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Don Juan (ballet)
''Don Juan ou Le Festin de Pierre'' (''Don Juan, or the Stone Guest's Banquet'') is a ballet with a libretto by Ranieri de' Calzabigi, music by Christoph Willibald von Gluck, and choreography by Gasparo Angiolini. The ballet's first performance was in Vienna, Austria on Saturday, 17 October 1761, at the Theater am Kärntnertor. Its innovation in the history of ballet, coming a year before Gluck's radical reform of ''opera seria'' with his ''Orfeo ed Euridice'' (1762), was its coherent narrative element, though the series of conventional ''divertissement'' dances in the second act lies within the well-established ballet tradition of an ''entr'acte'' effecting a pause in the story-telling. The ballet follows the legend of Don Juan and his descent into Hell after killing his ''inamorata's'' father in a duel. Background The ballet ''Don Juan'' was based on Molière Jean-Baptiste Poquelin (, ; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Siffred Duplessis - Christoph Willibald Gluck - Google Art Project
Joseph is a common male given name, derived from the Hebrew Yosef (יוֹסֵף). "Joseph" is used, along with "Josef", mostly in English, French and partially German languages. This spelling is also found as a variant in the languages of the modern-day Nordic countries. In Portuguese language, Portuguese and Spanish language, Spanish, the name is "José". In Arabic, including in the Quran, the name is spelled ''Yusuf, Yūsuf''. In Persian language, Persian, the name is "Yousef". The name has enjoyed significant popularity in its many forms in numerous countries, and ''Joseph'' was one of the two names, along with ''Robert'', to have remained in the top 10 boys' names list in the US from 1925 to 1972. It is especially common in contemporary Israel, as either "Yossi" or "Yossef", and in Italy, where the name "Giuseppe" was the most common male name in the 20th century. In the first century CE, Joseph was the second most popular male name for Palestine Jews. In the Book of Genes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entr'acte
(or ', ;Since 1932–35 the French Academy recommends this spelling, with no apostrophe, so historical, ceremonial and traditional uses (such as the 1924 René Clair film title) are still spelled ''Entr'acte''. German: ' and ', Italian: ''intermezzo'', Spanish: ') means "between the acts". It can mean a pause between two parts of a stage production, synonymous to an intermission (this is nowadays the more common meaning in French), but it more often (in English) indicates a piece of music performed between acts of a theatrical production. In the case of stage musicals, the ''entr'acte'' serves as the overture of act 2 (and sometimes acts 3 and 4, as in ''Carmen''). In films that were meant to be shown with an intermission, there was frequently a specially recorded ''entr'acte'' on the soundtrack between the first and second half of the film, although this practice eventually died out. Origin Originally ''entr'actes'' resulted from stage curtains being closed for set or costume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets By Christoph Willibald Gluck
This is a list of compositions by Christoph Willibald Gluck. Wq. Number by Alfred Wotquenne (1867-1939). Opera * Wq.1 – Artaserse (1741) * Wq.2 – Demetrio – or Cleonice (1742) * Wq.3 – Demofoonte (1743) * Wq.4 – Artemene (1743), 1st Version * – Il Tigrane (1743) * Wq.5 – La Sofonisba – Siface (1744) * Wq.6 – La finta schiava (1744) * Wq.7 – Ipermestra (1744) * Wq.8 – Poro (1744) * Wq.9 – Ippolito – Fedra (1745) * Wq.10 – La caduta de' giganti (1746) * Wq.11 – Artemene (1746), 2nd Version * Wq.12 – Le nozze d'Ercole e d'Ebe (1747) * Wq.13 – La Semiramide riconosciuta (1748) * Wq.14 – La contesa dei numi (1749) * Wq.15 – Ezio (1749), 1st Version; Revised in 1763 * Wq.16 – La clemenza di Tito (1752) * Wq.17 – Issipile (1751-1752) * Wq.18 – Le cinesi (1754) * Wq.19 – La danza (1755) * Wq.20 – L'innocenza giustificata (1755), Revised as ''La vestale'' (1768) * Wq.55 – Les amours champêtres (1755) * Wq.21 – Antigono ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets By Ranieri De' Calzabigi
Ranieri de' Calzabigi (; 23 December 1714 – July 1795) was an Italian poet and librettist, most famous for his collaboration with the composer Christoph Willibald Gluck on his "reform" operas. Born in Livorno, Calzabigi spent the 1750s in Paris, where he became a close friend of Giacomo Casanova. Here he explored his interest in opera, producing an edition of the works of Pietro Metastasio, the most famous librettist of opera seria. However, Calzabigi was also impressed by French tragédie en musique, and eager to reform Italian opera by making it simpler and more dramatically effective. In 1761 he settled in Vienna, where he met likeminded reformers: Gluck; Count Giacomo Durazzo, the theatre director; Gasparo Angiolini, the choreographer; Giovanni Maria Quaglio, the set designer; and the castrato Gaetano Guadagni. Together they worked on Gluck's groundbreaking ''Orfeo ed Euridice'' in 1762. Calzabigi then wrote the libretto for ''Alceste'', which further abandoned the practices ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets By Gasparo Angiolini
Gasparo Angiolini (7 February 1731 – 6 February 1803), real name Domenico Maria Gasparo, son of Francesco Angiolini and Maria Maddalena Torzi, was an Italian dancer, choreographer and composer. He was born in Florence and died in Milan. He is known thanks to the polemics with the French ballet master Jean-Georges Noverre. Gasparo Angiolini directed the ballet at the Imperial Theatre in Vienna, taking over the post in 1758, working closely with Christoph Willibald von Gluck on such works as '' Don Juan ou le Festin de Pierre'' (1761), and the opera ''Orfeo ed Euridice'' (1762). The dancing in both Don Juan and Orpheus were said to have insisted on th"primacy of drama".In addition to collaborating with Gluck, he also composed music for many of his ballets. He later succeeded Franz Hilverding as director of the Imperial Theatre in St. Petersburg, Russia in 1766. Both Hilverding and Angiolini are credited with bringing the pantomime balletArianna Béatrice Fabbricatore, « Gasparo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dom Juan
