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Diocesan Museum (Cortona)
The Diocesan Museum in Cortona is an art museum in Cortona, Tuscany, Italy.''Museum of the Diocese of Cortona: a guide to its history and art'' by Edoardo Mori (1998) pages 2–4 Located on the former site of the local Church of Gesù, it houses works of art by artists such as Fra Angelico, Pietro Lorenzetti, Bartolomeo della Gatta, Luca Signorelli and Sassetta. The oldest item in the museum is a marble Roman sarcophagus (2nd century AD), depicting depicts the battle of Dionysus. A room in the museum is specifically dedicated to the works of Luca Signorelli and his workshop, and emphasizes the bond between Signorelli and his hometown, and correspond to the artist's last years of work, from 1512 to 1523, the year of his death. Ten of the works bear the personal signature of Signorelli, the others are assumed to be from his workshop. The large tempera on panel depiction of the ''Lamentation of Christ'', which used to be in the church of S. Margaret of Cortona, was called "a rar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fra Angelico 069
A friar is a member of one of the mendicant orders founded in the twelfth or thirteenth century; the term distinguishes the mendicants' itinerant apostolic character, exercised broadly under the jurisdiction of a superior general, from the older monastic orders' allegiance to a single monastery formalized by their vow of stability. A friar may be in holy orders or a brother. The most significant orders of friars are the Dominicans, Franciscans, Augustinians, and Carmelites. Definition Friars are different from monks in that they are called to live the evangelical counsels (vows of poverty, chastity, and obedience) in service to society, rather than through cloistered asceticism and devotion. Whereas monks live in a self-sufficient community, friars work among laypeople and are supported by donations or other charitable support. Monks or nuns make their vows and commit to a particular community in a particular place. Friars commit to a community spread across a wider geograp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flagellation Of Christ
The Flagellation of Christ, sometimes known as Christ at the Column or the Scourging at the Pillar, is a scene from the Passion of Christ very frequently shown in Christian art, in cycles of the Passion or the larger subject of the '' Life of Christ''. It is the fourth station of the modern alternate Stations of the Cross, and a Sorrowful Mystery of the Rosary.''Old Master Paintings and Drawings'' by Roy Bolton 2009 page 70 The column to which Christ is normally tied, and the rope, scourge, whip or birch are elements in the Arma Christi. The Basilica di Santa Prassede in Rome claims to possess the original column. From the 15th century the subject is also painted in individual works, rather than as one of a series of Passion scenes. The most-discussed single work is the enigmatic treatment on a small panel in Urbino by Piero della Francesca (1455–60), whose precise meaning has eluded generations of art historians. At the same time ''Christ at the Column'' or ''Christ at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Maria Crespi
Giuseppe Maria Crespi (March 14, 1665 – July 16, 1747), nicknamed Lo Spagnuolo ("The Spaniard"), was an Italian late Baroque painter of the Bolognese School. His eclectic output includes religious paintings and portraits, but he is now most famous for his genre paintings. Giuseppe Crespi, together with Giambattista Pittoni, Giovan Battista Tiepolo, Giovan Battista Piazzetta, Canaletto and Francesco Guardi forms the traditional great Old Masters painters of that period. Biography Crespi was born in Bologna to Girolamo Crespi and Isabella Cospi. His mother was a distant relation of the noble Cospi family, which had ties to the Florentine House of Medici. He was nicknamed "the Spanish One" (Lo Spagnuolo) because of his habit of wearing tight clothes characteristic of Spanish fashion of the time. By age 12 years, he apprenticed with Angelo Michele Toni (1640–1708). From the age of 15–18 years, he worked under the Bolognese Domenico Maria Canuti. The Roman painter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margaret Of Cortona
