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Dorine Hollier
''Tartuffe, or The Impostor, or The Hypocrite'' (; french: Tartuffe, ou l'Imposteur, ), first performed in 1664, is a theatrical comedy by Molière. The characters of Tartuffe, Elmire, and Orgon are considered among the greatest classical theatre roles. History Molière performed his first version of ''Tartuffe'' in 1664. Almost immediately following its performance that same year at Versailles' grand fêtes (The Party of the Delights of the Enchanted Island/''Les fêtes des plaisirs de l'ile enchantée''), King Louis XIV suppressed it, probably due to the influence of the archbishop of Paris, Paul Philippe Hardouin de Beaumont de Péréfixe, who was the King's confessor and had been his tutor. While the king had little personal interest in suppressing the play, he did so because, as stated in the official account of the fête: although it was found to be extremely diverting, the king recognized so much conformity between those that a true devotion leads on the path to heave ...
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Nineteenth-century Theatre
Nineteenth-century theatre describes a wide range of movements in the theatrical culture of Europe and the United States in the 19th century. In the West, they include Romanticism, melodrama, the well-made plays of Scribe and Sardou, the farces of Feydeau, the problem plays of Naturalism and Realism, Wagner's operatic ''Gesamtkunstwerk'', Gilbert and Sullivan's plays and operas, Wilde's drawing-room comedies, Symbolism, and proto- Expressionism in the late works of August Strindberg and Henrik Ibsen. Melodrama Beginning in France after the theatre monopolies were abolished during the French Revolution, melodrama became the most popular theatrical form of the century. Melodrama itself can be traced back to classical Greece, but the term ''mélodrame'' did not appear until 1766 and only entered popular usage sometime after 1800. The plays of August von Kotzebue and René Charles Guilbert de Pixérécourt established melodrama as the dominant dramatic form of the early 1 ...
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Armande Béjart
Armande-Grésinde-Claire-Élisabeth Béjart (1645 – 30 November 1700) was a French stage actress, also known under her stage name Mademoiselle Molière.Scott, Virginia (2010). Women on the stage in early modern France : 1540-1750''. Cambridge: Cambridge University Press. . She was married to Molière, and one of the most famous actresses in the 17th-century. Life She was the daughter of Madeleine Béjart and belonged to the Béjart family, a famous theatre family in 17th-century France. In 1643 her mother Madeleine co-founded, with Molière, the theatre company called Illustre Théâtre. Molière directed her education and she grew up under his eye. Armande married Molière in 1662, when he was 40 and she 17. Together, they had three children: Louis (19 January11 November 1664), Marie Madeleine Esprit (3 August 166523 May 1723) and Pierre Jean-Baptiste Armand (15 September11 October 1672). Early career She played her first important role in Molière's company in June 1663, ...
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Yale French Studies
''Yale French Studies'' is an academic journal published biannually by Yale University Press and connected with the French department at Yale University. It was established in 1948 by editor Robert Greer Cohn, and is currently edited by Alyson Waters. The premier issue was devoted entirely to existentialism. It featured scenes from the play '' Les mains sales'' by Jean Paul Sartre Jean-Paul Charles Aymard Sartre (, ; ; 21 June 1905 – 15 April 1980) was one of the key figures in the philosophy of existentialism (and phenomenology), a French playwright, novelist, screenwriter, political activist, biographer, and litera ... and essays by renowned literary scholars. External links Official Web Site at Yale University Press French studies journals Biannual journals English-language journals Publications established in 1948 {{area-journal-stub ...
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Parliament Of Paris
The Parliament of Paris (french: Parlement de Paris) was the oldest ''parlement'' in the Kingdom of France, formed in the 14th century. It was fixed in Paris by Philip IV of France in 1302. The Parliament of Paris would hold sessions inside the medieval royal palace on the Île de la Cité, nowadays still the site of the Paris Hall of Justice. History In 1589, Paris was effectively in the hands of the Catholic League. To escape, Henry IV of France summoned the parliament of Paris to meet at Tours, but only a small faction of its parliamentarians accepted the summons. (Henry also held a parliament at Châlons, a town remaining faithful to the king, known as the Parliament of Châlons.) Following the assassination of Henry III of France by the Dominican lay brother Jacques Clément, the "Parliament of Tours" continued to sit during the first years of Henry IV of France's reign. The royalist members of the other provincial parliaments also split off—the royalist members of the ...
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Guillaume De Lamoignon
Guillaume de Lamoignon (1617–1677) was a French jurist. He is known for work which he did towards preparing the codification of French laws. He became in 1644 master of requests in the Parlement. He took an active part in the Fronde of the Parlement against Mazarin.Goyau, Georges. "Family of Lamoignon." The Catholic Encyclopedia
Vol. 8. New York: Robert Appleton Company, 1910. 23 May 2021
He became first president of the Parlement in 1658. A distinguished member of the ,
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Compagnie Du Saint-Sacrement
The Company of the Blessed Sacrament (french: Compagnie du Saint-Sacrement), also sometimes referred to as the Company of the Most Blessed Sacrament, was a French Catholic secret society which included among its members many Catholic notables of the 17th century. It was responsible for much of the contribution of the Catholic Church in France to meeting the social needs of the day. Foundation It was founded in March 1630, at the Convent of the Capuchin friars on the rue du Faubourg Saint-Honoré by Henri de Levis, Duc de Ventadour, who had just escorted his wife to the Carmelite Convent; Henri de Pichery, officer of Louis XIII's household; Jacques Adhemar de Monteil de Grignan, a future bishop, and Philippe d'Angoumois, a Capuchin. Among those who soon joined it, should be mentioned Père Suffren, a Jesuit, confessor to both Louis XIII and Marie de' Medici; also both the son and the grandson of Gaspard de Coligny, the Protestant admiral, as well as Charles de Condren, the secon ...
