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Beethoven Orchester Bonn
The Beethoven Orchester Bonn is a German symphony orchestra based in Bonn, North Rhine-Westphalia. It dates back to 1907, when a professional orchestra was established. Named for Ludwig van Beethoven, who was born in Bonn, the orchestra's principal concert venue is the Beethovenhalle. History The orchestra dates back to 1907 when the town of Bonn signed a contract with the ''Philharmonische Orchester Koblenz'' from Koblenz and its Kapellmeister, to serve Bonn. It was the first professional orchestra in Bonn since the court chapel had been dissolved in 1794. It was first named ''Städtisches Orchester Bonn'' (Municipal orchestra Bonn), from 1963 ''Orchester der Beethovenhalle Bonn'' (Orchestra of the Beethovenhalle Bonn), and from 2003 ''Beethoven Orchester Bonn''. The orchestra suffered in World War I, when its main venue, the old Beethovenhalle, served as a lazaretto, and many players were recruited. The orchestra was dissolved in April 1916, and only reestablished in 1920. D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beethovenhalle
The Beethovenhalle () is a concert hall in Bonn. It is the third hall in that city to bear the name of Bonn-born composer Ludwig van Beethoven. History The first Beethovenhalle was a temporary structure built in 1845 during the inauguration of the Beethoven Monument, located in the Münsterplatz. The second hall was built in 1870 for centennial celebration of Beethoven's birth. It was also wood with a stucco Neoclassical façade and a rectangular auditorium. The interior contained galleries along the side walls and could accommodate 1,500 people. During the next several years, the hall not only hosted concerts, but also poetry readings, boxing matches, charity bazaars, the Oberammergau Passion Play and gatherings for the Nazi Party. The hall was destroyed on 18 October 1944 during a World War II bombing raid. The new hall In 1952, the building committee recommended constructing a new hall on the site of several former university hospitals on the north edge of the old c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Reger
Johann Baptist Joseph Maximilian Reger (19 March 187311 May 1916) was a German composer, pianist, organist, conductor, and academic teacher. He worked as a concert pianist, as a musical director at the Paulinerkirche, Leipzig, Leipzig University Church, as a professor at the Leipzig Conservatory, Royal Conservatory in Leipzig, and as a music director at the court of Duke Georg II of Saxe-Meiningen. Reger first composed mainly ''Lieder'', chamber music, choral music and works for piano and organ. He later turned to orchestral compositions, such as the popular ''Variations and Fugue on a Theme by Mozart'' (1914), and to works for choir and orchestra such as ''Gesang der Verklärten'' (1903), ' (1909), ''Der Einsiedler'' and the ''Requiem (Reger), Hebbel Requiem'' (both 1915). Biography Born in Brand, Bavaria, Brand, Kingdom of Bavaria, Bavaria, Reger was the first child of Josef Reger, a school teacher and amateur musician, and his wife Katharina Philomena. The devout Catholic fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Abendroth
Hermann Paul Maximilian Abendroth (19 January 1883 – 29 May 1956) was a German conductor. Early life Abendroth was born on 19 January 1883, at Frankfurt, the son of a bookseller. Several other members of the family were artists in diverse disciplines. After finishing his school studies at the '' Frankfort Gymnasium'', Abendroth traveled to Munich and at the wish of his father undertook the first year of an apprenticeship as a book dealer, but he then switched to studying music at the conservatory of Munich, the ''Münchner Konservatorium'', from 1900 to 1903, studying theory and composition with Ludwig Thuille, piano with Anna Hirtzel-Langenham, and developing his conducting skills working with Felix Mottl.Hermann Abendroth at AllMusic Initial career Still an undergraduate, Hermann Abendroth's first stable assignment of conducting was from 1903 to 1904, for the ''Orchestral Society of Munich''. From 1905 to 1911, he moved to Lübeck, highlighting as the ''Kapellmeister'' of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Masur
