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Dmitry Khvostov
Count Dmitry Ivanovich Khvostov (russian: граф Дми́трий Ива́нович Хвосто́в, – ), was a Russian poet, representing the late period of classicism in Russian literature. Count Khvostov, as he was widely known, was an exceedingly prolific author of poems, fables, epigrams, etc., invariably archaic and pompous, making him an easy target for humourists and fellow poets (Pushkin among them) who ridiculed him relentlessly. In modern times much has been done to separate the comical myth from Khvostov's real legacy (with some fake 'Khvostovism' exposed) and give credit to an extraordinary poetry enthusiast (who was also an avid literary researcher and archivist), but the stereotype prevails and the name of Count Khvostov remains synonymous in Russia with wanton graphomania and self-important pomposity. Biography Dmitry Ivanovich Khvostov was born in 1757 in Saint Petersburg, into a respected family of Russian aristocrats, the origins of which can be traced ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Template:Infobox Writer/doc
Infobox writer may be used to summarize information about a person who is a writer/author (includes screenwriters). If the writer-specific fields here are not needed, consider using the more general ; other infoboxes there can be found in :People and person infobox templates. This template may also be used as a module (or sub-template) of ; see WikiProject Infoboxes/embed for guidance on such usage. Syntax The infobox may be added by pasting the template as shown below into an article. All fields are optional. Any unused parameter names can be left blank or omitted. Parameters Please remove any parameters from an article's infobox that are unlikely to be used. All parameters are optional. Unless otherwise specified, if a parameter has multiple values, they should be comma-separated using the template: : which produces: : , language= If any of the individual values contain commas already, add to use semi-colons as separators: : which produces: : , ps ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Suvorov
Alexander Vasilyevich Suvorov (russian: Алекса́ндр Васи́льевич Суво́ров, Aleksándr Vasíl'yevich Suvórov; or 1730) was a Russian general in service of the Russian Empire. He was Count of Rymnik, Count of the Holy Roman Empire, Prince of the Kingdom of Sardinia, Prince of the Russian Empire and the last Generalissimo of the Russian Empire. Suvorov is considered one of the greatest military commanders in Russian history and one of the great generals of the early modern period. He was awarded numerous medals, titles, and honors by Russia, as well as by other countries. Suvorov secured Russia's expanded borders and renewed military prestige and left a legacy of theories on warfare. He was the author of several military manuals, the most famous being ''The Science of Victory'', and was noted for several of his sayings. He never lost a single battle he commanded. Several military academies, monuments, villages, museums, and orders in Russia are dedicate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elegies
An elegy is a poem of serious reflection, and in English literature usually a lament for the dead. However, according to ''The Oxford Handbook of the Elegy'', "for all of its pervasiveness ... the 'elegy' remains remarkably ill defined: sometimes used as a catch-all to denominate texts of a somber or pessimistic tone, sometimes as a marker for textual monumentalizing, and sometimes strictly as a sign of a lament for the dead". History The Greek term ἐλεγείᾱ (''elegeíā''; from , , ‘lament’) originally referred to any verse written in elegiac couplets and covering a wide range of subject matter (death, love, war). The term also included epitaphs, sad and mournful songs, and commemorative verses. The Latin elegy of ancient Roman literature was most often erotic or mythological in nature. Because of its structural potential for rhetorical effects, the elegiac couplet was also used by both Greek and Roman poets for witty, humorous, and satirical subject matter. Other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epitaph
An epitaph (; ) is a short text honoring a deceased person. Strictly speaking, it refers to text that is inscribed on a tombstone or plaque, but it may also be used in a figurative sense. Some epitaphs are specified by the person themselves before their death, while others are chosen by those responsible for the burial. An epitaph may be written in prose or in poem verse. Most epitaphs are brief records of the family, and perhaps the career, of the deceased, often with a common expression of love or respect—for example, "beloved father of ..."—but others are more ambitious. From the Renaissance to the 19th century in Western culture, epitaphs for notable people became increasingly lengthy and pompous descriptions of their family origins, career, virtues and immediate family, often in Latin. Notably, the Laudatio Turiae, the longest known Ancient Roman epitaph, exceeds almost all of these at 180 lines; it celebrates the virtues of an honored wife, probably of a consul. So ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colloquy Of Lovers Of The Russian Word
The Colloquy of Lovers of the Russian Word (russian: Беседа любителей русского слова, ''Beseda lyubitelei russkogo slova'') was a conservative and proto-Slavophile literary society founded in St. Petersburg in the early nineteenth century. The society began meeting as early as 1807, but its regular monthly meetings began in March 1811 in "a beautiful and luxuriously appointed hall in Derzhavin's large home on the banks of the Fontanka"; as many as 500 people might attend its meetings, and it published its own journal, the ''Chteniya v Besede lyubitelei russkogo slova'' (Readings at the Colloquy of Lovers of the Russian Word), whose nineteen issues consisted mainly of material presented at the meetings. It was controlled by conservatives like Derzhavin and Alexander Shishkov who opposed the liberal reforms of Alexander I; in literary terms, it sought to ban gallicisms and other foreign infiltrations from the Russian language and looked to Church Slavoni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Academy
