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Das Land Des Laechelns
''The Land of Smiles'' (German: ') is a 1929 romantic operetta in three acts by Franz Lehár. The German language libretto was by and Fritz Löhner-Beda. The performance duration is about 100 minutes. This was one of Lehár's later works, and has a bittersweet ending which the Viennese loved. The title refers to the supposed Chinese custom of smiling, whatever happens in life. (The leading character, Prince Sou-Chong has a song early in the show, "" ("Always smiling") which describes this.) The ''Tauberlied'' Lavishly produced, the show was built largely around the performance of the tenor Richard Tauber, a close friend of Lehár, for whom he customarily wrote a ' – a signature tune exploiting the exceptional qualities of his voice – in each of his later operettas. On this occasion it was "Dein ist mein ganzes Herz" ("You are my heart's delight"), probably the most famous of all the '. Tauber also appeared in the show in London, singing many encores of his song. Performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operetta
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its shorter length, the operetta is usually of a light and amusing character. It sometimes also includes satirical commentaries. "Operetta" is the Italian diminutive of "opera" and was used originally to describe a shorter, perhaps less ambitious work than an opera. Operetta provides an alternative to operatic performances in an accessible form targeting a different audience. Operetta became a recognizable form in the mid-19th century in France, and its popularity led to the development of many national styles of operetta. Distinctive styles emerged across countries including Austria-Hungary, Germany, England, Spain, the Philippines, Mexico, Cuba, and the United States. Through the transfer of operetta among different countries, cultural cosmo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Craig (tenor)
Charles James Craig (3 December 191923 January 1997) was an English operatic tenor. In the army during World War II, he joined the Entertainments Unit in India and performed operatic arias. He was encouraged by Thomas Beecham, and was included on his 1952 recording of ''A Mass of Life'' Biography Craig was born in Shoreditch, London on 3 December 1919. His father was labourer James George Craig and his mother Ann Rosina Gardner. He was youngest of fifteen siblings. Although he had musical leanings in his youth, both his parents died by the time he was thirteen, and in 1940 he joined the army. During World War II he performed operatic arias and ballads as part of the Entertainments Unit in India. He married Dorothy Wilson on 11 September 1946 in Bradford and they had 2 children. In retirement, he lived at Whitfield, Northamptonshire and on 23 January 1997 he died as a result of a heart attack. Career Craig received early encouragement from Sir Thomas Beecham, and sang in his 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Land Of Smiles (1952 Film)
''The Land of Smiles'' (german: Das Land des Lächelns) is a 1952 West German operetta film directed by Hans Deppe and Erik Ode and starring Mártha Eggerth, Jan Kiepura and Walter Müller. It is an adaptation of the operetta '' The Land of Smiles'' composed by Franz Lehár which had previously been made into a 1930 film starring Richard Tauber.Traubner p.249 It was shot at the Tempelhof Studios in Berlin and on location in Thailand. The film's sets were designed by the art directors Willi Herrmann, Peter Schlewski and Heinrich Weidemann Heinrich Weidemann (1899–1982) was a German art director.Lowe p.179 Selected filmography * '' The Gambler'' (1938) * '' The Swedish Nightingale'' (1941) * '' Ghost in the Castle'' (1947) * '' The Trip to Marrakesh'' (1949) * '' Scandal at the E .... Cast * Mártha Eggerth as Lissy Licht, Sängerin * Jan Kiepura as Sou Bawana Pantschur, Prinz von Javora * Walter Müller as Gustl Potter, ein junger Wiener * Paul Hörbiger as Pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Reichmann