Margaret of Cortona (1247 – 22 February 1297) was an Italian penitent of the Third Order of Saint Francis. She was born in Laviano, near Perugia, and died in Cortona. She was canonized in 1728. She is the patron saint of the falsely accused, hoboes, homeless, insane, orphaned, mentally ill, midwives, penitents, single mothers, reformed prostitutes, stepchildren, and tramps. Life Margaret was born of farming parents, in Laviano, a little town in the diocese of Chiusi. At the age of seven, Margaret's mother died and her father remarried. Neither Margaret nor her stepmother liked each other. As she grew older, Margaret became more willful and reckless, and her reputation in the town suffered. At the age of 17 she met a young man, according to some accounts, the son of Gugliemo di Pecora, lord of Valiano, and she ran away with him. Soon Margaret found herself installed in the castle, not as her master's wife, for convention would never allow that, but as his mistress, whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna Of Humility
Madonna of humility refers to artistic portrayals of the Virgin Mary which depict her sitting on the ground, or upon a low cushion. She may be holding the Christ Child in her lap. The term Virgin of humility is also used to refer to this style of depiction. The iconography originated in the 14th century, and was most common in that and the following century. History and development Humility is a virtue extolled by Saint Francis of Assisi, and this style of image was associated with Franciscan piety, although it was not the creation of the Franciscans, since the artist first associated with the image, Simone Martini, had ties with the Dominicans and may have created the image for them. The word humility derives from the Latin ''humus'', meaning earth or ground. The earliest known painting of this type dates to 1346 and is at the ''Museo Nazionale'' in Palermo. It represents a Madonna seated on a small cushion just above the ground. The Christ Child partially looks at the viewer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triptych
A triptych ( ; from the Greek language, Greek adjective ''τρίπτυχον'' "''triptukhon''" ("three-fold"), from ''tri'', i.e., "three" and ''ptysso'', i.e., "to fold" or ''ptyx'', i.e., "fold") is a work of art (usually a panel painting) that is divided into three sections, or three Wood carving, carved panels that are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works. The middle panel is typically the largest and it is flanked by two smaller related works, although there are triptychs of equal-sized panels. The form can also be used for pendant jewelry. Beyond its association with art, the term is sometimes used more generally to connote anything with three parts, particularly if integrated into a single unit. In art The triptych form appears in early Christian art, and was a popular standard format for altar paintings from the Middle Ages onwards. Its geographical range was from the easter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maestà
Maestà , the Italian word for "majesty", designates a classification of images of the enthroned Madonna with the child Jesus, the designation generally implying accompaniment by angels, saints, or both. The ''Maestà'' is an extension of the "Seat of Wisdom" theme of the seated "Mary Theotokos", "Mary Mother of God", which is a counterpart to the earlier icon of Christ in Majesty, the enthroned Christ that is familiar in Byzantine Mosaics. ''Maria Regina'' is an art historians' synonym for the iconic image of Mary enthroned, with or without the Child. In the West, the image seems to have developed, based perhaps on Byzantine precedents such as the coin of Constantine's Empress Fausta, crowned and with their sons on her lap and on literary examples, such as Flavius Cresconius Corippus's celebration of Justin II's coronation in 565. Paintings depicting the ''Maestà'' came into the mainstream artistic repertory, especially in Rome, in the late twelfth and early thirteenth centuries ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Di Segna
Niccolò di Segna (died around 1348) was an Italian painter from Siena. His activity is documented starting from 1331. Influenced by Duccio di Buoninsegna and Simone Martini, he was an exponent of the Sienese School. He collaborated with Pietro Lorenzetti to the frescoes in Santa Maria dei Servi (Siena) and painted. Other works by him can be found in the Pinacoteca Nazionale at Siena (''Madonna della Misericordia'', ''Madonna with Child'', ''St. Michael Archangel'' and others), in the Cathedral of Sansepolcro (''Resurrection Polyptych'', at the high altar), the Diocesan Museum of Cortona Cortona (, ) is a town and ''comune'' in the province of Arezzo, in Tuscany, Italy. It is the main cultural and artistic centre of the Val di Chiana after Arezzo. Toponymy Cortona is derived from Latin Cortōna, and from Etruscan 𐌂𐌖𐌓 ... and other collections in Italy and abroad. Sources * "Saint Lucy"by Niccolo di Segna,Walters Art Museum,Baltimore External links * {{DEFAULT ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna And Child
