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D♯ Minor
D-sharp minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has six sharps. Its relative major is F-sharp major (or enharmonically G-flat major). Its parallel major, D-sharp major, is usually replaced by E-flat major, since D-sharp major's two double-sharps make it impractical to use. Its enharmonic equivalent, E-flat minor, has six flats. The D-sharp natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D-sharp harmonic minor and melodic minor scales are: Scale degree chords The scale degree chords of D-sharp minor are: * Tonic – D-sharp minor * Supertonic – E-sharp diminished * Mediant – F-sharp major * Subdominant – G-sharp minor * Dominant – A-sharp minor * Submediant – B major * Subtonic – C-sharp major Music in D-sharp minor D-sharp minor is infrequently used as the principal key of pieces in the Cla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F-sharp Major
F-sharp major is a major scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature has six sharps. Its relative minor is D-sharp minor (or enharmonically E-flat minor) and its parallel minor is F-sharp minor. Its direct enharmonic, G-flat major, contains six flats in its key signature. The F-sharp major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The F-sharp harmonic major and melodic major scales are: Scale degree chords The scale degree chords of F-sharp major are: * Tonic – F-sharp major * Supertonic – G-sharp minor * Mediant – A-sharp minor * Subdominant – B major * Dominant – C-sharp major * Submediant – D-sharp minor * Leading tone – E-sharp diminished Music in F-sharp major F-sharp major is the key of the minuets in Haydn's "Farewell" Symphony and of the String Quartet No. 5 from his Op. 76, of Beethoven's Piano Sonata N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G-flat Major
G-flat major is a major scale based on G♭ (musical note), G, consisting of the pitches G, A♭ (musical note), A, B♭ (musical note), B, C♭ (musical note), C, D♭ (musical note), D, E♭ (musical note), E, and F (musical note), F. Its key signature has six Flat (music), flats. Its relative key, relative minor is E-flat minor (or enharmonically D-sharp minor). Its parallel key, parallel minor, G-flat minor, is usually replaced by F-sharp minor, since G-flat minor's two Double-flat, double-flats make it generally impractical to use. Its direct enharmonic equivalent, F-sharp major, contains six sharps. The G-flat major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G-flat Harmonic major scale, harmonic major and Melodic major scale, melodic major scales are: Scale degree chords The scale degree chords of G-flat major are: * Tonic (music), Tonic – G-flat major * Supertonic – A-flat minor * M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominant (music)
In music Music is the arrangement of sound to create some combination of Musical form, form, harmony, melody, rhythm, or otherwise Musical expression, expressive content. Music is generally agreed to be a cultural universal that is present in all hum ..., the dominant is the fifth degree (music), scale degree () of the diatonic scale. It is called the ''dominant'' because it is second in importance to the first scale degree, the tonic (music), tonic. In the Solfège#Movable do solf%C3%A8ge, movable do solfège system, the dominant note is sung as "So(l)". The Triad (music), triad built on the dominant note is called the dominant chord. This chord is said to have dominant Function (music), function, which means that it creates an instability that requires the tonic (music), tonic for resolution (music), resolution. Dominant triads, Seventh chord, seventh chords, and Ninth chord, ninth chords typically have dominant function. Leading-tone triad, Leading-tone triads and Leadin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subdominant
In music, the subdominant is the fourth tonal degree () of the diatonic scale. It is so called because it is the same distance ''below'' the tonic as the dominant is ''above'' the tonicin other words, the tonic is the dominant of the subdominant. It also happens to be the note one step below the dominant. In the movable do solfège system, the subdominant note is sung as ''fa''. The triad built on the subdominant note is called the subdominant chord. In Roman numeral analysis In music theory, Roman numeral analysis is a type of Harmony, harmonic analysis in which chord (music), chords are represented by Roman numerals, which encode the chord's Degree (music), degree and Function_(music), harmonic function within a given ..., the subdominant chord is typically symbolized by the Roman numeral "IV" in a major key, indicating that the chord is a major triad. In a minor key, it is symbolized by "iv", indicating that the chord is a minor triad. These chords may also appear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mediant
In music, the mediant (''Latin'': "being in the middle") is the third scale degree () of a diatonic scale, being the note halfway between the tonic and the dominant.Benward & Saker (2003), p.32. In the movable do solfège system, the mediant note is sung as ''mi''. While the fifth scale degree is almost always a perfect fifth, the mediant can be a major or minor third. Schenkerian analysts consider the ''mediant'' (third scale degree) as an expansion or extension of the tonic since they are both common tones of the tonic chord. Thus, the third degree of a tonic triad is also the mediant iii note; furthermore, the 5th degree of the submediant chord vi is also the mediant iii note. On the other hand, in German theory derived from Hugo Riemann the mediant in major is considered the dominant parallel, Dp, and in minor the tonic parallel, tP. In Roman numeral analysis, the mediant chord can take several forms. In major scales, the mediant chord is a minor triad and is symboli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diminished Triad
