Dedication Of Nikandre
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Dedication Of Nikandre
The Dedication of Nikandre is a Greek marble sculpture, made approximately around 650 BCE, held in the National Archaeological Museum, Athens, Greece (Inv. 1). Nikandre, a woman from the island of Naxos, dedicated the statue in the temple of Artemis at Delos, the birthplace of Apollo and Artemis. The statue, which was found during archaeological excavation in the 19th century, is one of the earliest surviving korai, or statues of women, and displays one of the oldest inscriptions of Ancient Greek in stone. Its representation and its placement within the existing stylistic periods of Greek sculpture have become the subject of extensive scholarship. Discovery Théophile Homolle uncovered the statue amongst several other sculptural pieces in ditches while excavating around the sanctuary of Artemis in 1878. Homolle himself published slightly contradictory notes regarding the find spot of the pieces that make up Nikandre's dedication during the years following the discovery. As such, ...
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Statue Of Nikandre
A statue is a free-standing sculpture in which the realistic, full-length figures of persons or animals are carved or cast in a durable material such as wood, metal or stone. Typical statues are life-sized or close to life-size; a sculpture that represents persons or animals in full figure but that is small enough to lift and carry is a statuette or figurine, whilst one more than twice life-size is a colossal statue. Statues have been produced in many cultures from prehistory to the present; the oldest-known statue dating to about 30,000 years ago. Statues represent many different people and animals, real and mythical. Many statues are placed in public places as public art. The world's tallest statue, '' Statue of Unity'', is tall and is located near the Narmada dam in Gujarat, India. Color Ancient statues often show the bare surface of the material of which they are made. For example, many people associate Greek classical art with white marble sculpture, but there i ...
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Nymph
A nymph ( grc, νύμφη, nýmphē, el, script=Latn, nímfi, label=Modern Greek; , ) in ancient Greek folklore is a minor female nature deity. Different from Greek goddesses, nymphs are generally regarded as personifications of nature, are typically tied to a specific place or landform, and are usually depicted as maidens. They were not necessarily immortal, but lived much longer than human beings. They are often divided into various broad subgroups, such as the Meliae (ash tree nymphs), the Dryads (oak tree nymphs), the Naiads (freshwater nymphs), the Nereids (sea nymphs), and the Oreads (mountain nymphs). Nymphs are often featured in classic works of art, literature, mythology, and fiction. Since the Middle Ages, nymphs have been sometimes popularly associated or even confused with fairies. Etymology The Greek word has the primary meaning of "young woman; bride, young wife" but is not usually associated with deities in particular. Yet the etymology of the noun remains ...
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Ancient Delos
The island of Delos (; el, Δήλος ; Attic: , Doric: ), near Mykonos, near the centre of the Cyclades archipelago, is one of the most important mythological, historical, and archaeological sites in Greece. The excavations in the island are among the most extensive in the Mediterranean; ongoing work takes place under the direction of the Ephorate of Antiquities of Cyclades, and many of the artifacts found are on display at the Archaeological Museum of Delos and the National Archaeological Museum of Athens. Delos had a position as a holy sanctuary for a millennium before Olympian Greek mythology made it the birthplace of Apollo and Artemis. From its Sacred Harbour, the horizon shows the three conical mounds that have identified landscapes sacred to a goddess (it is predicted that the deity's name is Athena) - in other sites: one, retaining its Pre-Greek name Mount Cynthus, is crowned with a sanctuary of Zeus. In 1990, UNESCO inscribed Delos on the World Heritage List, citing ...
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7th-century BC Greek Sculptures
The 7th century is the period from 601 ( DCI) through 700 ( DCC) in accordance with the Julian calendar in the Common Era. The spread of Islam and the Muslim conquests began with the unification of Arabia by Muhammad starting in 622. After Muhammad's death in 632, Islam expanded beyond the Arabian Peninsula under the Rashidun Caliphate (632–661) and the Umayyad Caliphate (661–750). The Muslim conquest of Persia in the 7th century led to the downfall of the Sasanian Empire. Also conquered during the 7th century were Syria, Palestine, Armenia, Egypt, and North Africa. The Byzantine Empire suffered setbacks during the rapid expansion of the Caliphate, a mass incursion of Slavs in the Balkans which reduced its territorial limits. The decisive victory at the Siege of Constantinople in the 670s led the empire to retain Asia Minor which assured the existence of the empire. In the Iberian Peninsula, the 7th century was known as the ''Siglo de Concilios'' (century of councils) refe ...
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Mosaics Of Delos
The mosaics of Delos are a significant body of ancient Greek mosaic art. Most of the surviving mosaics from Delos, Greece, an island in the Cyclades, date to the last half of the 2nd century BC and early 1st century BC, during the Hellenistic period and beginning of the Roman period of Greece. Hellenistic mosaics were no longer produced after roughly 69 BC, due to warfare with the Kingdom of Pontus and subsequently abrupt decline of the island's population and position as a major trading center. Among Hellenistic Greek archaeological sites, Delos contains one of the highest concentrations of surviving mosaic artworks. Approximately half of all surviving tessellated Greek mosaics from the Hellenistic period come from Delos. The paved walkways of Delos range from simple pebble or chip-pavement constructions to elaborate mosaic floors composed of tesserae. Most motifs contain simple geometric patterns, while only a handful utilize the ''opus tessellatum'' and ''opus vermicula ...