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Catholic Church In France
, native_name_lang = fr , image = 060806-France-Paris-Notre Dame.jpg , imagewidth = 200px , alt = , caption = Cathedral Notre-Dame de Paris , abbreviation = , type = National polity , main_classification = Catholic , orientation = Christianity , scripture = Bible , theology = Catholic theology , polity = , governance = CEF , structure = , leader_title = Pope , leader_name = , leader_title1 = President , leader_name1 = Éric de Moulins-Beaufort , leader_title2 = Primate of the Gauls , leader_name2 = Olivier de Germay , leader_title3 = Apostolic Nuncio , leader_name3 = Celestino Migliore , fellowships_type = , fellowships = , fellowships_type1 = , fellowships1 = , division_type = , division = , division_type1 = , divis ...
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Deus Ex Machina
''Deus ex machina'' ( , ; plural: ''dei ex machina''; English "god out of the machine") is a plot device whereby a seemingly unsolvable problem in a story is suddenly and abruptly resolved by an unexpected and unlikely occurrence. Its function is generally to resolve an otherwise irresolvable plot situation, to surprise the audience, to bring the tale to a happy ending, or act as a comedic device. Origin of the expression ''Deus ex machina'' is a Latin calque . The term was coined from the conventions of ancient Greek theater, where actors who were playing gods were brought onto stage using a machine. The machine could be either a crane (''mechane'') used to lower actors from above or a riser that brought them up through a trapdoor. Aeschylus introduced the idea, and it was used often to resolve the conflict and conclude the drama. The device is associated mostly with Greek tragedy, although it also appeared in comedies. Ancient examples Aeschylus used the device in his '' Eume ...
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Twist Ending
Twist may refer to: In arts and entertainment Film, television, and stage * ''Twist'' (2003 film), a 2003 independent film loosely based on Charles Dickens's novel ''Oliver Twist'' * ''Twist'' (2021 film), a 2021 modern rendition of ''Oliver Twist'' starring Michael Caine. * ''The Twist'' (1976 film), a 1976 film co-written and directed by Claude Chabrol * ''The Twist'' (1992 film), a 1992 documentary film directed by Ron Mann * ''Twist'' (stage play), a 1995 stage thriller by Miles Tredinnick * Twist, the main character on television series ''The Fresh Beat Band'' and its spin-off ''Fresh Beat Band of Spies'' * Oliver Twist (other), name of several film, television, and musical adaptations based on Charles Dickens's novel ''Oliver Twist'' * "Twist" (''Only Murders in the Building''), a 2021 episode of the TV series ''Only Murders in the Building'' * Jack Twist, a character in the 2005 film ''Brokeback Mountain'' * Twist Morgan, a character in the television seri ...
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Louis XIV
, house = Bourbon , father = Louis XIII , mother = Anne of Austria , birth_date = , birth_place = Château de Saint-Germain-en-Laye, Saint-Germain-en-Laye, France , death_date = , death_place = Palace of Versailles, Versailles, France , burial_date = 9 September 1715 , burial_place = Basilica of Saint-Denis , religion = Catholicism (Gallican Rite) , signature = Louis XIV Signature.svg Louis XIV (Louis Dieudonné; 5 September 16381 September 1715), also known as Louis the Great () or the Sun King (), was King of France from 14 May 1643 until his death in 1715. His reign of 72 years and 110 days is the longest of any sovereign in history whose date is verifiable. Although Louis XIV's France was emblematic of the age of absolutism in Europe, the King surrounded himself with a variety of significant political, military, and cultural figures, such as Bossuet, Colbert, Le Brun, Le Nôtre, Lully, Mazarin, Molière, Racine, Turenne, ...
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Reverse Psychology
Reverse psychology is a technique involving the assertion of a belief or behavior that is opposite to the one desired, with the expectation that this approach will encourage the subject of the persuasion to do what is actually desired. This technique relies on the psychological phenomenon of reactance, in which a person has a negative emotional reaction to being persuaded, and thus chooses the option which is being advocated against. This may work especially well on a person who is resistant by nature, while direct requests work best for people who are compliant. The one being manipulated is usually unaware of what is really going on. Among adolescents Susan Fowler writes, "Beware that such strategies f reverse psychologycan backfire. Children can sense manipulation a mile away." She instead recommends leading by example. Reverse psychology is often used on children due to their high tendency to respond with reactance, a desire to restore threatened freedom of action. Questions ...
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