Kurt Masur (18 July 1927 – 19 December 2015) was a German conductor. Called "one of the last old-style maestros", he directed many of the principal orchestras of his era. He had a long career as the Kapellmeister of the Leipzig Gewandhaus Orchestra, and also served as music director of the New York Philharmonic. He left many recordings of classical music played by major orchestras. Masur is also remembered for his actions to support peaceful demonstrations in the 1989 anti-government demonstrations in Leipzig; the protests were part of the events leading up to the fall of the Berlin wall. Biography Masur was born in Brieg, Lower Silesia, Germany (now Brzeg, Poland), and studied piano, composition and conducting in Leipzig, Saxony. His father was an electrical engineer, and as a young boy he completed an electrician's apprenticeship; he occasionally worked in his father's shop. From ages 10 to 16, he took piano lessons with Katharina Hartmann. In October 1944 the Nazis ann ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malcolm Sargent
Sir Harold Malcolm Watts Sargent (29 April 1895 – 3 October 1967) was an English conductor, organist and composer widely regarded as Britain's leading conductor of choral works. The musical ensembles with which he was associated included the Ballets Russes, the Huddersfield Choral Society, the Royal Choral Society, the D'Oyly Carte Opera Company, and the London Philharmonic, Hallé, Liverpool Philharmonic, BBC Symphony and Royal Philharmonic orchestras. Sargent was held in high esteem by choirs and instrumental soloists, but because of his high standards and a statement that he made in a 1936 interview disputing musicians' rights to tenure, his relationship with orchestral players was often uneasy. Despite this, he was co-founder of the London Philharmonic, was the first conductor of the Liverpool Philharmonic as a full-time ensemble, and played an important part in saving the Royal Philharmonic Orchestra from disbandment in the 1960s. As chief conductor of London's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Günter Wand
Günter Wand (7 January 1912, in Elberfeld, Germany – 14 February 2002, in Ulmiz near Bern, Switzerland) was a German orchestra conductor and composer. Wand studied in Wuppertal, Allenstein and Detmold. At the Cologne Conservatory, he was a composition student with Philipp Jarnach and a piano student with Paul Baumgartner. He was a conducting pupil of Franz von Hoesslin in Munich, but was otherwise largely self-taught as a conductor. During his 65-year-long career as a conductor, he was particularly revered for his Schubert and Bruckner, and was honoured with many significant awards, including the German Record Award and the internationally important Diapason d'Or. Career In February 1924, aged 12, Wand attended a performance of Der Zigeunerbaron at the Thalia Theatre in Wuppertal-Elberfeld, and was so entranced he decided to become a conductor. The role of Sandor Barinkay that evening was sung by Richard Tauber. Cologne Wand started his career in Cologne, where he was t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergiu Celibidache
Sergiu Celibidache (; 14 August 1996) was a Romanian conductor, composer, musical theorist, and teacher. Educated in his native Romania, and later in Paris and Berlin, Celibidache's career in music spanned over five decades, including tenures as principal conductor of the Munich Philharmonic, Berlin Philharmonic, Sicilian Symphony Orchestra and several other European orchestras. Later in life, he taught at Mainz University in Germany and the Curtis Institute of Music in Philadelphia, Pennsylvania. Celibidache frequently refused to release his performances on commercial recordings during his lifetime, claiming that a listener could not have a "transcendental experience" outside the concert hall. Many of the recordings of his performances were released posthumously. He has nonetheless earned international acclaim for his interpretations of the classical repertoire and was known for a spirited performance style informed by his study and experiences in Zen Buddhism. He is regarded a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolf Kempe
Rudolf Kempe (14 June 1910 – 12 May 1976) was a German conductor. Biography Kempe was born in Dresden, where from the age of fourteen he studied at the Dresden State Opera School. He played oboe in the opera orchestra of Dortmund and then in the Leipzig Gewandhaus orchestra, from 1929. In addition to oboe, he played the piano regularly, as a soloist, in chamber music or accompanying, as a result of which, in 1933, the new Director of the Leipzig Opera invited Kempe to become a ''répétiteur'', and later a conductor, for the opera. During the Second World War Kempe was conscripted into the army, but instead of active service was directed into musical activities, playing for the troops and later taking over the chief conductorship of the Chemnitz opera house. Career Opera Kempe directed the Dresden Opera and the Staatskapelle Dresden from 1949 to 1952, making his first records, including ''Der Rosenkavalier'', ''Die Meistersinger'' and ''Der Freischütz.'' 'He obt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Böhm