Max Reichmann (1884-1958) was a German film director active during the silent and early sound eras. Before making his own films, Reichmann worked as an assistant director on several E.A. Dupont productions. After graduating to directing, he directed the tenor Richard Tauber in several films following the introduction of sound in the late 1920s.Bock & Bergfelder p.467 Reichmann was Jewish, and was therefore forced to go into exile in France when the Nazi Party took power in Germany in 1933. He later emigrated to the United States, where he died in 1958. Selected filmography Director * ''The Battle Against Berlin'' (1926) * ''Derby'' (1926) * ''The Strange Case of Captain Ramper'' (1927) * ''Knights of the Night'' (1928) * ''Life's Circus'' (1928) * ''Weib in Flammen'' (1928) * ''Der Herzensphotograph'' (1928) * ''Never Trust a Woman'' (1930) * '' End of the Rainbow'' (1930) * ''How Do I Become Rich and Happy?'' (1930) * '' You'll Be in My Heart'' (1930) * '' The Land of Smiles'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Land Of Smiles (1930 Film)
''The Land of Smiles'' (german: Das Land des Lächelns) is a 1930 German operetta film directed by Max Reichmann and starring Richard Tauber, Mary Losseff and Hans Mierendorff. It is an adaptation of the operetta '' The Land of Smiles'' composed by Franz Lehár. Lehár himself appeared in the film in a small role. It was shot at the Emelka Studios in Munich with sets designed by the art director Hans Jacoby. The operetta was again adapted for a 1952 film '' The Land of Smiles'' starring Jan Kiepura. Plot It is no coincidence that the master of the house chose the Lehár operetta "The Land of Smiles" for a performance in honor of his daughter's forthcoming marriage to an "exotic prince", a Japanese diplomat. It's meant to be a metaphor of what might await them. The well-known plot of the Lehár operetta about a tragic marriage between a Chinese prince named Sou Chong and a young Austrian shows parallels to the upcoming, real connection of the lord's daughter, who breaks up w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the aver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hella Kürty
Hella Kürty (1900–1954) was a German actress and singer. An operetta performer, she originated the role of Mi in Franz Lehar's 1929 work ''The Land of Smiles'' alongside Richard Tauber. The following year she appeared in a film version of the operetta. Of Jewish background, she was forced to emigrate from Germany following the Nazi takeover in 1933. She emigrated to Britain, settling in London. Selected filmography * ''The Transformation of Dr. Bessel'' (1927) * '' A Crazy Night'' (1927) * ''A Day of Roses in August'' (1927) * ''Diary of a Coquette'' (1929) * ''The Land of Smiles ''The Land of Smiles'' (German: ') is a 1929 romantic operetta in three acts by Franz Lehár. The German language libretto was by and Fritz Löhner-Beda. The performance duration is about 100 minutes. This was one of Lehár's later works, and ...'' (1930) * '' Candlelight in Algeria'' (1944) * '' Hotel Reserve'' (1944) References Bibliography * External links * 1900 births 1954 dea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vera Schwarz
Vera Schwarz (10 July 1888 - 4 December 1964) was an Austrian soprano, known primarily for her operetta partnership with Richard Tauber. Life Vera Schwarz was born in Zagreb, the daughter of Hungarian-Croatian aviation pioneer David Schwarz. She studied in Vienna with Philipp Forstén and gave her debut in 1908 at the Theater an der Wien. From 1908 to 1912 she was a member of the Grazer Oper, and from 1911 to 1913 she sang at the Johann Strauß-Theater in Vienna. After performing in Karlsbad she came to the Hamburger Stadttheater in 1914. From 1918 to 1922 she was an ensemble member of the Staatsoper Unter den Linden in Berlin. Vienna From 1921 to 1930 Schwarz appeared often as a guest in Vienna, performing the title roles of ''Tosca'' and '' Carmen'', Eva in '' Die Meistersinger von Nürnberg'', Sieglinde in ''Die Walküre'', Countess in '' The Marriage of Figaro'' and Rachel in '' La Juive'', receiving the title "Kammersängerin"". It was during this time that she ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louise Kartousch
Louise Kartousch (17 August 1886 – 13 February 1964) was an Austrian character dancer, opera and operetta soprano. Life Born in Linz, Kartousch attended the music school in Linz and was trained in Vienna. She had children's roles in Linz and from 1902 worked as a second soubrette in Graz, where she also appeared in opera (for example as a Die Walküre, Walküre). From 1907 to 1921, she performed at the Theater an der Wien in Franz Lehár, Lehár's, Leo Fall, Fall's and Emmerich Kálmán, Kálmán's operettas. She was described as a "soubrette of race and temperament" and the press highlighted her joy of playing and dancing. Kartousch also performed at the Raimundtheater, the Volksoper Wien and the Theater in der Josefstadt. on Operissimo Kartousch died ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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