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Domra And Bandola
The ''domra'' (Cyrillic: до́мра, ) is a long-necked Belarusian, Russian, and Ukrainian folk string instrument of the lute family with a round body and three or four metal strings. History The first known mention of domra is in ''Admonitions of Metropolitan Daniel'' (1530). This musical instument gained great popularity in the 16th–17th centuries, replacing gusli. There are numerous mentions of domra in historic documents of this period. In addition, medieval Russian illuminated manuscripts of the Psalter contain images of musicians with necked plucked-string instruments, and some of those miniatures are clearly captioned «depiction of domras». Judging by those images, late medieval Russian domras can be divided into two types: lute-shaped, which had five to six strings, a large body and а pegbox angled back, and tanbur-shaped, which had three to four strings, a small body and a straight pegbox. After the pious Tsar Alexis of Russia issued an edict ordering the perse ...
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Plucked String Instrument
Plucked string instruments are a subcategory of string instruments that are played by plucking the strings. Plucking is a way of pulling and releasing the string in such a way as to give it an impulse that causes the string to vibrate. Plucking can be done with either a finger or a plectrum. Most plucked string instruments belong to the lute family (such as guitar, bass guitar, mandolin, banjo, balalaika, sitar, pipa, etc.), which generally consist of a resonating body, and a neck; the strings run along the neck and can be stopped at different pitches. The zither family (including the Qanún/kanun, autoharp, kantele, gusli, kannel, kankles, kokles, koto, guqin, gu zheng and many others) does not have a neck, and the strings are stretched across the soundboard. In the harp family (including the lyre), the strings are perpendicular to the soundboard and do not run across it. The harpsichord does not fit any of these categories but is also a plucked string instrument, as its ...
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Vasily Vasilievich Andreyev
Vasily Vasilievich Andreyev (russian: Василий Васильевич Андреев; 26 December 1918)
article on the city site of
was a Russian musician responsible for the modern development of the and several other traditional Russian folk music instruments, and is considered the father of the academic

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Russian Inventions
This timeline of Russian Innovation encompasses key events in the history of technology in Russia, from the Grand Duchy of Moscow up to the Russian Federation. The entries in this timeline fall into the following categories: * indigenous inventions, like airliners, AC transformers, radio receivers, television, artificial satellites, ICBMs * uniquely Russian products, objects and events, like Saint Basil's Cathedral, Matryoshka dolls, Russian vodka * products and objects with superlative characteristics, like the Tsar Bomba, the AK-47, and the Typhoon-class submarine * scientific and medical discoveries, like the periodic law, vitamins and stem cells This timeline includes scientific and medical discoveries, products and technologies introduced by various peoples of Russia and its predecessor states, regardless of ethnicity, and also lists inventions by naturalized immigrant citizens. Certain innovations achieved internationally may also appear in this timeline in cases where the ...
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Russian Folk Music
Russian folk music specifically deals with the folk music traditions of the ethnic Russian people. Ethnic styles in the modern era The performance and promulgation of ethnic music in Russia has a long tradition. Initially it was intertwined with various forms of art music, however, in the late 19th century it began to take on a life of its own with the rise in popularity of folkloric ensembles, such as the folk choir movement led by Mitrofan Pyatnitsky and the Russian folk instrument movement pioneered by Vasily Andreyev. In Soviet Russia, folk music was categorized as being democratic (of the people) or proletarian (of the working class) as opposed to art music, which was often regarded as being bourgeois. After the revolution, along with proletarian "mass music" (music for the proletarian masses) it received significant support from the state. In Post World War II Russia, proletarian mass music however lost its appeal, whereas folkloric music continued to have a widespread suppo ...
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Necked Bowl Lutes
Necking can refer to: * Making out, a term for heavy kissing of the neck or petting of that area * Necking (engineering), the process by which a ductile material deforms under tension forming a thin ''neck'' * Necking (electronics), thinning of traces in PCB layouts * Necking, a behavior of giraffes * Necking up or necking down, methods of modifying a firearm cartridge to make a wildcat cartridge or a new production cartridge (e.g. the US .60 caliber T17 round being shortened and necked up to create the 20×102 mm M61 Vulcan cannon cartridge) See also * Neck (other) * Rubbernecking Rubbernecking is a derogatory term primarily used to refer to bystanders staring at accidents. More generally, it can refer to anyone staring at something of everyday interest compulsively (especially tourists). The term ''rubbernecking'' derive ...
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Russian Musical Instruments
Russian folk music specifically deals with the folk music traditions of the ethnic Russian people. Ethnic styles in the modern era The performance and promulgation of ethnic music in Russia has a long tradition. Initially it was intertwined with various forms of art music, however, in the late 19th century it began to take on a life of its own with the rise in popularity of folkloric ensembles, such as the folk choir movement led by Mitrofan Pyatnitsky and the Russian folk instrument movement pioneered by Vasily Andreyev. In Soviet Russia, folk music was categorized as being democratic (of the people) or proletarian (of the working class) as opposed to art music, which was often regarded as being bourgeois. After the revolution, along with proletarian "mass music" (music for the proletarian masses) it received significant support from the state. In Post World War II Russia, proletarian mass music however lost its appeal, whereas folkloric music continued to have a widespread supp ...