Karl August Leopold Böhm (28 August 1894 – 14 August 1981) was an Austrian conductor. He was best known for his performances of the music of Mozart, Wagner, and Richard Strauss. Life and career Education Karl Böhm was born in Graz. The son of a lawyer, he studied law and earned a doctorate in this subject before entering the music conservatory in his home town of Graz, Austria. He later enrolled at the Vienna Conservatory, where he studied under Eusebius Mandyczewski, a friend of Johannes Brahms. Munich, Darmstadt, Hamburg In 1917, Böhm became a rehearsal assistant in his home town, making his debut as a conductor in Viktor Nessler's ''Der Trompeter von Säckingen'' in 1917. He became the assistant director of music in 1919, and the following year, the senior director. On the recommendation of Karl Muck, Bruno Walter engaged him at the Bavarian State Opera, Munich in 1921. An early assignment here was Mozart's ''Die Entführung aus dem Serail'', with a cast which i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Keilberth
Joseph Keilberth (19 April 1908 – 20 July 1968) was a German conductor who specialised in opera. Career He started his career in the State Theatre of his native city, Karlsruhe. In 1940 he became director of the German Philharmonic Orchestra of Prague. Near the end of World War II, he was appointed principal conductor of the venerable Saxon State Opera Orchestra in Dresden. In 1949 he became chief conductor of the Bamberg Symphony, formed mainly of German musicians expelled from postwar Czechoslovakia under the Beneš decrees. Ring Cycles at Bayreuth and in recording Keilberth was a regular at the Bayreuth Festival in the early 1950s, with complete Wagner Ring Cycles from 1952, 1953 and 1955, as well as a well-regarded recording of ''Die Walküre'' from 1954 (the whereabouts of rest of the cycle are unclear) in which Martha Mödl, perhaps the greatest Wagnerian actress and tragedian of her time, sang her only recorded Sieglinde. He made the first stereo recording of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erich Kleiber
Erich Kleiber (5 August 1890 – 27 January 1956) was an Austrian, later Argentine, conductor, known for his interpretations of the classics and as an advocate of new music. Kleiber was born in Vienna, and after studying at the Prague Conservatory, he followed the traditional route for an aspiring conductor in German-speaking countries of the time, starting as a répétiteur in an opera house and moving into conducting in increasingly senior positions. After holding posts in Darmstadt (1912), Barmen-Elberfeld (1919), Düsseldorf (1921) and Mannheim (1922) he was appointed in 1923 to the important post of musical director of the Berlin State Opera. In Berlin, Kleiber's scrupulous musicianship and enterprising programming won him a high reputation, but after the Nazi Party came to power in Germany in 1933, he resigned in protest against its oppressive policies, and left the country, basing himself and his family in Buenos Aires. For the rest of his career he was a freelance, guest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Pfitzner
Hans Erich Pfitzner (5 May 1869 – 22 May 1949) was a German composer, conductor and polemicist who was a self-described anti-modernist. His best known work is the post-Romantic opera ''Palestrina'' (1917), loosely based on the life of the sixteenth-century composer Giovanni Pierluigi da Palestrina and his ''Missa Papae Marcelli''. Life Pfitzner was born in Moscow where his father played cello in a theater orchestra. The family returned to his father's native town Frankfurt in 1872, when Pfitzner was two years old, he always considered Frankfurt his home town. He received early instruction in violin from his father, and his earliest compositions were composed at age 11. In 1884 he wrote his first songs. From 1886 to 1890 he studied composition with Iwan Knorr and piano with James Kwast at the Hoch Conservatory in Frankfurt. (He later married Kwast's daughter Mimi Kwast, a granddaughter of Ferdinand Hiller, after she had rejected the advances of Percy Grainger.) He taught pi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_~1950_OeNB_653942.jpg "Click for more on -> Karl Böhm")
