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Genealogia Deorum Gentilium
''Genealogia deorum gentilium'', known in English as ''On the Genealogy of the Gods of the Gentiles'', is a mythography or encyclopedic compilation of the tangled family relationships of the classical pantheons of Ancient Greece and Rome, written in Latin prose from 1360 onwards by the Italian author and poet Giovanni Boccaccio. The work is "humanist in spirit and medieval in structure". According to the Preface Boccaccio undertook the project at the request of Hugh IV of Cyprus. The first version was completed in 1360, and he continuously corrected and revised the work until his death in 1374, so that various redactions of the works were copied in different manuscript traditions. In his lifetime and for two centuries afterwards it was considered his most important work. The full range of genealogies of the classical Gods are described in the fifteen books, drawing on the standard earlier works, especially the '' Liber imaginum deorum'', a 12th-century treatise by the othe ...
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Andrea Del Castagno Giovanni Boccaccio C 1450
Andrea is a given name which is common worldwide for both males and females, cognate to Andreas, Andrej and Andrew. Origin of the name The name derives from the Greek word ἀνήρ (''anēr''), genitive ἀνδρός (''andrós''), that refers to man as opposed to woman (whereas ''man'' in the sense of ''human being'' is ἄνθρωπος, ''ánthropos''). The original male Greek name, ''Andréas'', represents the hypocoristic, with endearment functions, of male Greek names composed with the ''andr-'' prefix, like Androgeos (''man of the earth''), Androcles (''man of glory''), Andronikos (''man of victory''). In the year 2006, it was the third most popular name in Italy with 3.1% of newborns. It is one of the Italian male names ending in ''a'', with others being Elia (Elias), Enea (Aeneas), Luca (Lucas), Mattia (Matthias), Nicola (Nicholas), Tobia (Tobias). In recent and past times it has also been used on occasion as a female name in Italy and in Spain, where it is consid ...
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The History Of The Decline And Fall Of The Roman Empire
''The History of the Decline and Fall of the Roman Empire'' is a six-volume work by the English historian Edward Gibbon. It traces Western civilization (as well as the Islamic and Mongolian conquests) from the height of the Roman Empire to the fall of Byzantium in the fifteenth century. Volume I was published in 1776 and went through six printings. Volumes II and III were published in 1781; volumes IV, V, and VI in 1788–1789.The original volumes were published in quarto sections, a common publishing practice of the time. The six volumes cover the history, from 98 to 1590, of the Roman Empire, the history of early Christianity and then of the Roman State Church, and the history of Europe, and discusses the decline of the Roman Empire among other things. Thesis Gibbon offers an explanation for the fall of the Roman Empire, a task made difficult by a lack of comprehensive written sources, though he was not the only historian to attempt it. According to Gib ...
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Philip The Good
Philip III (french: Philippe le Bon; nl, Filips de Goede; 31 July 1396 – 15 June 1467) was Duke of Burgundy from 1419 until his death. He was a member of a cadet line of the Valois dynasty, to which all 15th-century kings of France belonged. During his reign, the Burgundian State reached the apex of its prosperity and prestige, and became a leading centre of the arts. Philip is known historically for his administrative reforms, his patronage of Flemish artists such as van Eyck and Franco-Flemish composers such as Gilles Binchois, and perhaps most significantly the seizure of Joan of Arc, whom Philip ransomed to the English after his soldiers captured her, resulting in her trial and eventual execution. In political affairs, he alternated between alliances with the English and the French in an attempt to improve his dynasty's powerbase. Additionally, as ruler of Flanders, Brabant, Limburg, Artois, Hainaut, Holland, Luxembourg, Zeeland, Friesland and Namur, he played an i ...
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Jean Miélot
Jean Miélot, also Jehan, (born Gueschard, Picardy, died 1472) was an author, translator, manuscript illuminator, scribe and priest, who served as secretary to Philip the Good, Duke of Burgundy from 1449 to Philip's death in 1467, and then to his son Charles the Bold. He also served as chaplain to Louis of Luxembourg, Count of St. Pol from 1468, after Philip's death. He was mainly employed in the production of ''de luxe'' illuminated manuscripts for Philip's library. He translated many works, both religious and secular, from Latin or Italian into French, as well as writing or compiling books himself, and composing verse. Between his own writings and his translations he produced some twenty-two works whilst working for Philip, which were widely disseminated, many being given printed editions in the years after his death, and influenced the development of French prose style. Career Little is known of his early career. He was born at Gueschard, between Abbeville and Hesdin, ...
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Jesse Tree
The Tree of Jesse is a depiction in art of the ancestors of Jesus Christ, shown in a branching tree which rises from Jesse of Bethlehem, the father of King David. It is the original use of the family tree as a schematic representation of a genealogy. The Tree of Jesse originates in a passage in the biblical Book of Isaiah which describes metaphorically the descent of the Messiah and is accepted by Christians as referring to Jesus. The various figures depicted in the lineage of Jesus are drawn from those names listed in the Gospel of Matthew and the Gospel of Luke. The subject is often seen in Christian art, particularly in that of the medieval period. The earliest example is an illuminated manuscript which dates from the 11th century. There are many examples in medieval psalters, because of the relation to King David, son of Jesse, and writer of the Psalms. Other examples include stained glass windows, stone carvings around the portals of medieval cathedrals, and painting ...