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List Of Ancient Greek And Roman Monoliths
This is a list of ancient monoliths found in all types of Greek and Roman buildings. It contains monoliths *quarried, but not moved *quarried and moved *quarried, moved and lifted clear off the ground into their position (architraves etc.) *quarried, moved and erected in an upright position (columns etc.) Transporting was done by land or water (or a combination of both), in the later case often by special-built ships such as obelisk carriers. For lifting operations, ancient cranes were employed since ca. 515 BC, such as in the construction of Trajan's Column. It should be stressed that all numbers are estimations since only in the rarest cases have monoliths been actually weighed. Rather, weight is calculated by multiplying volume by density. The main source, J. J. Coulton, assumes 2.75 t/m3 for marble and 2.25 t/m3 for other stone. For an explanation of the large margin of error, which often leads to widely differing numbers, see these introductory remarks. Greek monol ...
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Lady Of Auxerre
The relatively small (75 cm high) limestone Cretan sculpture called the Lady of Auxerre (or Kore of Auxerre), at the Louvre Museum in Paris depicts an archaic Greek goddess of c. 650 - 625 BCE. It is a '' Kore'' ("maiden"), perhaps a votary rather than the maiden Goddess Persephone herself, for her right hand touches her solar plexus and her left remains stiffly at her side (Basel 2001). It is also possible that the Kore is a depiction of a deceased individual, possibly in a position of prayer. Maxime Collignon, a Louvre curator, found the sculpture in a storage vault in the Museum of Auxerre, a city east of Paris, in 1907. No provenance is known, and its mysterious arrival at a provincial French museum gave it a journalistic allure, according to the Louvre monograph. The Archaic sculpture, bearing traces of polychrome decoration, dates from the 7th century BCE, when Greece was emerging from its Dark Age. She still has the narrow waist of a Minoan- Mycenaean ...
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Peplos
A peplos ( el, ὁ πέπλος) is a body-length garment established as typical attire for women in ancient Greece by circa 500 BC, during the late Archaic and Classical period. It was a long, rectangular cloth with the top edge folded down about halfway, so that what was the top of the rectangle was now draped below the waist, and the bottom of the rectangle was at the ankle. One side of the peplos could be left open, or pinned or sewn together.Ancient Greek Dress
''Heilbrunn Timeline of Art History'', , 2000-2013. Retrieved 7 October 2013.
In Latin and in a Roman context, it could be called a ''
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Daedalus
In Greek mythology, Daedalus (, ; Greek: Δαίδαλος; Latin: ''Daedalus''; Etruscan: ''Taitale'') was a skillful architect and craftsman, seen as a symbol of wisdom, knowledge and power. He is the father of Icarus, the uncle of Perdix, and possibly also the father of Iapyx. Among his most famous creations are the wooden cow for Pasiphaë, the Labyrinth for King Minos of Crete which imprisoned the Minotaur, and wings that he and his son Icarus used to escape Crete. It was during this escape that Icarus did not heed his father's warnings and flew too close to the sun; the wax holding his wings together melted and Icarus fell to his death. Epigraphic evidence The name ''Daidalos'' appears to be attested in Linear B, a writing system used to record Mycenaean Greek. The name appears in the form ''da-da-re-jo-de'', possibly referring to a sanctuary. Family Daedalus's parentage was supplied as a later addition, with various authors attributing different parents to him. His fat ...
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Daidala
The ''daidala'' is a type of sculpture attributed to the legendary Greek artist Daedalus, who is connected in legend both to Bronze Age Crete and to the earliest period of Archaic sculpture in Bronze Age Greece. The legends about Daedalus recognize him both as a man and as a mythical embodiment. He was the reputed inventor of '' agalmata'', statues of the gods which had open eyes and moveable limbs. These statues were so lifelike that Plato remarked upon their amazing and disconcerting mobility, which was accomplished with techniques that are clearly those of the "daidala". The writer Pausanias thought that wooden images were referred to as "daidala" even before Daedalus’s time. The name "Daedalus", more specifically, has been suggested by Alberto Pérez-Gómez to be a play on the Greek word "daidala" which appears in archaic literature as a complement of the verb "to make", "to manufacture", "to forge", "to weave", "to place on", or "to see". Daidala were the implements ...
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Parthenon
The Parthenon (; grc, Παρθενών, , ; ell, Παρθενώνας, , ) is a former temple on the Athenian Acropolis, Greece, that was dedicated to the goddess Athena during the fifth century BC. Its decorative sculptures are considered some of the high points of Greek art, an enduring symbol of Ancient Greece, democracy and Western civilization. The Parthenon was built in thanksgiving for the Hellenic victory over Persian invaders during the Greco-Persian Wars. Like most Greek temples, the Parthenon also served as the city treasury. Construction started in 447 BC when the Delian League was at the peak of its power. It was completed in 438; work on the decoration continued until 432. For a time, it served as the treasury of the Delian League, which later became the Athenian Empire. In the final decade of the 6th century AD, the Parthenon was converted into a Christian church dedicated to the Virgin Mary. After the Ottoman conquest in the mid-fifteenth century ...
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Aegis
The aegis ( ; grc, αἰγίς ''aigís''), as stated in the ''Iliad'', is a device carried by Athena and Zeus, variously interpreted as an animal skin or a shield and sometimes featuring the head of a Gorgon. There may be a connection with a deity named Aex or Aix, a daughter of Helios and a nurse of Zeus or alternatively a mistress of Zeus (Hyginus, ''Astronomica'' 2. 13). The modern concept of doing something "under someone's ''aegis'' means doing something under the protection of a powerful, knowledgeable, or benevolent source. The word ''aegis'' is identified with protection by a strong force with its roots in Greek mythology and adopted by the Romans; there are parallels in Norse mythology and in Egyptian mythology as well, where the Greek word ''aegis'' is applied by extension. Etymology The Greek ''aigis'', has many meanings including: # "violent windstorm", from the verb ''aïssō'' (word stem ''aïg-'') = "I rush or move violently". Akin to ''kataigis'', "thund ...
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