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Dagr By Arbo
Dagr (Old Norse: , "day")Lindow (2001:91). is the divine personification of the day in Norse mythology. He appears in the ''Poetic Edda'', compiled in the 13th century from earlier traditional sources, and the ''Prose Edda'', written in the 13th century by Snorri Sturluson. In both sources, Dagr is stated to be the son of the god Dellingr and is associated with the bright-maned horse Skinfaxi, who "draw[s] day to mankind". Depending on manuscript variation, the ''Prose Edda'' adds that Dagr is either Dellingr's son by Nótt, the personified night, or Jörð, the personified Earth. Otherwise, Dagr appears as a Common noun#Proper nouns and common nouns, common noun simply meaning "day" throughout Old Norse works. Connections have been proposed between Dagr and other similarly named figures in Germanic mythology. Eddaic Dagr ''Poetic Edda'' Dagr is mentioned in stanzas 12 and 25 of the poem ''Vafþrúðnismál''. In stanza 24, the god Odin (disguised as "List of names of Odin, Gagnr ...
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Dagr By Arbo
Dagr (Old Norse: , "day")Lindow (2001:91). is the divine personification of the day in Norse mythology. He appears in the ''Poetic Edda'', compiled in the 13th century from earlier traditional sources, and the ''Prose Edda'', written in the 13th century by Snorri Sturluson. In both sources, Dagr is stated to be the son of the god Dellingr and is associated with the bright-maned horse Skinfaxi, who "draw[s] day to mankind". Depending on manuscript variation, the ''Prose Edda'' adds that Dagr is either Dellingr's son by Nótt, the personified night, or Jörð, the personified Earth. Otherwise, Dagr appears as a Common noun#Proper nouns and common nouns, common noun simply meaning "day" throughout Old Norse works. Connections have been proposed between Dagr and other similarly named figures in Germanic mythology. Eddaic Dagr ''Poetic Edda'' Dagr is mentioned in stanzas 12 and 25 of the poem ''Vafþrúðnismál''. In stanza 24, the god Odin (disguised as "List of names of Odin, Gagnr ...
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Sigrdrífumál
(also known as ) is the conventional title given to a section of the ''Poetic Edda'' text in . It follows without interruption, and it relates the meeting of Sigurðr with the valkyrie Brynhildr, here identified as ("driver to victory"). Its content consists mostly of verses concerned with runic magic and general wisdom literature, presented as advice given by Sigrdrífa to Sigurd. The metre is , except for the first stanza. The end is in the lost part of the manuscript but it has been substituted from younger paper manuscripts. The describes the scene and contains some of the poem. Name The compound means "driver to victory" occurs both as a common noun, a synonym of , and as a proper name of the valkyrie named Hild or Brynhild in the Prose Edda. H. Reichert, "Sigrdrifa (Brynhildr)" in: McConnell et al. (eds.), ''The Nibelungen Tradition: An Encyclopedia'', Routledge (2013) p. 119 H. Reichert, "Zum Sigrdrífa-Brünhild-Problem" in: Mayrhofer et al. (eds.), ''Antiquitat ...
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Otto Höfler
Otto Eduard Gotfried Ernst Höfler (10 May 1901 – 25 August 1987) was an Austrian philologist who specialized in Germanic studies. A student of Rudolf Much, Höfler was Professor and Chair of German Language and Old German Literature at the University of Vienna. Höfler was also a Nazi from 1922 and a member of the SS Ahnenerbe before the Second World War. Höfler was a close friend of Georges Dumézil and Stig Wikander, with whom he worked closely on developing studies on Indo-European society. He tutored a significant number of future prominent scholars at Vienna, and was the author of works on early Germanic culture. refers to him as "perhaps most famous and probably most controversial representative" of the "Vienna School" of Germanic studies founded by Much. Early life and education Otto Höfler was born in Vienna on 10 May 1901 to a highly educated upper middle class family. His father, Alois Höfler, was Professor of Philosophy and Pedagogy at the University of Vie ...
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Skáldskaparmál
''Skáldskaparmál'' (Old Norse: 'The Language of Poetry'; c. 50,000 words; ; ) is the second part of the ''Prose Edda''. The section consists of a dialogue between Ægir, the divine personification of the sea, and Bragi, the god of poetry, in which both Norse mythology Norse, Nordic, or Scandinavian mythology is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia, and into the Nordic folklore of the modern per ... and discourse on the nature of poetry are intertwined. The origin of a number of '' kennings'' is given; then Bragi delivers a systematic list of ''kennings'' for various people, places and things. He then goes on to discuss poetic language in some detail, in particular '' heiti'', the concept of poetical words which are non-periphrastic (like ''steed'' for ''horse''), and again systematises these. This in a way forms an early form of poetic thesaurus. Refe ...
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Æsir
The Æsir (Old Norse: ) are the gods of the principal pantheon in Norse religion. They include Odin, Frigg, Höðr, Thor, and Baldr. The second Norse pantheon is the Vanir. In Norse mythology, the two pantheons wage war against each other, resulting in a unified pantheon. Unlike the Old English word ''god'' (and the Old Norse word '), Æsir was never converted over to Christian use. Etymology ''Æsir'' is the plural of '' áss'', ''ǫ́ss'' "god". In genitival compounds, it takes the form ', e.g. in ' ("Thor of the Æsir"), besides ' found in : '' ás-brú'' "gods' bridge" (the rainbow), : ' "gods' enclosure", : ' "gods' kin", : ' "gods' leader", : ' "gods' might" (especially of Thor), : ' "divine wrath" etc. : ' "national god" (') is a title of Thor, as is : ' "almighty god", while it is Odin who is "the" '. There is also Old East Norse dialectal : *''ās-ækia'' (OWN: *''áss-ekja''), i.e. "god ride" (Thor riding in his wagon), resulting in the modern Swedish word : '' ...
