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DX21
The Yamaha DX21 is a digital controlled bi-timbral programmable digital FM synthesizer with a four operator synth voice generator which was released in 1985. It uses sine wave-based frequency modulation (FM) synthesis. It has two FM tone generators and a 32-voice random-access memory (RAM), 32 user voices and 128 read-only memory (ROM) factory preset sounds. As a programmable synth, it enables users to create their own unique synthesized tones and sound effects by using the algorithms and oscillators. The instrument weighs 8 kg (17.6 lbs). On its release, it sold for $795. Keyboard The keyboard has 61 keys which are not velocity-sensitive to harder or softer key presses. It can produce eight note polyphony, which means up to eight keys can be pressed at once. In split keyboard mode, the polyphony limit is still eight notes, but there is a maximum of four for the lower half and four for the upper half. In mono mode, the DX21 can play only one note, unless the keyboard is ...
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Yamaha DX7
The Yamaha DX7 is a synthesizer manufactured by the Yamaha Corporation from 1983 to 1989. It was the first successful digital synthesizer and is one of the best-selling synthesizers in history, selling more than 200,000 units. In the early 1980s, the synthesizer market was dominated by analog synthesizers. Frequency modulation synthesis, FM synthesis, a means of generating sounds via frequency modulation, was developed by John Chowning at Stanford University, California. FM synthesis created brighter, "glassier" sounds, and could better imitate acoustic sounds such as brass. Yamaha licensed the technology to create the DX7, combining it with very-large-scale integration chips to lower manufacturing costs. With its complex menus and lack of conventional controls, few learned to program the DX7 in depth. However, its preset sounds became staples of 1980s pop music, used by artists including A-ha, Kenny Loggins, Kool & the Gang, Whitney Houston, Chicago (band), Chicago, Phil Collin ...
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Yamaha DX100 (synthesizer)
The Yamaha DX100 is an FM synthesis, FM synthesizer released by Yamaha Corporation, Yamaha in 1986. It offers four operators for each of its eight voices, and has eight algorithms (compared to the Yamaha DX7, DX7's six operators for each of its sixteen voices, and thirty-two algorithms). It has only 49 mini-keys, and no arpeggiator or effects, but is still useful, known in particular for its bass patch #1. It features up to 192 presets, seriously improving the DX7's limited preset capabilities. It can also store 24 user-programmable sounds in RAM. It lacks cartridge support, but voice patches can be saved to and loaded from an external Cassette tape, cassette recorder. It was the cheapest user-programmable FM synthesiser made in the 1980s, leading to its popularity even amongst professional musicians in the 80s and 90s. It's essentially a cut down version of the Yamaha DX21, DX21 and Yamaha DX27, DX27, using the same FM chip. Notable users * Aphex Twin * Juan Atkins * Autechre ...
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Yamaha YM2164
Yamaha YM2164 (OPP) The Yamaha YM2164, a.k.a. OPP (FM Operator Type P), is an FM synthesis sound chip developed by Yamaha, an enhanced version of their YM2151 (a.k.a. OPM). The OPP was used in various MIDI-based synthesizers by Yamaha - DX21, DX27, DX100, SFG-05, FB-01 (a standalone SFG-05) - plus several licensed products: the IBM Music Feature Card (which is effectively an FB-01 on an ISA card) and Korg's DS-8 and Korg 707. The YM2164 has the following features: *Eight concurrent FM synthesis channels (voices) that may all be set to different timbres *Four operators per channel, all generating sine waves at configurable frequencies and powers *Eight options for routing those four operators to perform FM synthesis (via phase modulation) or simple additive synthesis *A sine-wave low frequency oscillator running 1 of 4 waveforms, mappable to pitch on a per-channel basis and/or amplitude on a per-operator basis *One Global Pitch Envelope Generator (Enabled for DX21 model only) Co ...
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Yamaha YM2151
The Yamaha YM2151, also known as OPM (FM Operator Type-M) is an eight-channel, four-operator sound chip. It was Yamaha's first single-chip FM synthesis implementation, being created originally for some of the Yamaha DX series of keyboards (DX21, DX27, and DX100). Yamaha also used it in some of their budget-priced electric pianos, such as the YPR-7, -8, and -9. Uses The YM2151 was used in many arcade game system boards, starting with Atari's ''Marble Madness'' in 1984, then Sega arcade system boards from 1985, and then arcade games from Konami, Capcom, Data East, and Namco, as well as Williams pinball machines, with its heaviest use in the mid-to-late 1980s. It was also used in Sharp's X1 and X68000 home computers. The chip was used in the Yamaha SFG-01 and SFG-05 FM Sound Synthesizer units. These are expansion units for Yamaha MSX computers and were already built into some machines such as the Yamaha CX5M. Later SFG-05 modules contain the YM2164 (OPP), an almost identical ...
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Frequency Modulation Synthesis
Frequency modulation synthesis (or FM synthesis) is a form of sound synthesis whereby the frequency of a waveform is changed by modulating its frequency with a modulator. The frequency of an oscillator is altered "in accordance with the amplitude of a modulating signal". FM synthesis can create both harmonic and inharmonic sounds. To synthesize harmonic sounds, the modulating signal must have a harmonic relationship to the original carrier signal. As the amount of frequency modulation increases, the sound grows progressively complex. Through the use of modulators with frequencies that are non-integer multiples of the carrier signal (i.e. inharmonic), inharmonic bell-like and percussive spectra can be created. FM synthesis using analog oscillators may result in pitch instability. However, FM synthesis can also be implemented digitally, which is more stable and became standard practice. Digital FM synthesis (implemented as phase modulation) was the basis of several musical instru ...
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Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ...
