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Doria (opera)
''Doria, ou La tyrannie détruite'' (''Doria, or Tyranny Destroyed'') is an opera in three acts by the French composer Étienne Méhul. It is in the form of an '' opéra comique'' (that is, with spoken dialogue between the musical numbers), although the authors style it an ''opéra héroïque''. It premiered at the Opéra-Comique, Paris on 12 March 1795. The libretto is by Gabriel-Marie Legouvé and Charles-Joseph Lœuillard Davrigny. The work was not a success, in spite of revisions after the premiere. Roles Synopsis Andrea Doria laments the oppression of his native Genoa Genoa ( ; it, Genova ; lij, Zêna ). is the capital of the Italian region of Liguria and the sixth-largest city in Italy. In 2015, 594,733 people lived within the city's administrative limits. As of the 2011 Italian census, the Province of ... under its foreign governor. He plans a conspiracy with his friends and suborns Vivaldi, the commander of the governor's guard. Doria arranges his own wedding ...
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Étienne Méhul
Étienne Nicolas Méhul (; 16 November 1765 ~ 24 December 1817) was a French composer of the Classical period (music), classical period. He was known as "the most important opera composer in France during the French Revolution, Revolution". He was also the first composer to be called a "Romanticism, Romantic". He is known particularly for his operas, written in keeping with the reforms introduced by Christoph Willibald Gluck and Wolfgang Amadeus Mozart. Life Méhul was born at Givet in Ardennes to Jean-François Méhul, a wine merchant, and his wife Marie-Cécile (née Keuly). His first music lessons came from a blind local organist. When he showed promise, he was sent to study with a German musician and organist, , at the monastery of Lavaldieu, a few miles from Givet. Here Méhul developed his lifelong love of flowers. In 1778 or 1779 he went to Paris and began to study with Jean-Frédéric Edelmann, a harpsichord player and friend of Méhul's idol Christoph Willibald Gluck. ...
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Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ...
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Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to ensu ...
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Gabriel-Marie Legouvé
Gabriel Marie Jean Baptiste Legouvé (23 June 1764 – 30 August 1812) was an 18th–19th-century French poet and playwright. Legouvé was born and died in Paris, and was the seventh member elected to occupy seat 4 of the Académie française in 1803. Legouvé was the father of Ernest Legouvé (1807–1903), later a member of the Académie française, and son of Jean-Baptiste Legouvé (1729–1783) who wrote the pastoral ''La Mort d'Abel'' (1793) and a tragedy ''Epicharis et Nerón''. Works *1784: ''Polyxène'', tragedy *1786: ''La Mort des fils de Brutus'', héroïde *1792: ''La mort d'Abel'', three-act tragedy *1794: ''Épicharis et Néron'', tragedy *1795: ''Quintus Fabius'', tragedy *1798: ''Laurence'', tragedy *1798: ''La Sépulture'', elegy *1799: ''Étéocle et Polynice'', tragedy *1799: ''Les Souvenirs d'une demoiselle sodomisée'', elegy *1800: ''La Mélancolie'', elegy *1801: ''Le Mérite des femmes'', poem *1801: ''Christophe Morin'' *1806: ''La Mort d'Henri IV'', tr ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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Andrea Doria
Andrea Doria, Prince of Melfi (; lij, Drîa Döia ; 30 November 146625 November 1560) was a Genoese statesman, ', and admiral, who played a key role in the Republic of Genoa during his lifetime. As the ruler of Genoa, Doria reformed the Republic's constitution. Originally elected for life, the Doge of Genoa, Doge's office was reduced to two years. At the same time plebeians were declared ineligible, and the appointment of the doge was entrusted to the members of the great and the little councils. His reformed constitution of the Republic of Genoa would last until the end of the republic in 1797. From 1528 until his death, Doria exercised a predominant influence in the councils of the Genoese republic. He is also considered the foremost naval leader of his time. Several ships were named in honour of the admiral, the most famous being the Italian passenger liner , launched in 1951, which sank following a collision in 1956. Early life Doria was born at Oneglia from the ancien ...
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Genoa
Genoa ( ; it, Genova ; lij, Zêna ). is the capital of the Italian region of Liguria and the List of cities in Italy, sixth-largest city in Italy. In 2015, 594,733 people lived within the city's administrative limits. As of the 2011 Italian census, the Province of Genoa, which in 2015 became the Metropolitan City of Genoa, had 855,834 resident persons. Over 1.5 million people live in the wider metropolitan area stretching along the Italian Riviera. On the Gulf of Genoa in the Ligurian Sea, Genoa has historically been one of the most important ports on the Mediterranean Sea, Mediterranean: it is currently the busiest in Italy and in the Mediterranean Sea and twelfth-busiest in the European Union. Genoa was the capital of Republic of Genoa, one of the most powerful maritime republics for over seven centuries, from the 11th century to 1797. Particularly from the 12th century to the 15th century, the city played a leading role in the commercial trade in Europe, becoming one o ...
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Stratonice (opera)
''Stratonice'' is a one-act '' opéra comique'' by Étienne Méhul to a libretto by François-Benoît Hoffman, first performed at the Théâtre Favart in Paris, on 3 May 1792. The plot is taken from ''De Dea Syria'' ("On the Syrian Goddess", attributed to Lucian) concerning an incident from the history of the Seleucid dynasty which ruled much of the Middle East during the Hellenistic era of the ancient world. Performance history ''Stratonice'' was a popular opera, receiving over 200 performances during Méhul's lifetime. On 6 June 1792 a parody, ''Nice'', by Jean-Baptiste Desprez and Alexandre de Ségur, appeared at the Théâtre du Vaudeville. In 1821 Méhul's nephew Joseph Daussoigne-Méhul wrote new recitatives for the opera's revival in Paris at the Académie Royale de Musique. Roles Synopsis Antiochus, the son of King Seleucus, is pining away yet he would rather die than name the cause of his disease to his father. The doctor, Erasistratus, suspects love is behind Ant ...
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Operas By Étienne Méhul
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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1795 Operas
Events January–June * January – Central England records its coldest ever month, in the CET records dating back to 1659. * January 14 – The University of North Carolina opens to students at Chapel Hill, becoming the first state university in the United States. * January 16 – War of the First Coalition: Flanders campaign: The French occupy Utrecht, Netherlands. * January 18 – Batavian Revolution in Amsterdam: William V, Prince of Orange, Stadtholder of the Dutch Republic (Republic of the Seven United Netherlands), flees the country. * January 19 – The Batavian Republic is proclaimed in Amsterdam, ending the Dutch Republic (Republic of the Seven United Netherlands). * January 20 – French troops enter Amsterdam. * January 23 – Flanders campaign: Capture of the Dutch fleet at Den Helder: The Dutch fleet, frozen in Zuiderzee, is captured by the French 8th Hussars. * February 7 – The Eleventh Amendment to the United State ...
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French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ...
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