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Dinanath Mangeshkar
Deenanath Mangeshkar (; 29 December 1900 – 24 April 1942) was a well-known Marathi theatre actor, a Natya Sangeet musician and a Hindustani classical vocalist. He is also the father of well-known singers Lata Mangeshkar, Asha Bhosle, Meena Khadikar and Usha Mangeshkar as well as composer Hridaynath Mangeshkar. Background Pt. Deenanath Mangeshkar, popularly known as Dina, was born at Mangeshi, Goa on 29 December 1900. His father, Ganesh Bhatt Navathe Hardikar (Abhisheki) was a married Karhade Brahmin who served as priest at the famous Mangeshi Temple in Goa. His mother Yesubai Rane was his father's mistress belonging to the Devadasi community of Goa, which is now known as Gomantak Maratha Samaj. Born in Mangeshi village, he later, in his teens, adopted the surname "Mangeshkar," which means "of Mangesh." Mangesh is also the name of the deity worshipped in the Mangeshi Temple. As a ''Devadasi'', Yesubai was a reputed musician. Deenanath's father's surname was ''Hardikar'', wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mangeshi
Mangueshi is a village in Priol, Ponda, Goa, India. Mangueshi/Mangueshim are other variations for the same name. Main Attraction The temple of Shri Mangesh is set amidst natural surroundings. Mangeshi, which is a little village along Goa's Panaji-Ponda road is a point of pilgrimage for hundreds of tourists from all over India and abroad. The temples of Shree Shantadurga located at Kavale village, Navdurga at Madkai, and Shree Mangesh, are three revered patron deities of GSB families in Goa are a must visit for any devotee/ tourist coming to Goa. History The original site of Sri Mangueshi Temple is Kushasthali or Cortalim in Salcette Taluka. To avoid the increasing Portuguese missionary activities in Goa, the GSB community was afraid for the safety of the temples and idols. Hence the families worshipping Shree Shantadurga and Shree Manguesh, on a moonless night, leaving their homes and hearths crossed over the Zuari River to a safer region which was under the rule of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karhade Brahmin
Karhaḍe Brahmins (also spelled as Karada Brahmins or Karad Brahmins) are a Hindu Brahmin sub-caste mainly from the Indian state of Maharashtra, but are also distributed in states of Goa, Karnataka and Madhya Pradesh. Classification Along with the Deshastha and Konkanastha Brahmins, the Karhade Brahmins are referred to as Maharashtrian Brahmins. Based on Veda and Vedanta Karhade Brahmins are essentially Rigvedi Brahmins who follow the Ashwalayana Sutra and belong to Shakala Shakha. Karhade Brahmins are divided into two groups based on the Vedanta they follow, the first of which follows the Advaita Vedanta of Adi Shankara and the second of which follows the Dvaita Vedanta of Madhvacharya. Hence, Karhade Brahmins have both Smarthas and Madhvas (also known as ''Bhagvats'' or Vaishnavas) among them. Like their Deshastha counterparts, traditionally the karhade allowed cross-cousin marriages. ;Sub-division and other claims There are three divisions of Karhade Brahmins - Karhade ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mani Prasad
Pandit Mani Prasad (4 November 1930) is an Indian classical vocalist from the Kirana gharana (singing style). Early life and training Mani Prasad was born into a family of musicians. His father, Sukhdev Prasad, had received music training from Abdul Karim Khan and Abdul Wahid Khan, the founders of the Kirana gharana. Mani Prasad accompanied his father on all his tours and performances across the country from an early age. He moved from Wardha in Maharashtra to New Delhi in his youth along with his father. He was trained mostly by his father but was also guided by his grandfather Pandit Shakti Lal and by his uncles Pandit Shankar Lal and Pandit Gopal Prasad. Musical career Pandit Mani Prasad started his career early, being brought up in a musical family. He is ranked as a Top Grade 'A class' artist by the All India Radio and is a well recognised television artist with the Doordarshan. He has not only created some new ragas but also composed many bandishes in existing ragas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bikaner
