|
Duodrama
A duodrama is a theatrical melodrama for two actors or singers, in which the spoken voice is used with a musical accompaniment for heightened dramatic effect. It was popular at the end of the 18th century and the beginning of the 19th. Closely related to opera, the most famous example were the 1775 works ''Ariadne auf Naxos'' and ''Medea'' by Georg Benda. Mozart admired Benda's work and used similar techniques in ''Zaide'' (1780) and ''Thamos, König in Ägypten'' (c. 1773-1780). He considered writing a duodrama himself, to be called ''Semiramis''. Beethoven's ''Fidelio'' (1805-1814) and Carl Maria von Weber's ''Der Freischütz'' (1821) also contain duodramas. The style is also used in lieder and song. Warrack, John and West, Ewan (1992), ''The Oxford Dictionary of Opera'', 782 pages, See also *Monodrama *Melodrama A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterizati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodrama
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented. In scholarly and historical musical contexts, ''melodramas'' are Victorian dramas in which orchestral music or song was used to accompany the action. The term is now also applied to stage performances without incidental music, novels, films, tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodrama
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented. In scholarly and historical musical contexts, ''melodramas'' are Victorian dramas in which orchestral music or song was used to accompany the action. The term is now also applied to stage performances without incidental music, novels, films, tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medea (Benda)
''Medea'' is a melodrama in one act with five scenes by Bohemian composer Georg Benda with a German libretto by Friedrich Wilhelm Gotter. The work was first performed in Leipzig at the Theater am Rannstädtertor on 1 May 1775. Historical impact and musical analysis ''Medea'' is considered to be one of Benda's best works and the composition had a significant impact on other composers of the late 18th century by popularizing the emerging genre of melodrama. Among those inspired by the work are Carl Philipp Emanuel Bach and Wolfgang Amadeus Mozart. Mozart in a letter to his father dated November 12, 1778 wrote, "The piece I saw was Benda’s ''Medea''. He has composed another one, ''Ariadne auf Naxos'', and both are really excellent. You know that of all the Lutheran Kapellmeisters Benda has always been my favorite, and I like those two works of his so much that I carry them about with me." Although Mozart never wrote a full melodrama, he did create a miniature melodrama within his un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fidelio
''Fidelio'' (; ), originally titled ' (''Leonore, or The Triumph of Marital Love''), Op. 72, is Ludwig van Beethoven's only opera. The German libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, with the work premiering at Vienna's Theater an der Wien on 20 November 1805. The following year, Stephan von Breuning helped shorten the work from three acts to two. After further work on the libretto by Georg Friedrich Treitschke, a final version was performed at the Kärntnertortheater on 23 May 1814. By convention, both of the first two versions are referred to as ''Leonore''. The libretto, with some spoken dialogue, tells how Leonore, disguised as a prison guard named "Fidelio", rescues her husband Florestan from death in a political prison. Bouilly's scenario fits Beethoven's aesthetic and political outlook: a story of personal sacrifice, heroism, and eventual triumph. With its underlying struggle for liberty and justice mirroring con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monodrama
A monodrama is a theatrical or operatic piece played by a single actor or singer, usually portraying one character. In opera In opera, a monodrama was originally a melodrama with one role such as Jean-Jacques Rousseau's ''Pygmalion'', which was written in 1762 and first staged in Lyon in 1770, and Georg Benda's work of the same name (1779). The term monodrama (sometimes mono-opera) is also applied to modern works with a single soloist, such as Arnold Schoenberg's ''Die glückliche Hand'' (1924), which besides the protagonist has two additional silent roles as well as a choral prologue and epilogue. ''Erwartung'' (1909) and ''La voix humaine'' (1959) closely follow the traditional definition, while in ''Eight Songs for a Mad King'' (1969) by Peter Maxwell Davies, the instrumentalists are brought to the stage to participate in the action. Twenty-first century examples can be found in '' Émilie'' (2008) by Kaija Saariaho and ''Four Sad Seasons Over Madrid'' (2008) or ''God's Ske ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lieder
In Western classical music tradition, (, plural ; , plural , ) is a term for setting poetry to classical music to create a piece of polyphonic music. The term is used for any kind of song in contemporary German, but among English and French speakers, is often used interchangeably with "art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest lied date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History For German sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Freischütz
' ( J. 277, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 collection ''Gespensterbuch''. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantic opera. The opera's plot is mainly based on August Apel's tale "Der Freischütz" from the ''Gespensterbuch'' though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score". Performance history The reception of ''Der Freischütz'' surpassed Weber's own hopes and it quickly became an international success, with productions in Vienna the same year f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Maria Von Weber
Carl Maria Friedrich Ernst von Weber (18 or 19 November 17865 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and critic who was one of the first significant composers of the Romantic era. Best known for his operas, he was a crucial figure in the development of German ''Romantische Oper'' (German Romantic opera). Throughout his youth, his father, , relentlessly moved the family between Hamburg, Salzburg, Freiberg, Augsburg and Vienna. Consequently he studied with many teachers – his father, Johann Peter Heuschkel, Michael Haydn, Giovanni Valesi, Johann Nepomuk Kalcher and Georg Joseph Vogler – under whose supervision he composed four operas, none of which survive complete. He had a modest output of non-operatic music, which includes two symphonies; a viola concerto; bassoon concerti; piano pieces such as Konzertstück in F minor and '' Invitation to the Dance''; and many pieces that featured the clarinet, usually written for the virtuoso c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thamos, König In Ägypten
''Thamos, King of Egypt'' (or ''King Thamos''; in German, ''Thamos, König in Ägypten'') is a play by Tobias Philipp, baron von Gebler, for which, between 1773 and 1780, Wolfgang Amadeus Mozart wrote incidental music, K. 345/336a, of an operatic character. Early performances It is not known for certain whether the music that Mozart composed was performed with the play during his lifetime. The play's première took place at the Kärntnertortheater in Vienna, probably on 4 April 1774, by which time two choruses had been written. Performances in Salzburg in 1776 and 1779-80 may have incorporated the orchestral interludes and the three choruses in their final form, respectively. The music was re-used in 1783 in a different play (set in India, not Egypt), ''Lanassa'', by Karl Martin Plümicke. Roles The only named role in Mozart's music is Sethos, the high priest ( baritone). There are parts for four other soloists ( soprano, alto, tenor and bass) and for a chorus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the Transition from Classical to Romantic music, transition from the Classical period (music), Classical period to the Romantic music, Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly Hearing loss, deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Actor
An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for hypocrite) also means, less often, "to answer" the tragic chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' ( acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of actingpertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in ancient Greece and the medieval world, and in England at the time of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zaide
''Zaide'' (originally, ''Das Serail'') is an unfinished German-language opera, K. 344, written by Wolfgang Amadeus Mozart in 1780. Emperor Joseph II, in 1778, was in the process of setting up an opera company for the purpose of performing German opera. One condition required of the composer to join this company was that he should write a comic opera. At Salzburg in 1779 Mozart began work on a new opera (now known as ''Zaide'' although Mozart did not give it such a title). It contains spoken dialogue, which also classifies it as a ''Singspiel'' (literally, "singing play"). Only the arias and ensembles from the first two acts were composed. Missing are an overture and third act. It was popular at the time for operas to depict the rescue of enslaved Westerners from Muslim courts, since Muslim pirates were preying on Mediterranean shipping, particularly to obtain slaves for various purposes. This story portrays Zaide's effort to save her beloved, Gomatz. Mozart was composing f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Thamos, König In Ägypten")