In music theory, a diminished triad is a triad (music), triad consisting of two minor thirds above the root (chord), root. It is a Minor chord, minor triad with a lowered (flat (music), flattened) Fifth (chord), fifth. When using Chord names and symbols (popular music), chord symbols, it may be indicated by the symbols "dim", "", "m5", or "MI(5)". However, in most popular-music chord books, the symbol "dim" or "" represents a diminished seventh chord (a four-tone chord), which in some modern jazz books and music theory books is represented by the "dim7" or "7" symbols. For example, the diminished triad built on B, written as B, has pitches B-D-F: : The chord can be represented by the Pitch class#Integer notation, integer notation . In the common practice period, the diminished triad is considered Consonance and dissonance, dissonant because of the Tritone, diminished fifth (or tritone). Harmonic function In Major scale, major scales, a diminished triad occurs only on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Supertonic
In music, the supertonic is the second degree () of a diatonic scale, one whole step above the tonic. In the movable do solfège system, the supertonic note is sung as ''re''. The triad built on the supertonic note is called the supertonic chord. In Roman numeral analysis, the supertonic chord is typically symbolized by the Roman numeral "ii" in a major key, indicating that the chord is a minor chord (in C: D–F–A). In a minor key, it is indicated by "ii," indicating that the chord is a diminished chord (in C: D–F–A). Because it is a diminished chord, it usually appears in first inversion (iio6) so that no note dissonates with the bass note. These chords may also appear as seventh chords: in major, as ii7 (in C: D–F–A–C), while in minor as ii7 (in C: D–F–A–C) or rarely ii7. They are the second-most common form of nondominant seventh chords. The supertonic chord normally functions as a predominant chord, a chord that resolves to a chord wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonic (music)
In music, the tonic is the first scale degree () of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as ''do''. More generally, the tonic is the note upon which all other notes of a piece are hierarchically referenced. Scales are named after their tonics: for instance, the tonic of the C major scale is the note C. The triad formed on the tonic note, the tonic chord, is thus the most significant chord in these styles of music. In Roman numeral analysis, the tonic chord is typically symbolized by the Roman numeral "" if it is major and by "" if it is minor. These chords may also appear as seventh chords: in major, as M7, or in minor as 7 or rarely M7: The tonic is distinguished from the root, which is the reference note of a chord, rathe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scale Degree
In music theory, the scale degree is the position of a particular note on a scale relative to the tonic—the first and main note of the scale from which each octave is assumed to begin. Degrees are useful for indicating the size of intervals and chords and whether an interval is major or minor. In the most general sense, the scale degree is the number given to each step of the scale, usually starting with 1 for tonic. Defining it like this implies that a tonic is specified. For instance, the 7-tone diatonic scale may become the major scale once the proper degree has been chosen as tonic (e.g. the C-major scale C–D–E–F–G–A–B, in which C is the tonic). If the scale has no tonic, the starting degree must be chosen arbitrarily. In set theory, for instance, the 12 degrees of the chromatic scale are usually numbered starting from C=0, the twelve pitch classes being numbered from 0 to 11. In a more specific sense, scale degrees are given names that indicate their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodic Minor Scale
A melody (), also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch and rhythm, while more figuratively, the term can include other musical elements such as tonal color. It is the foreground to the background accompaniment. A line or part need not be a foreground melody. Melodies often consist of one or more musical phrases or motifs, and are usually repeated throughout a composition in various forms. Melodies may also be described by their melodic motion or the pitches or the intervals between pitches (predominantly conjunct or disjunct or with further restrictions), pitch range, tension and release, continuity and coherence, cadence, and shape. Function and elements Johann Philipp Kirnberger argued: The Norwegian composer Marcus Paus has argued: Given the many and varied elements and styles of melody "many extant explanations f melod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonic Minor Scale
The harmonic minor scale (or Aeolian ♮7 scale) is a Scale (music), musical scale derived from the natural minor scale, with the minor seventh degree raised by one semitone to a major seventh, creating an augmented second between the sixth and seventh degrees. : Thus, a harmonic minor scale is represented by the following notation: : 1, 2, 3, 4, 5, 6, 7, 8 A harmonic minor scale can be built by lowering the 3rd and 6th degrees of the parallel major scale by one semitone. Because of this construction, the 7th degree of the harmonic minor scale functions as a leading tone to the Tonic (music), tonic because it is a ''semitone'' lower than the tonic, rather than a ''whole tone'' lower than the tonic as it is in natural minor scales. The Interval (music), intervals between the notes of a harmonic minor scale follow the sequence below: : whole, half, whole, whole, half, augmented second, half While it evolved primarily as a basis for chords, the harmonic minor with its augment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natural Minor Scale
In Western classical music theory, the minor scale refers to three scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending). These scales contain all three notes of a minor triad: the root, a minor third (rather than the major third, as in a major triad or major scale), and a perfect fifth (rather than the diminished fifth, as in a diminished scale or half diminished scale). Minor scale is also used to refer to other scales with this property, such as the Dorian mode or the minor pentatonic scale (see other minor scales below). Natural minor scale Relationship to relative major A natural minor scale (or Aeolian mode) is a diatonic scale that is built by starting on the sixth degree of its relative major scale. For instance, the A natural minor scale can be built by starting on the 6th degree of the C major scale: : Because of this, the key of A minor is called the ''relativ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