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Family Tree
A family tree, also called a genealogy or a pedigree chart, is a chart representing family relationships in a conventional tree structure. More detailed family trees, used in medicine and social work, are known as genograms. Representations of family history Genealogical data can be represented in several formats, for example, as a pedigree or . Family trees are often presented with the oldest generations at the top of the tree and the younger generations at the bottom. An ancestry chart, which is a tree showing the ancestors of an individual and not all members of a family, will more closely resemble a tree in shape, being wider at the top than at the bottom. In some ancestry charts, an individual appears on the left and his or her ancestors appear to the right. Conversely, a descendant chart, which depicts all the descendants of an individual, will be narrowest at the top. Beyond these formats, some family trees might include all members of a particular surname (e.g., male-l ...
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Percy Bysshe Shelley
Percy Bysshe Shelley ( ; 4 August 17928 July 1822) was one of the major English Romantic poets. A radical in his poetry as well as in his political and social views, Shelley did not achieve fame during his lifetime, but recognition of his achievements in poetry grew steadily following his death and he became an important influence on subsequent generations of poets including Robert Browning, Algernon Charles Swinburne, Thomas Hardy, and W. B. Yeats. American literary critic Harold Bloom describes him as "a superb craftsman, a lyric poet without rival, and surely one of the most advanced sceptical intellects ever to write a poem." Shelly's reputation fluctuated during the 20th century, but in recent decades he has achieved increasing critical acclaim for the sweeping momentum of his poetic imagery, his mastery of genres and verse forms, and the complex interplay of sceptical, idealist, and materialist ideas in his work. Among his best-known works are "Ozymandias" (1818), "Ode ...
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John Milton
John Milton (9 December 1608 – 8 November 1674) was an English poet and intellectual. His 1667 epic poem '' Paradise Lost'', written in blank verse and including over ten chapters, was written in a time of immense religious flux and political upheaval. It addressed the fall of man, including the temptation of Adam and Eve by the fallen angel Satan and God's expulsion of them from the Garden of Eden. ''Paradise Lost'' is widely considered one of the greatest works of literature ever written, and it elevated Milton's widely-held reputation as one of history's greatest poets. He also served as a civil servant for the Commonwealth of England under its Council of State and later under Oliver Cromwell. Writing in English, Latin, and Italian, Milton achieved global fame and recognition during his lifetime; his celebrated ''Areopagitica'' (1644), written in condemnation of pre-publication censorship, is among history's most influential and impassioned defences of freedom of spe ...
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Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition (see Icon). This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semiotics ...
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Demiurge
In the Platonic, Neopythagorean, Middle Platonic, and Neoplatonic schools of philosophy, the demiurge () is an artisan-like figure responsible for fashioning and maintaining the physical universe. The Gnostics adopted the term ''demiurge''. Although a fashioner, the demiurge is not necessarily the same as the Creator figure in the monotheistic sense, because the demiurge itself and the material from which the demiurge fashions the universe are both considered consequences of something else. Depending on the system, they may be considered either uncreated and eternal or the product of some other entity. The word ''demiurge'' is an English word derived from ''demiurgus'', a Latinised form of the Greek or . It was originally a common noun meaning "craftsman" or "artisan", but gradually came to mean "producer", and eventually "creator". The philosophical usage and the proper noun derive from Plato's ''Timaeus'', written  360 BC, where the demiurge is presented as the crea ...
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Scholion
Scholia (singular scholium or scholion, from grc, σχόλιον, "comment, interpretation") are grammatical, critical, or explanatory comments – original or copied from prior commentaries – which are inserted in the margin of the manuscript of ancient authors, as glosses. One who writes scholia is a scholiast. The earliest attested use of the word dates to the 1st century BC. History Ancient scholia are important sources of information about many aspects of the ancient world, especially ancient literary history. The earliest scholia, usually anonymous, date to the 5th or 4th century BC (such as the ''scholia minora'' to the ''Iliad''). The practice of compiling scholia continued to late Byzantine times, outstanding examples being Archbishop Eustathius' massive commentaries to Homer in the 12th century and the ''scholia recentiora'' of Thomas Magister, Demetrius Triclinius and Manuel Moschopoulos in the 14th. Scholia were altered by successive copyists and ...
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Demogorgon
Demogorgon is a deity or demon associated with the underworld. Although often ascribed to Greek mythology, the name probably arises from an unknown copyist's misreading of a commentary by a fourth-century scholar, Lactantius Placidus. The concept itself can be traced back to the original misread term demiurge. Etymology The origins of the name ''Demogorgon'' are not entirely clear, though the most prevalent scholarly view now considers it to be a misreading of the Greek δημιουργόν (''dēmiourgón'', accusative case form of δημιουργός, 'demiurge') based on the manuscript variations in the earliest known explicit reference in Lactantius Placidus (Jahnke 1898, Sweeney 1997, Solomon 2012). Boccaccio, in his influential ''Genealogia Deorum Gentilium'', cites a now-lost work by Theodontius and that master's acknowledged Byzantine source " Pronapides the Athenian" as authority for the idea that Demogorgon is the antecedent of all the gods. Art historian Jean Sezn ...
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