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Diptych Of The Lampadii
The Diptych of the Lampadii is an ivory diptych, measuring 27x9x2 cm) dating to the beginning of the Fifth century AD. Only the left plate, which is kept in the Museo di Santa Giulia in Brescia, survives. It was acquired by Cardinal Angelo Maria Quirini in the eighteenth century and was donated to the Museo dell'Era Cristiana in the nineteenth century. History The work, datable to the beginning of the fifth century, was made to celebrate an important event in the life of the person named in the inscription, whose only legible fragment reads "''AMPADIORVM''" - probably indicating a member of the family of the Lampadii. In general, diptychs were commissioned to celebrate an individual's appointment to the consulship, so one possible identity of the person named by the inscription is Flavius Lampadius, who was consul in 530. However, since the diptych is dated to the beginning of the fifth century on stylistic grounds, it is possible that it was produced on the appointment of an ...
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Diptych
A diptych (; from the Greek δίπτυχον, ''di'' "two" + '' ptychē'' "fold") is any object with two flat plates which form a pair, often attached by hinge. For example, the standard notebook and school exercise book of the ancient world was a diptych consisting of a pair of such plates that contained a recessed space filled with wax. Writing was accomplished by scratching the wax surface with a stylus. When the notes were no longer needed, the wax could be slightly heated and then smoothed to allow reuse. Ordinary versions had wooden frames, but more luxurious diptychs were crafted with more expensive materials. Art ] As an art term a diptych is an artwork consisting of two pieces or panels, that together create a singular art piece these can be attached together or presented adjoining each other. In medieval times, panels were often hinged so that they could be closed and the artworks protected. In Late Antiquity, ivory notebook diptychs with covers carved in low relie ...
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Senator
A senate is a deliberative assembly, often the upper house or chamber of a bicameral legislature. The name comes from the ancient Roman Senate (Latin: ''Senatus''), so-called as an assembly of the senior (Latin: ''senex'' meaning "the elder" or "old man") and therefore considered wiser and more experienced members of the society or ruling class. However the Roman Senate was not the ancestor or predecessor of modern parliamentarism in any sense, because the Roman senate was not a legislative body. Many countries have an assembly named a ''senate'', composed of ''senators'' who may be elected, appointed, have inherited the title, or gained membership by other methods, depending on the country. Modern senates typically serve to provide a chamber of "sober second thought" to consider legislation passed by a lower house, whose members are usually elected. Most senates have asymmetrical duties and powers compared with their respective lower house meaning they have special dut ...
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Late Roman Empire Sculptures
Late may refer to: * LATE, an acronym which could stand for: ** Limbic-predominant age-related TDP-43 encephalopathy, a proposed form of dementia ** Local-authority trading enterprise, a New Zealand business law ** Local average treatment effect, a concept in econometrics Music * ''Late'' (album), a 2000 album by The 77s * Late!, a pseudonym used by Dave Grohl on his ''Pocketwatch'' album * Late (rapper), an underground rapper from Wolverhampton * "Late" (song), a song by Blue Angel * "Late", a song by Kanye West from ''Late Registration'' Other * Late (Tonga), an uninhabited volcanic island southwest of Vavau in the kingdom of Tonga * "Late" (''The Handmaid's Tale''), a television episode * LaTe, Oy Laivateollisuus Ab, a defunct shipbuilding company * Late may refer to a person who is Dead See also * * * ''Lates'', a genus of fish in the lates perch family * Later (other) * Tardiness * Tardiness (scheduling) In scheduling, tardiness is a measure of a delay in exe ...
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Sculptures In Italy
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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5th-century Roman Sculptures
The 5th century is the time period from 401 ( CDI) through 500 ( D) ''Anno Domini'' (AD) or Common Era (CE) in the Julian calendar. The 5th century is noted for being a period of migration and political instability throughout Eurasia. It saw the collapse of the Western Roman Empire, which came to an end in 476 AD. This empire had been ruled by a succession of weak emperors, with the real political might being increasingly concentrated among military leaders. Internal instability allowed a Visigoth army to reach and ransack Rome in 410. Some recovery took place during the following decades, but the Western Empire received another serious blow when a second foreign group, the Vandals, occupied Carthage, capital of an extremely important province in Africa. Attempts to retake the province were interrupted by the invasion of the Huns under Attila. After Attila's defeat, both Eastern and Western empires joined forces for a final assault on Vandal North Africa, but this campaign was ...
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Circus Maximus
The Circus Maximus (Latin for "largest circus"; Italian: ''Circo Massimo'') is an ancient Roman chariot-racing stadium and mass entertainment venue in Rome, Italy. In the valley between the Aventine and Palatine hills, it was the first and largest stadium in ancient Rome and its later Empire. It measured in length and in width and could accommodate over 150,000 spectators. In its fully developed form, it became the model for circuses throughout the Roman Empire. The site is now a public park. Events and uses The Circus was Rome's largest venue for ''ludi'', public games connected to Roman religious festivals. ''Ludi'' were sponsored by leading Romans or the Roman state for the benefit of the Roman people (''populus Romanus'') and gods. Most were held annually or at annual intervals on the Roman calendar. Others might be given to fulfil a religious vow, such as the games in celebration of a triumph. In Roman tradition, the earliest triumphal ''ludi'' at the Circus were ...
