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Demogorgon
Demogorgon is a deity or demon associated with the underworld. Although often ascribed to Greek mythology, the name probably arises from an unknown copyist's misreading of a commentary by a fourth-century scholar, Lactantius Placidus. The concept itself can be traced back to the original misread term demiurge. Etymology The origins of the name ''Demogorgon'' are not entirely clear, though the most prevalent scholarly view now considers it to be a misreading of the Greek δημιουργόν (''dēmiourgón'', accusative case form of δημιουργός, 'demiurge') based on the manuscript variations in the earliest known explicit reference in Lactantius Placidus (Jahnke 1898, Sweeney 1997, Solomon 2012). Boccaccio, in his influential ''Genealogia Deorum Gentilium'', cites a now-lost work by Theodontius and that master's acknowledged Byzantine source " Pronapides the Athenian" as authority for the idea that Demogorgon is the antecedent of all the gods. Art historian Jean Sezn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theodontius
Theodontius was the author of a now lost Latin work on mythology. He was extensively quoted in Giovanni Boccaccio's ''Genealogia Deorum Gentilium'', but is otherwise almost unknown. Boccaccio says that he knew Theodontius's work through the ''Collections'' of Paul of Perugia, which Paul's wife burnt after his death (''Genealogiae'' XV 6). In telling the legend of Bathyllus, however, Boccaccio complains that Theodontius was illegible except for Bathyllus's birth, from Phorcys and a marine monster (''Genealogiae'' X 7), so he may have seen some of Theodontius's own writings; sources disagree on this. Some authorities think Boccaccio invented him. Outside Boccaccio, there was a Theodontius, who wrote on the wars of Troy, and is quoted by Servius on ''Aeneid'', I, 28; and the fourteenth century author Domenico Bandini, who made an index for the ''Genealogiae'', calls him "''Teodontius Campanus diligens investigator poetici figmenti''". Carlo Landi argued in his 1930 monograph ''D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genealogia Deorum Gentilium
''Genealogia deorum gentilium'', known in English as ''On the Genealogy of the Gods of the Gentiles'', is a mythography or encyclopedic compilation of the tangled family relationships of the classical pantheons of Ancient Greece and Rome, written in Latin prose from 1360 onwards by the Italian author and poet Giovanni Boccaccio. The work is "humanist in spirit and medieval in structure". According to the Preface Boccaccio undertook the project at the request of Hugh IV of Cyprus. The first version was completed in 1360, and he continuously corrected and revised the work until his death in 1374, so that various redactions of the works were copied in different manuscript traditions. In his lifetime and for two centuries afterwards it was considered his most important work. The full range of genealogies of the classical Gods are described in the fifteen books, drawing on the standard earlier works, especially the '' Liber imaginum deorum'', a 12th-century treatise by the othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genealogia Deorum Gentilium
''Genealogia deorum gentilium'', known in English as ''On the Genealogy of the Gods of the Gentiles'', is a mythography or encyclopedic compilation of the tangled family relationships of the classical pantheons of Ancient Greece and Rome, written in Latin prose from 1360 onwards by the Italian author and poet Giovanni Boccaccio. The work is "humanist in spirit and medieval in structure". According to the Preface Boccaccio undertook the project at the request of Hugh IV of Cyprus. The first version was completed in 1360, and he continuously corrected and revised the work until his death in 1374, so that various redactions of the works were copied in different manuscript traditions. In his lifetime and for two centuries afterwards it was considered his most important work. The full range of genealogies of the classical Gods are described in the fifteen books, drawing on the standard earlier works, especially the '' Liber imaginum deorum'', a 12th-century treatise by the othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deity
A deity or god is a supernatural being who is considered divine or sacred. The ''Oxford Dictionary of English'' defines deity as a god or goddess, or anything revered as divine. C. Scott Littleton defines a deity as "a being with powers greater than those of ordinary humans, but who interacts with humans, positively or negatively, in ways that carry humans to new levels of consciousness, beyond the grounded preoccupations of ordinary life". Religions can be categorized by how many deities they worship. Monotheistic religions accept only one deity (predominantly referred to as "God"), whereas polytheistic religions accept multiple deities. Henotheistic religions accept one supreme deity without denying other deities, considering them as aspects of the same divine principle. Nontheistic religions deny any supreme eternal creator deity, but may accept a pantheon of deities which live, die and may be reborn like any other being. Although most monotheistic religions traditionall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theogony
The ''Theogony'' (, , , i.e. "the genealogy or birth of the gods") is a poem by Hesiod (8th–7th century BC) describing the origins and genealogies of the Greek gods, composed . It is written in the Epic dialect of Ancient Greek and contains 1022 lines. Descriptions Hesiod's ''Theogony'' is a large-scale synthesis of a vast variety of local Greek traditions concerning the gods, organized as a narrative that tells how they came to be and how they established permanent control over the cosmos. It is the first known Greek mythical cosmogony. The initial state of the universe is chaos, a dark indefinite void considered a divine primordial condition from which everything else appeared. Theogonies are a part of Greek mythology which embodies the desire to articulate reality as a whole; this universalizing impulse was fundamental for the first later projects of speculative theorizing. Further, in the "Kings and Singers" passage (80–103) Hesiod appropriates to himself the authority u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metamorphoses (poem)