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Yekaterinburg
Yekaterinburg ( ; rus, Екатеринбург, p=jɪkətʲɪrʲɪnˈburk), alternatively romanized as Ekaterinburg and formerly known as Sverdlovsk ( rus, Свердло́вск, , svʲɪrˈdlofsk, 1924–1991), is a city and the administrative centre of Sverdlovsk Oblast and the Ural Federal District, Russia. The city is located on the Iset River between the Volga-Ural region and Siberia, with a population of roughly 1.5 million residents, up to 2.2 million residents in the urban agglomeration. Yekaterinburg is the fourth-largest city in Russia, the largest city in the Ural Federal District, and one of Russia's main cultural and industrial centres. Yekaterinburg has been dubbed the "Third capital of Russia", as it is ranked third by the size of its economy, culture, transportation and tourism. Yekaterinburg was founded on 18 November 1723 and named after the Russian emperor Peter the Great's wife, who after his death became Catherine I, Yekaterina being the Russian form o ...
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Tamara Volskaya
Tamara Volskaya is a performing musician whose principal instrument is the domra. She graduated Kyiv Conservatory of Music, is a Merited Artist of Russia, a Laureate of USSR music competitions, and a professor at the Mussorgsky Ural State Conservatory of Yekaterinburg, Russia. She also performs on the mandolin. She is a recognized authority in the mandolin world, a regular guest artist and instructor of the Classical Mandolin Society of America and BDAA (Balalaika and Domra Association of America and Canada). She regularly appears as a domra and mandolin soloist with orchestras across the US, the former USSR, and Canada, and has performed in Europe, Australia, Israel, and Japan. Tamara has performed at such prestigious venues as Weill Recital Hall of Carnegie Music Hall, Avery Fisher Hall, Library of Congress, with Seattle Chamber Orchestra, New American Orchestra of NYC, Metropolitan Opera, etc. Tamara teaches as well as performs. She organized and headed the Folk Instrument Facu ...
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Violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings (music), strings (some can have five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow (music), bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and ...
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Mandolin
A mandolin ( it, mandolino ; literally "small mandola") is a stringed musical instrument in the lute family and is generally plucked with a pick. It most commonly has four courses of doubled strings tuned in unison, thus giving a total of 8 strings, although five (10 strings) and six (12 strings) course versions also exist. There are of course different types of strings that can be used, metal strings are the main ones since they are the cheapest and easiest to make. The courses are typically tuned in an interval of perfect fifths, with the same tuning as a violin (G3, D4, A4, E5). Also, like the violin, it is the soprano member of a family that includes the mandola, octave mandolin, mandocello and mandobass. There are many styles of mandolin, but the three most common types are the ''Neapolitan'' or ''round-backed'' mandolin, the ''archtop'' mandolin and the ''flat-backed'' mandolin. The round-backed version has a deep bottom, constructed of strips of wood, glued togethe ...
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Domra And Bandola
The ''domra'' (Cyrillic: до́мра, ) is a long-necked Belarusian, Russian, and Ukrainian folk string instrument of the lute family with a round body and three or four metal strings. History The first known mention of domra is in ''Admonitions of Metropolitan Daniel'' (1530). This musical instument gained great popularity in the 16th–17th centuries, replacing gusli. There are numerous mentions of domra in historic documents of this period. In addition, medieval Russian illuminated manuscripts of the Psalter contain images of musicians with necked plucked-string instruments, and some of those miniatures are clearly captioned «depiction of domras». Judging by those images, late medieval Russian domras can be divided into two types: lute-shaped, which had five to six strings, a large body and а pegbox angled back, and tanbur-shaped, which had three to four strings, a small body and a straight pegbox. After the pious Tsar Alexis of Russia issued an edict ordering the perse ...
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Soviet Domra
The Soviet Union,. officially the Union of Soviet Socialist Republics. (USSR),. was a transcontinental country that spanned much of Eurasia from 1922 to 1991. A flagship communist state, it was nominally a federal union of fifteen national republics; in practice, both its government and its economy were highly centralized until its final years. It was a one-party state governed by the Communist Party of the Soviet Union, with the city of Moscow serving as its capital as well as that of its largest and most populous republic: the Russian SFSR. Other major cities included Leningrad (Russian SFSR), Kiev (Ukrainian SSR), Minsk (Byelorussian SSR), Tashkent ( Uzbek SSR), Alma-Ata ( Kazakh SSR), and Novosibirsk (Russian SFSR). It was the largest country in the world, covering over and spanning eleven time zones. The country's roots lay in the October Revolution of 1917, when the Bolsheviks, under the leadership of Vladimir Lenin, overthrew the Russian Provisional Government ...
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