''Dom Juan ou le Festin de pierre'' ("Don Juan or The Feast of the Stone tatue) is a five-act 1665 comedy by Molière based upon the Spanish legend of Don Juan Tenorio. The aristocrat Dom Juan is a rake who seduces, marries, and abandons Elvira, discarded as just another romantic conquest. Later, he invites to dinner the statue of a man whom he recently had murdered; the statue accepts and reciprocates Dom Juan's invitation. In the course of their second evening, the stone statue of the murdered man charms, deceives, and leads Dom Juan to Hell. Molière's comedy derives from the Spanish play '' The Trickster of Seville and the Stone Guest'' (1630), by Tirso de Molina, but each playwright presents a different interpretation of the libertine protagonist. Molière's Dom Juan is a French man who admits to being an atheist and a free-thinker; whereas, de Molina's Don Juan is a Spanish man who admits to being Catholic, and believes that repentance for and forgiveness of sin are po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molière
Jean-Baptiste Poquelin (, ; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, , ), was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and world literature. His extant works include comedies, farces, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Molière". Born into a prosperous family and having studied at the Collège de Clermont (now Lycée Louis-le-Grand), Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comedic abilities while he began writing, combining Commedia dell'arte elements with the more refined French comedy. Through the patronage of aristocrats including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hell
In religion and folklore, hell is a location in the afterlife in which evil souls are subjected to punitive suffering, most often through torture, as eternal punishment after death. Religions with a linear divine history often depict hells as eternal destinations, the biggest examples of which are Christianity and Islam, whereas religions with reincarnation usually depict a hell as an intermediary period between incarnations, as is the case in the dharmic religions. Religions typically locate hell in another dimension or under Earth's surface. Other afterlife destinations include heaven, paradise, purgatory, limbo, and the underworld. Other religions, which do not conceive of the afterlife as a place of punishment or reward, merely describe an abode of the dead, the grave, a neutral place that is located under the surface of Earth (for example, see Kur, Hades, and Sheol). Such places are sometimes equated with the English word ''hell'', though a more correct translatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Juan
Don Juan (), also known as Don Giovanni (Italian), is a legendary, fictional Spanish libertine who devotes his life to seducing women. Famous versions of the story include a 17th-century play, '' El burlador de Sevilla y convidado de piedra'' (''The Trickster of Seville and the Stone Guest'') by Tirso de Molina, a 1787 opera, ''Don Giovanni'', with music by Mozart and a libretto by Lorenzo da Ponte, and a satirical, epic poem, ''Don Juan'', by Lord Byron. By linguistic extension, from the name of the character, "Don Juan" has become a generic expression for a womanizer, and stemming from this, Don Juanism is a non-clinical psychiatric descriptor. Pronunciation In Spanish, is pronounced . The usual English pronunciation is , with two syllables and a silent " J", but today, as more English-speakers have notions of Spanish, the pronunciation is becoming more common. However, in Lord Byron's verse version the name rhymes with ''ruin'' and ''true one'', suggesting the name was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divertissement
''Divertissement'' (from the French 'diversion' or 'amusement') is used, in a similar sense to the Italian 'divertimento', for a light piece of music for a small group of players, however the French term has additional meanings. During the 17th and 18th century, the term implied incidental aspects of an entertainment (usually involving singing and dancing) that might be inserted in an opera or ballet or other stage performance. In the operas produced by the Académie Royale de Musique, both tragédies lyriques and comédies lyriques, these 'divertissements' were sometimes linked to the main plot, or performed at the close of the performance. (Similar examples during the 19th century include Charles Gounod's opera ''Faust'' and Delibes's ballet ''Coppélia''.) Special entertainments of a similar kind given ''between'' the acts of an opera were called 'intermèdes'. The term is also sometimes used for a ballet suite of loosely connected dances. One 20th-century example is Jacques ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orfeo Ed Euridice
' (; French: '; English: ''Orpheus and Eurydice'') is an opera composed by Christoph Willibald Gluck, based on Orpheus, the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the ''azione teatrale'', meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. ''Orfeo ed Euridice'' is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of ''opera seria'' with a "noble simplicity" in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent Opera in German, German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Wolfgang Amadeus Mozart, Mozart's ''The Magic Flute'', Ludwig van Beethoven, Beetho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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