring des Nibelungen'' a.o.). He sang in several world premiere performances: Schreker's ''Der ferne Klang'' (18 August 1912), '' Das Spielwerk und die Prinzessin'' (15 March 1913) and ''Die Gezeichneten'' (25 April 1918), Delius's '' Fennimore and Gerda'' (21 October 1919), Rudi Stephan's '' Die ersten Menschen'' (1 July 1920), ...
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Emperor Rudolf II
Rudolf II (18 July 1552 – 20 January 1612) was Holy Roman Emperor (1576–1612), King of Hungary and Croatia (as Rudolf I, 1572–1608), King of Bohemia (1575–1608/1611) and Archduke of Austria (1576–1608). He was a member of the House of Habsburg. Rudolf's legacy has traditionally been viewed in three ways:Hotson, 1999. an ineffectual ruler whose mistakes led directly to the Thirty Years' War; a great and influential patron of Northern Mannerist art; and an intellectual devotee of occult arts and learning which helped seed what would be called the Scientific Revolution. Determined to unify Christendom, he initiated the Long Turkish War (1593–1606) with the Ottoman Empire. Exhausted by war, his citizens in Hungary revolted in the Bocskai Uprising, which led to more authority given to his brother Matthias. Under his reign, there was a policy of toleration towards Judaism. Early life Rudolf was born in Vienna on 18 July 1552. He was the eldest son and successor of ...
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Elisabeth Kandt
Elizabeth or Elisabeth may refer to: People * Elizabeth (given name), a female given name (including people with that name) * Elizabeth (biblical figure), mother of John the Baptist Ships * HMS ''Elizabeth'', several ships * ''Elisabeth'' (schooner), several ships * ''Elizabeth'' (freighter), an American freighter that was wrecked off New York harbor in 1850; see Places Australia * City of Elizabeth ** Elizabeth, South Australia * Elizabeth Reef, a coral reef in the Tasman Sea United States * Elizabeth, Arkansas * Elizabeth, Colorado * Elizabeth, Georgia * Elizabeth, Illinois * Elizabeth, Indiana * Hopkinsville, Kentucky, originally known as Elizabeth * Elizabeth, Louisiana * Elizabeth Islands, Massachusetts * Elizabeth, Minnesota * Elizabeth, New Jersey, largest city with the name in the U.S. * Elizabeth City, North Carolina * Elizabeth (Charlotte neighborhood), North Carolina * Elizabeth, Pennsylvania * Elizabeth Township, Pennsylvania (other) * Elizabeth, W ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ...
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