In art, a Madonna () is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is (archaic). The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography, often known after the location of a notable icon of the type, such as the ''Theotokos of Vladimir'', ''Agiosoritissa'', ''Blachernitissa'', etc., or descriptive of the depicted posture, as in ''Hodegetria'', ''Eleusa'', etc. The term ''Madonna'' in the sense of "picture or statue of the Virgin Mary" enters English usage in the 17th century, primarily in reference to works of the Italian Renaissance. In an Eastern Orthodox context, such images are typically known as '' Theotokos''. "Madonna" may be generally used of representations of Mary, with or without the infant Jesus, is the focus and central figure of the image, possibly flanke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cortona Triptych
The ''Cortona Triptych'' is a Catholic Church depiction of the Madonna and Child with saints, painted by Fra Angelico. It is now kept at the Diocesan Museum in Cortona, Italy. The painting dates from 1436–1437.''Fra Angelico'' by Laurence B. Kanter, 2005 page 104 The triptych was originally painted for the church of San Domenico in Cortona, and belonged to the Order of Saint Dominic. It was painted in Fiesole, and then shipped to Cortona, probably just before Fra Angelico painted the Perugia Altarpiece in 1437, with which this work shares many common elements. Predella The predella depicts the story of Saint Dominic along with other saints: * Saint Peter Martyr * The dream of Innocent III, * Saint Michael the Archangel * Resurrection of Napoleone Orsini * Saint Vincent, Martyr * Saint Dominic with the Friars, being served by the Angels and Death of St. Dominic * Saint Thomas Aquinas Thomas Aquinas, OP (; it, Tommaso d'Aquino, lit=Thomas of Aquino; 1225 – 7 Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assumption Of The Virgin
The Assumption of Mary is one of the four Catholic_Mariology#Dogmatic_teachings, Marian dogmas of the Catholic Church. Pope Pius XII defined it in 1950 in his apostolic constitution ''Munificentissimus Deus'' as follows: We proclaim and define it to be a dogma revealed by God that the immaculate Mother of God, Mary ever virgin, when the course of her earthly life was finished, was taken up body and soul into the glory of heaven. The declaration was built upon the 1854 dogma of the Immaculate Conception of Mary, which declared that Mary was conceived free from original sin, and both have their foundation in the concept of Mary as the Mother of God. It leaves open the question of whether Mary died or whether she was raised to Eternal life (Christianity), eternal life without bodily death. The equivalent belief (but not held as dogma) in the Eastern Orthodox Church is the Dormition of the Mother of God or the "Falling Asleep of the Mother of God". The word 'assumption' der ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
30 Pieces Of Silver
Thirty pieces of silver was the price for which Judas Iscariot betrayed Jesus, according to an account in the Gospel of Matthew 26:15 in the New Testament. Before the Last Supper, Judas is said to have gone to the chief priests and agreed to hand over Jesus in exchange for 30 silver coins, and to have attempted to return the money afterwards, filled with remorse. The Gospel of Matthew claims that the subsequent purchase of the Potter's field was fulfilment, by Jesus, of a prophecy of Zechariah. The image has often been used in artwork depicting the Passion of Christ. The phrase is used in literature and common speech to refer to people "selling out", compromising a trust, friendship, or loyalty for personal gain. Biblical narrative According to the Gospel of Matthew, Judas Iscariot was a disciple of Jesus. Before the Last Supper, Judas went to the chief priests and agreed to hand over Jesus in exchange for 30 silver coins. Jesus was then arrested in Gethsemane, where Judas re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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