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Egyptian Hieroglyphs
Egyptian hieroglyphs (, ) were the formal writing system used in Ancient Egypt, used for writing the Egyptian language. Hieroglyphs combined logographic, syllabic and alphabetic elements, with some 1,000 distinct characters.There were about 1,000 graphemes in the Old Kingdom period, reduced to around 750 to 850 in the classical language of the Middle Kingdom, but inflated to the order of some 5,000 signs in the Ptolemaic period. Antonio Loprieno, ''Ancient Egyptian: A Linguistic Introduction'' (Cambridge: Cambridge UP, 1995), p. 12. Cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts were derived from hieroglyphic writing, as was the Proto-Sinaitic script that later evolved into the Phoenician alphabet. Through the Phoenician alphabet's major child systems (the Greek and Aramaic scripts), the Egyptian hieroglyphic script is ancestral to the majority of scripts in modern use, most prominently the Latin and Cyr ...
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Obelisk
An obelisk (; from grc, ὀβελίσκος ; diminutive of ''obelos'', " spit, nail, pointed pillar") is a tall, four-sided, narrow tapering monument which ends in a pyramid-like shape or pyramidion at the top. Originally constructed by Ancient Egyptians and called ''tekhenu'', the Greeks used the Greek term to describe them, and this word passed into Latin and ultimately English. Ancient obelisks are monolithic; they consist of a single stone. Most modern obelisks are made of several stones. Ancient obelisks Egyptian Obelisks were prominent in the architecture of the ancient Egyptians, and played a vital role in their religion placing them in pairs at the entrance of the temples. The word "obelisk" as used in English today is of Greek rather than Egyptian origin because Herodotus, the Greek traveler, was one of the first classical writers to describe the objects. A number of ancient Egyptian obelisks are known to have survived, plus the " Unfinished Obelisk" found part ...
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Quadriga
A () is a car or chariot drawn by four horses abreast and favoured for chariot racing in Classical Antiquity and the Roman Empire until the Late Middle Ages. The word derives from the Latin contraction of , from ': four, and ': yoke. The four-horse abreast arrangement in quadriga is distinct from the more common four-in-hand array of two horses in the front and two horses in the back. Quadriga was raced in the Ancient Olympic Games and other contests. It is represented in profile as the chariot of gods and heroes on Greek vases and in bas-relief. During the festival of the Halieia, the ancient Rhodians would sacrifice a quadriga by throwing it into the sea. The quadriga was adopted in ancient Roman chariot racing. Quadrigas were emblems of triumph; Victory or Fame often are depicted as the triumphant woman driving it. In classical mythology, the quadriga is the chariot of the gods; the god of the sun Helios (often identified with Apollo, the god of light) was depicted driv ...
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Circus (building)
The Roman circus (from the Latin word that means "circle") was a large open-air venue used for public events in the ancient Roman Empire. The circuses were similar to the ancient Greek hippodromes, although circuses served varying purposes and differed in design and construction. Along with theatres, amphitheatres, and the similar but much smaller stadiums, circuses were one of the main entertainment sites of the time. Circuses were venues for chariot races, horse races, gladiatorial combat, and performances that commemorated important events of the Empire were performed there. According to Edward Gibbon, in Chapter XXXI of his work ''The History of the Decline and Fall of the Roman Empire'', the Roman people, at the start of the 5th century: Architectural design The performance space of the Roman circus was normally, despite its name, an oblong rectangle of two linear sections of race track, separated by a median strip running along the length of about two thirds the track, jo ...
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Architrave
In classical architecture, an architrave (; from it, architrave "chief beam", also called an epistyle; from Greek ἐπίστυλον ''epistylon'' "door frame") is the lintel or beam that rests on the capitals of columns. The term can also apply to all sides, including the vertical members, of a frame with mouldings around a door or window. The word "architrave" has come to be used to refer more generally to a style of mouldings (or other elements) framing a door, window or other rectangular opening, where the horizontal "head" casing extends across the tops of the vertical side casings where the elements join (forming a butt joint, as opposed to a miter joint). Classical architecture In an entablature in classical architecture, it is the lowest part, below the frieze and cornice. The word is derived from the Greek and Latin words ''arche'' and ''trabs'' combined to mean "main beam". The architrave is different in the different Classical orders. In the Tuscan o ...
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Monastery Of St
A monastery is a building or complex of buildings comprising the domestic quarters and workplaces of monastics, monks or nuns, whether living in communities or alone (hermits). A monastery generally includes a place reserved for prayer which may be a chapel, church, or temple, and may also serve as an oratory, or in the case of communities anything from a single building housing only one senior and two or three junior monks or nuns, to vast complexes and estates housing tens or hundreds. A monastery complex typically comprises a number of buildings which include a church, dormitory, cloister, refectory, library, balneary and infirmary, and outlying granges. Depending on the location, the monastic order and the occupation of its inhabitants, the complex may also include a wide range of buildings that facilitate self-sufficiency and service to the community. These may include a hospice, a school, and a range of agricultural and manufacturing buildings such as a barn, a forge, ...
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