Bikaner () is a city in the northwest of the state of Rajasthan, India. It is located northwest of the state capital, Jaipur. Bikaner city is the administrative headquarters of Bikaner District and Bikaner division. Formerly the capital of the princely state of Bikaner, the city was founded by Rao Bika in 1488 CE and from its small origins it has developed into the fourth largest city in Rajasthan. The Ganges Canal, completed in 1928, and the Indira Gandhi Canal, completed in 1987, facilitated its development. History left, Bikaner coat of arms Prior to the mid 15th century, the region that is now Bikaner was a barren wilderness called Jangladesh. Rao Bika established the city of Bikaner in 1488. He was the first son of Maharaja Rao Jodha of the Rathore clan, the founder of Jodhpur and conquered the largely arid country in the north of Rajasthan. As the first son of Jodha he wanted to have his own kingdom, not inheriting Jodhpur from his father or the title of Maharaja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramkrishnabuwa Vaze
Ramkrishnabuwa Vaze, also known as Vazebuwa, (28 November 1871 – 5 May 1945) was a Hindustani Classical musician of the Gwalior tradition known for his impact on popularizing classical music and its impression on Natyageet in the early half of the 20th century. Background Born in Vazare, Maharashtra in 1871, Vaze lost his father at an early age and was brought up by his mother. He studied briefly in school. With an interest in music surpassing academics, Vaze's mother helped him take lessons in music from several teachers, spending several years moving around. He learned from musicians like Balwantrai Pohre and Vitthoba Hadap of Malwan. After being married and taking up household duties, Vaze set out to pursue music. Music career Training With Gwalior regarded as the home of khayal music at the time, many traveled there to learn music. After traveling to Pune, Bombay, Indore Ujjain, and Benaras, Vaze met Bade Nissar Hussain Khan, the son of Natthe Khan, and became his di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gwalior Gharana
The Gwalior Gharana (Gwalior school of classical music) is one of the oldest Khyal Gharana in Indian classical music. The rise of the Gwalior Gharana started with the reign of the Mughal emperor Akbar (1542–1605). The favourite singers of this patron of the arts, such as Miyan Tansen, who was the most famous vocalist at the court, came from the town of Gwalior. History The Gwalior Gharana evolved during the time of the Mughal Empire (1526CE 1857 CE). Among the early masters (''ustad'') were Naththan Khan, Naththan Pir Bakhsh and his grandsons Haddu, Hassu and Natthu Khan. The head musician in the imperial court was Bade Mohammad Khan, who was famous for his ''taan bazi'' style. Both Bade Mohammad Khan and Naththan Pir Bakhsh belonged to the same tradition of Shahi Sadarang (also known as Nemat Khan, dhrupad singer and veena player in the court of Mohammad Shah (1702 CE 1748 CE). Hassu Khan (died 1859 CE) and Haddu Khan (died 1875 CE) continued to develop the Gwalior style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jitendra Abhisheki
Ganesh Balawant Nawathe, better known as Pandit Jitendra Abhisheki (21 September 1929 – 7 November 1998), was an Indian vocalist, composer and scholar of Indian classical, semi-classical, and devotional music. While he distinguished himself in Hindustani music, he is also credited for the revival of the Marathi musical theatre in the 1960s. Jitendra Abhisheki has been praised as being "among the stalwarts of Hindustani classical music who mastered other musical forms such as thumri, tappa, bhajan, and bhavgeet. His work in Marathi natyasangeet is well-known." An annual Pandit Jitendra Abhisheki Mahotsav is held, and the last was held in mid-October 2018 at the Yashwantrao Chavan Natyagruha in Kothrud, Maharashtra. In Goa, a Pandit Jitendra Abhisheki Music Festival held at the local Kala Academy also reached its 14th edition in 2018. Early life and background Jitendra was born in priestly Padye Karhade Brahmin family in Mangeshi, Goa. His family was traditionally attached t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva
Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as "The Destroyer" within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition, the Supreme Goddess ( Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash as well as a householder with his wife Parvati and his three children, Ganesha, Kartikeya and A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lingam