The Russian Academy or Imperial Russian Academy (russian: Академия Российская, Императорская Российская академия) was established in St. Petersburg, Russia, in 1783 by Empress Catherine II of Russia and princess Dashkova as a research center for Russian language and Russian literature, following the example of the Académie française. In 1841 it was merged into the Imperial Saint Petersburg Academy of Sciences (the predecessor of today's Russian Academy of Sciences). Presidents * 1783–1796 – Yekaterina Dashkova (concurrently serving as the Director of the Imperial Academy of Arts and Sciences) * 1796–1801 – Pavel Bakunin (Бакунин, Павел Петрович) (concurrently serving as the Director, and later President, of the Imperial Academy of Arts and Sciences) * 1801–1813 – Andrey Andreyevich Nartov (Нартов, Андрей Андреевич) * 1813–1841 – Aleksandr Shishkov (Ш ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Boileau-Despréaux
Nicolas Boileau-Despréaux (; 1 November 1636 – 13 March 1711), often known simply as Boileau (, ), was a French poet and critic. He did much to reform the prevailing form of French poetry, in the same way that Blaise Pascal did to reform the prose. He was greatly influenced by Horace. Family and education Boileau was the fifteenth child of Gilles Boileau, a clerk in the Parliament of Paris. Two of his brothers attained some distinction: Gilles Boileau, the author of a translation of Epictetus; and Jacques Boileau, who became a canon of the Sainte-Chapelle, and made valuable contributions to church history. The surname " Despréaux" was derived from a small property at Crosne near Villeneuve-Saint-Georges. His mother died when he was two years old; and Nicolas Boileau, who had a delicate constitution, seems to have suffered something from want of care. Sainte-Beuve puts down his somewhat hard and unsympathetic outlook quite as much to the uninspiring circumstances of these ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andromaque
''Andromaque'' is a tragedy in five acts by the French playwright Jean Racine written in alexandrine verse. It was first performed on 17 November 1667 before the court of Louis XIV in the Louvre in the private chambers of the Queen, Marie Thérèse, by the royal company of actors, called "les Grands Comédiens", with Thérèse Du Parc in the title role. The company gave the first public performance two days later in the Hôtel de Bourgogne in Paris. ''Andromaque'', the third of Racine's plays, written at the age of 27, established its author's reputation as one of the great playwrights in France. Origins of the play Euripides' play ''Andromache'' and the third book of Virgil's ''Aeneid'' were the points of departure for Racine's play. The play takes place in the aftermath of the Trojan War, during which Andromache's husband Hector, son of Priam, has been slain by Achilles and their young son Astyanax has narrowly escaped a similar fate at the hands of Ulysses, who has unknowi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Racine
Jean-Baptiste Racine ( , ) (; 22 December 163921 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille as well as an important literary figure in the Western tradition and world literature. Racine was primarily a tragedian, producing such "examples of neoclassical perfection" as ''Phèdre'', ''Andromaque'', and ''Athalie''. He did write one comedy, '' Les Plaideurs'', and a muted tragedy, ''Esther'' for the young. Racine's plays displayed his mastery of the dodecasyllabic (12 syllable) French alexandrine. His writing is renowned for its elegance, purity, speed, and fury, and for what American poet Robert Lowell described as a "diamond-edge", and the "glory of its hard, electric rage". Racine's dramaturgy is marked by his psychological insight, the prevailing passion of his characters, and the nakedness of both plot and stage. Biography Racine was born on 21 December 1639 in La Ferté-Milon ( Aisne) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Karin
Alexander is a male given name. The most prominent bearer of the name is Alexander the Great, the king of the Ancient Greek kingdom of Macedonia who created one of the largest empires in ancient history. Variants listed here are Aleksandar, Aleksander and Aleksandr. Related names and diminutives include Iskandar, Alec, Alek, Alex, Alexandre, Aleks, Aleksa and Sander; feminine forms include Alexandra, Alexandria, and Sasha. Etymology The name ''Alexander'' originates from the (; 'defending men' or 'protector of men'). It is a compound of the verb (; 'to ward off, avert, defend') and the noun (, genitive: , ; meaning 'man'). It is an example of the widespread motif of Greek names expressing "battle-prowess", in this case the ability to withstand or push back an enemy battle line. The earliest attested form of the name, is the Mycenaean Greek feminine anthroponym , , (/Alexandra/), written in the Linear B syllabic script. Alaksandu, alternatively called ''Alakasandu'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vasily Maykov
Vasily Ivanovich Maykov (Василий Иванович Майков, 1728, Yaroslavl, Russian Empire, - 28 June 1778, Moscow, Russian Empire) — was a Russian poet, fabulist, playwright and translator, an exponent of the mock-heroic poetry genre in Russia. As a playwright Maykov followed the tradition set by Alexander Sumarokov but, alongside heroic tragedies (''Agriope'', Агриопа, 1775) wrote some comedies too (''The Country Holiday or a Rewarded Virtue'', Деревенский праздник, или Увенчанная добродетель, 1777), occasionally mixing the two genres. As a lyrical poet he is said to have provided a link between the two eras in the Russian poetry, that of Mikhail Lomonosov on the one hand and Gavriil Derzhavin, on another. What Maykov really excelled at, though, was ironic verse, and it was the comedy ''The Ombre Player'' (Игрок ломбера) that made him famous in 1763. The Works by V.I.Maykov were first compiled in 1809 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