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Gylfaginning
''Gylfaginning'' (Old Norse: 'The Beguiling of Gylfi' or 'The Deluding of Gylfi'; c. 20,000 words; 13th century Old Norse pronunciation ) is the first part of the 13th century ''Prose Edda'' after the Prologue. The ''Gylfaginning'' deals with the creation and destruction of the world of the Æsir and many other aspects of Norse mythology. The second part of the Prose Edda is called the ''Skáldskaparmál'' and the third ''Háttatal''. Summary The ''Gylfaginning'' tells the story of Gylfi, a king of "the land that men now call Sweden", who, after being tricked by one of the goddesses of the Æsir, wonders if all Æsir use magic and tricks for their will to be done. This is why he journeys to Asgard, but on the way he is tricked by the gods and arrives in some other place, where he finds a great palace. Inside the palace he encounters a man who asks Gylfi's name and so King Gylfi introduces himself as Gangleri. Gangleri then is taken to the king of the palace and comes upon thr ...
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Midgard
In Germanic cosmology, Midgard (an anglicised form of Old Norse ; Old English , Old Saxon , Old High German , and Gothic ''Midjun-gards''; "middle yard", "middle enclosure") is the name for Earth (equivalent in meaning to the Greek term , "inhabited") inhabited by and known to humans in early Germanic cosmology. The Old Norse form plays a notable role in Norse cosmology. Etymology The Old Norse name is cognate with Gothic (attested in the Gospel of Luke as a translation of the Greek ), Old Saxon (in '' Heliand''), Old High German (in ''Muspilli''), and Old English . The latter, which appears in both prose and poetry, was transformed to or ("Middle-earth") in Middle English literature. All these forms stem from Common Germanic , a compound of ("middle") and ("yard, enclosure"). In early Germanic cosmology, it stands alongside the term ''world'' (cf. Old English , Old Saxon , Old High German , Old Frisian , Old Norse ), itself from a Common Germanic compound ''*wira-al� ...
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Hrafnagaldr Óðins
''Hrafnagaldr Óðins'' (" Odin's raven-galdr") or ''Forspjallsljóð'' ("prelude poem") is an Icelandic poem in the style of the ''Poetic Edda''. It is preserved only in late paper manuscripts. In his influential 1867 edition of the ''Poetic Edda'', Sophus Bugge reasoned that the poem was a 17th-century work, composed as an introduction to ''Baldrs draumar''. Since then it has not been included in editions of the ''Poetic Edda'' and not been extensively studied. But prior to Bugge's work the poem was considered a part of the ''Poetic Edda'' and included, for example, in the English translations of A. S. Cottle (1797) and Benjamin Thorpe (1866) as well as Karl Simrock's influential German translation (1851). In 1852, William and Mary Howitt characterized it as "amongst the most deeply poetical and singular hymns of the Edda". Date In 2002, Jónas Kristjánsson in the Icelandic daily '' Morgunblaðið'' argued in favor of an earlier dating than Bugge, perhaps to the 14th century, ...
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Prayer
Prayer is an invocation or act that seeks to activate a rapport with an object of worship through deliberate communication. In the narrow sense, the term refers to an act of supplication or intercession directed towards a deity or a deified ancestor. More generally, prayer can also have the purpose of thanksgiving or praise, and in comparative religion is closely associated with more abstract forms of meditation and with charms or spells. Prayer can take a variety of forms: it can be part of a set liturgy or ritual, and it can be performed alone or in groups. Prayer may take the form of a hymn, incantation, formal creedal statement, or a spontaneous utterance in the praying person. The act of prayer is attested in written sources as early as 5000 years ago. Today, most major religions involve prayer in one way or another; some ritualize the act, requiring a strict sequence of actions or placing a restriction on who is permitted to pray, while others teach that prayer ...
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Mead
Mead () is an alcoholic beverage made by fermenting honey mixed with water, and sometimes with added ingredients such as fruits, spices, grains, or hops. The alcoholic content ranges from about 3.5% ABV to more than 20%. The defining characteristic of mead is that the majority of the beverage's fermentable sugar is derived from honey. It may be still, carbonated, or naturally sparkling; dry, semi-sweet, or sweet. The term honey wine is sometimes used as a synonym for mead, although ''wine'' is typically defined to be the product of fermented grapes or certain other fruits, and some cultures have honey wines that are distinct from mead. The honey wine of Hungary, for example, is the fermentation of honey-sweetened pomace of grapes or other fruits. Mead was produced in ancient times throughout Europe, Africa, and Asia, and has played an important role in the mythology of some peoples. In Norse mythology, for example, the Mead of Poetry, crafted from the blood of Kvasir (a wis ...
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Drinking Horn
A drinking horn is the horn of a bovid used as a drinking vessel. Drinking horns are known from Classical Antiquity, especially the Balkans, and remained in use for ceremonial purposes throughout the Middle Ages and the Early Modern period in some parts of Europe, notably in Germanic Europe, and in the Caucasus. Drinking horns remain an important accessory in the culture of ritual toasting in Georgia in particular, where they are known by the local name of ''kantsi''. Drinking vessels made from glass, wood, ceramics or metal styled in the shape of drinking horns are also known from antiquity. The ancient Greek term for a drinking horn was simply '' keras'' (plural ''kerata'', "horn"). To be distinguished from the drinking-horn proper is the ''rhyton'' (plural ''rhyta''), a drinking-vessel made in the shape of a horn with an outlet at the pointed end. Antiquity Both in the Greek and the Scythian sphere, vessels of clay or metal shaped like horns were used alongside actu ...
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