A lingam ( sa, लिङ्ग , lit. "sign, symbol or mark"), sometimes referred to as linga or Shiva linga, is an abstract or aniconic representation of the Hindu god Shiva in Shaivism. It is typically the primary ''murti'' or devotional image in Hindu temples dedicated to Shiva, also found in smaller shrines, or as self-manifested natural objects. It is often represented within a disc-shaped platform, the ''yoni'' – its feminine counterpart, consisting of a flat element, horizontal compared to the vertical lingam, and designed to allow liquid offerings to drain away for collection. Together, they symbolize the merging of microcosmos and macrocosmos, the divine eternal process of creation and regeneration, and the union of the feminine and the masculine that recreates all of existence. The original meaning of ''lingam'' as "sign" is used in Shvetashvatara Upanishad, which says "Shiva, the Supreme Lord, has no liūga", liuga ( sa, लिऊग ) meaning he is transcen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abhishekam
Abhisheka () means "bathing of the divinity to whom worship is offered." It is a religious rite or method of prayer in which a devotee pours a liquid offering on an image or murti of a God or Goddess. Abhisheka is common to Indian religions such as Hinduism, Buddhism and Jainism. Hinduism An abhiṣeka is conducted by priests by bathing the image of the deity being worshipped, amidst the chanting of mantras. Usually, offerings such as milk, yogurt, ghee, honey, panchamrita, sesame oil, rose water, sandalwood paste may be poured among other offerings depending on the type of abhishekam being performed. This rite is routinely performed in Hindu temples. A '' Rudrābhiṣeka'' or abhiṣeka of Rudra is performed on lingams. A Kumbhabhishekam is a consecration ritual for a Hindu temple. Buddhism Vajrayana Buddhism In Vajrayana Buddhism or Mantrayana Buddhism, one enters into the path of Vajrayana Buddhism by receiving the four stages of tantric empowerments, or abhisheka: the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gomantak Maratha Samaj
Gomantak Maratha Samaj is a Hindu community found in the Indian state of Goa. They are known as ''Nutan Maratha Samaj'' in the Sindhudurg district of Maharashtra and ''Naik Maratha Samaj'' in Maharashtra, Uttara Kannada district of Karnataka, also Telangana respectively. Origin Gomantak Maratha is a relatively new ameliorative name"Gomantak Prakruti ani Sanskruti" by B.D.Satoskar adopted by a community of traditional Hindu temple servants. They were previously known by the following names: Kalavantin/ Kulambini *Those who participated in music and singing were known as ''Kalavantini'', literally meaning ''an artiste,'' they enjoyed a high status in the community. *Those who maintained the temple lamps, ''Palanquin'', and held ''Chamara'' (''Chavar'' in Konkani) were known as ''Bhavins'', literally a ''pious lady''. The Kalavant women (sometimes called as ''Naikinn'') as a custom became mistresses of Brahmin men who paid a huge sum of money to her mother. They also practiced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devadasi
In India, a devadasi was a female artist who was dedicated to the worship and service of a deity or a temple for the rest of her life. The dedication took place in a ceremony that was somewhat similar to a marriage ceremony. In addition to taking care of the temple and performing rituals, these women also learned and practiced classical Indian artistic traditions such as Bharatanatyam, Mohiniyattam, Kuchipudi, and Odissi. Their social status was high as dance and music were an essential part of temple worship. Between the sixth and thirteenth centuries, Devadasis had a high rank and dignity in society and were exceptionally affluent as they were seen as the protectors of the arts. During this period royal patrons provided them with gifts of land, property, and jewellery. After becoming Devadasis, the women would spend their time learning religious rites, rituals, and dances. Devadasis were expected to live a life of celibacy, however, there have been instances of exceptions. D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