The ''Metamorphoses'' ( la, Metamorphōsēs, from grc, μεταμορφώσεις: "Transformations") is a Latin narrative poem from 8 CE by the Roman poet Ovid. It is considered his ''magnum opus''. The poem chronicles the history of the world from its creation to the deification of Julius Caesar in a mythico-historical framework comprising over 250 myths, 15 books, and 11,995 lines. Although it meets some of the criteria for an epic, the poem defies simple genre classification because of its varying themes and tones. Ovid took inspiration from the genre of metamorphosis poetry and some of the ''Metamorphoses'' derives from earlier treatment of the same myths; however, he diverged significantly from all of his models. One of the most influential works in Western culture, the ''Metamorphoses'' has inspired such authors as Dante Alighieri, Giovanni Boccaccio, Geoffrey Chaucer, and William Shakespeare. Numerous episodes from the poem have been depicted in works of sculpture, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ovid
Pūblius Ovidius Nāsō (; 20 March 43 BC – 17/18 AD), known in English as Ovid ( ), was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is often ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists.Quint. ''Inst.'' 10.1.93 Although Ovid enjoyed enormous popularity during his lifetime, the emperor Augustus banished him to Tomis, a Dacian province on the Black Sea, where he remained a decade until his death. Overview A contemporary of the older poets Virgil and Horace, Ovid was the first major Roman poet to begin his career during Augustus's reign. Collectively, they are considered the three canonical poets of Latin literature. The Imperial scholar Quintilian described Ovid as the last of the Latin love elegists.Quint. ''Inst.'' 10.1.93 He enjoyed enormous popularity during his lifetime, but the emperor Augus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Boccaccio
Giovanni Boccaccio (, , ; 16 June 1313 – 21 December 1375) was an Italian writer, poet, correspondent of Petrarch, and an important Renaissance humanist. Born in the town of Certaldo, he became so well known as a writer that he was sometimes simply known as "the Certaldese" and one of the most important figures in the European literary panorama of the fourteenth century. Some scholars (including Vittore Branca) define him as the greatest European prose writer of his time, a versatile writer who amalgamated different literary trends and genres, making them converge in original works, thanks to a creative activity exercised under the banner of experimentalism. His most notable works are ''The Decameron'', a collection of short stories which in the following centuries was a determining element for the Italian literary tradition, especially after Pietro Bembo elevated the Boccaccian style to a model of Italian prose in the sixteenth century, and ''On Famous Women''. He wrot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commenta Bernensia
{{Short description, 10th-century manuscript The ''Commenta Bernensia'', also known as the Bern scholia, are commentaries or marginal notes in a 10th-century manuscript, Cod. 370, preserved in the Burgerbibliothek of Berne, Switzerland. The commentaries relate to classical Latin texts, including Lucan's '' De Bello Civili'', and Vergil's ''Eclogues'' and ''Georgics'' (see Filargirius). The commentary expands on a reference of Lucan's to the druidic human sacrifice to Teutates (Mercury), Esus (Mars) and Taranis (Jupiter). It states that victims dedicated to Teutates were drowned, those dedicated to Esus were hanged and those to Taranis were burned. See also *Threefold death In algebraic geometry, a 3-fold or threefold is a 3-dimensional algebraic variety. The Mori program In algebraic geometry, the minimal model program is part of the birational classification of algebraic varieties. Its goal is to construct a bir ... * Fragmenta Bernensia External linksCatalog entry(chronarc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mithraic Mysteries
Mithraism, also known as the Mithraic mysteries or the Cult of Mithras, was a Roman mystery religion centered on the god Mithras. Although inspired by Iranian worship of the Zoroastrian divinity (''yazata'') Mithra, the Roman Mithras is linked to a new and distinctive imagery, with the level of continuity between Persian and Greco-Roman practice debated. The mysteries were popular among the Imperial Roman army from about the 1st to the 4th-century CE. Worshippers of Mithras had a complex system of seven grades of initiation and communal ritual meals. Initiates called themselves ''syndexioi'', those "united by the handshake". They met in underground temples, now called ''mithraea'' (singular '' mithraeum''), which survive in large numbers. The cult appears to have had its center in Rome, and was popular throughout the western half of the empire, as far south as Roman Africa and Numidia, as far as Roman Dacia, as far north as Roman Britain, and to a lesser extent in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucius Caelius Firmianus Lactantius
Lucius Caecilius Firmianus Lactantius (c. 250 – c. 325) was an early Christian author who became an advisor to Roman emperor, Constantine I, guiding his Christian religious policy in its initial stages of emergence, and a tutor to his son Crispus. His most important work is the ''Institutiones Divinae'' ("The Divine Institutes"), an apologetic treatise intended to establish the reasonableness and truth of Christianity to pagan critics. He is best known for his apologetic works, widely read during the Renaissance by humanists, who called Lactantius the "Christian Cicero". Also often attributed to Lactantius is the poem '' The Phoenix'', which is based on the myth of the phoenix from Egypt and Arabia. Though the poem is not clearly Christian in its motifs, modern scholars have found some literary evidence in the text to suggest the author had a Christian interpretation of the eastern myth as a symbol of resurrection. Biography Lactantius was of Punic or Berber origin, born into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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