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Yamaha Synthesizers
Yamaha may refer to: * Yamaha Corporation, a Japanese company with a wide range of products and services, established in 1887. The company is the largest shareholder of Yamaha Motor Company (below). ** Yamaha Music Foundation, an organization established by the authority of Japanese Ministry of Education for the purpose of promoting music education and music popularization ** Yamaha Pro Audio, a Japanese company specializing in products for the professional audio market * Yamaha Motor Company, a Japanese motorized vehicle-producing company. The company was established in 1955 upon separation from Yamaha Corporation (above), and is currently one of the major shareholders of Yamaha Corporation (See: Cross ownership). ** Yamaha Júbilo, a Japanese rugby team ** Yamaha Stadium is a football stadium located in Iwata City, Shizuoka Prefecture, Japan, owned by Yamaha Motors, next to whose plant it is located, and was purpose-designed for use with soccer and rugby union. It is the hom ...
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Norman Cook
Norman Quentin Cook (born Quentin Leo Cook, 31 July 1963), also known by his stage name Fatboy Slim, is an English musician, DJ, and record producer who helped to popularise the big beat genre in the 1990s. In the 1980s, Cook was the bassist for the Hull-based indie rock band the Housemartins, who achieved a UK number-one single with their a cappella cover of "Caravan of Love". After the Housemartins split up, Cook formed the electronic band Beats International in Brighton, who produced the number-one single "Dub Be Good to Me". He then played in Freak Power, Pizzaman, and the Mighty Dub Katz with moderate success. In 1996, Cook adopted the name Fatboy Slim and released ''Better Living Through Chemistry'' to critical acclaim. Follow-up albums ''You've Come a Long Way, Baby,'' '' Halfway Between the Gutter and the Stars,'' and ''Palookaville'', as well as singles such as "The Rockafeller Skank", " Praise You", " Right Here, Right Now", " Weapon of Choice", and "Wonderful Night ...
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Vangelis
Evangelos Odysseas Papathanassiou ( el, Ευάγγελος Οδυσσέας Παπαθανασίου ; 29 March 1943 – 17 May 2022), known professionally as Vangelis ( ; el, Βαγγέλης, links=no ), was a Greek composer and arranger of electronic, progressive, ambient, and classical orchestral music. He was best known for his Academy Award-winning score to ''Chariots of Fire'' (1981), as well as for composing scores to the films ''Blade Runner'' (1982), ''Missing'' (1982), ''Antarctica'' (1983), '' The Bounty'' (1984), '' 1492: Conquest of Paradise'' (1992), and ''Alexander'' (2004), and for the use of his music in the 1980 PBS documentary series '' Cosmos: A Personal Voyage'' by Carl Sagan. Born in Agria and raised in Athens, Vangelis began his career in the 1960s as a member of the rock bands The Forminx and Aphrodite's Child; the latter's album ''666'' (1972) is now recognised as a progressive-psychedelic rock classic. Vangelis first settled in Paris, and gained ...
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Technotronic
Technotronic was a Belgian electronic music project formed in 1987 by Jo Bogaert, who originally gained popularity in Europe as a solo artist with various new beat projects, including Acts of Madmen and Nux Nemo. Together with rapper Manuela Kamosi, he produced the single " Pump Up the Jam", which was originally an instrumental released under the name The Pro 24s. Based on Farley Jackmaster Funk's "The Acid Life", this instrumental initially included vocal samples from Eddie Murphy's "Delirious" live set from 1983 and was months later replaced by newer music, along with lyrics from Kamosi (Ya Kid K) prior to the song's international release in September 1989. With Bogaert adopting the name Thomas De Quincey, a front for the act was put together (in a way similar to other Eurodance/Europop products like Black Box or Milli Vanilli), utilizing Congolese-born fashion model Felly Kilingi who was presented as the group's rapper, appearing on the single's cover art and in the music v ...
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Astral Projection (band)
Astral Projection is an Israeli electronic musical group, producing psychedelic trance and Goa trance music. Its current members are Avi Nissim and Lior Perlmutter. Although the majority of their releases have been done through their own record company, Trust in Trance Records (which later merged with Phonokol), they have also released records with other labels including Transient. In addition to an extensive discography, the group has an extensive worldwide touring schedule. Astral Projection's most well known tracks include hits such as "Kabalah", "People Can Fly", "Mahadeva" and "Dancing Galaxy". History A precursor to Astral Projection, 'SFX' (abbreviation of 'sound effects'), was formed in Israel in 1989 and originally consisted of Avi Nissim and Lior Perlmutter. They released a hit single in 1991 named "Monster Mania", which prompted them to start working on an album. Work was halted when they decided to travel to New York City and try their luck there. While Avi soon went ...
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Xiu Xiu
Xiu Xiu ( ) is an American experimental band, formed in 2002 by singer-songwriter Jamie Stewart in San Jose, California. Currently, the line-up consists of Stewart (the only constant member since formation) and Angela Seo. The band's name comes from the film '' Xiu Xiu: The Sent Down Girl'', which has influenced the sound of their music, according to Stewart. Xiu Xiu released their first two albums, ''Knife Play'' (2002) and ''A Promise'' (2003) on 5 Rue Christine to positive critical reception. In-between the two, the EP ''Chapel of the Chimes'' was released via Absolutely Kosher. The compilation album ''Fag Patrol'' was released shortly after, and their third studio album ''Fabulous Muscles'' was released in 2004. ''La Forêt'' was released in 2005 after Caralee McElroy joined the group, and ''The Air Force'' followed in 2006. 2008's ''Women as Lovers'' was released via the main Kill Rock Stars label in 2008, and McElroy departed the group shortly afterwards. '' Dear ...
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