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Die Wüste Insel
' (English: ''The Uninhabited Island''), Hob. 28/9, is an opera (') by Joseph Haydn, his tenth opera, written for the Eszterházy court and premiered on 6 December 1779. The libretto is the only one by Metastasio set by Haydn. The libretto had been originally set by Giuseppe Bonno (1754, Vienna) and subsequently used by Manuel García. Nino Rota has set excerpts to music as well. The libretto was adapted into French and set by F. I. Beck in Bordeaux in the same year as Haydn as ''L'isle déserte''. A later German version was as a Singspiel ''Die wüste Insel'' (Hob. XXVIII:9). Haydn's work has long been remembered for its dramatic overture, but the rest of the opera did not see print until H. C. Robbins Landon's 1976 edition (only available for rental). A new edition by Thomas J Busse was prepared in 2007 and is now online. The piece is striking for its use of orchestral throughout. Unrelated to Metastasio there is also a libretto of the same title by Carlo Goldoni (using t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Haydn
Franz Joseph Haydn ( ; ; 31 March 173231 May 1809) was an Austrian composer of the Classical period (music), Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String quartet". Haydn arose from humble origins, the child of working people in a rural village. He established his career first by serving as a chorister at St. Stephen's Cathedral, Vienna, then through an arduous period as a freelance musician. Eventually he found career success, spending much of his working life as Kapellmeister, music director for the wealthy Esterházy family at their palace of Eszterháza in rural Hungary. Though he had his own orchestra there, it isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". During this period his music circulated widely in publication, eventuall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overture
Overture (from French ''ouverture'', "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem. These were "at first undoubtedly intended to be played at the head of a programme". The idea of an instrumental opening to opera existed during the 17th century. Peri's '' Euridice'' opens with a brief instrumental ritornello, and Monteverdi's '' L'Orfeo'' (1607) opens with a toccata, in this case a fanfare for muted trumpets. More important was the prologue, consisting of sung dialogue between allegorical characters which introduced the overarching themes of the stories depicted. French overture As a musical form, the French overture first appears in the court ballet and operatic overtures of Jean-Baptist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestre De Chambre De Lausanne
The Orchestre de Chambre de Lausanne (OCL, Lausanne Chamber Orchestra) is a Swiss chamber orchestra based in Lausanne, Switzerland. The OCL is resident at the Salle Métropole in Lausanne. The OCL is an artistic partner with Lausanne Opera and regularly performs with the company as its orchestra during its opera season. The OCL is subsidized by the city of Lausanne and the canton of Vaud and is a member of the Swiss Association of Professional Orchestras. The majority of its concerts are recorded by the Lausanne-based radio station Espace 2. History Victor Desarzens founded the OCL in 1942 and was its first artistic director, through 1973. Subsequent artistic directors have been Armin Jordan (1973–1985), Lawrence Foster (1985–1990), Jesús López Cobos (1990–2000), Christian Zacharias (2000–2013), and Joshua Weilerstein (2015–2021). The current artistic director of the OCL is Renaud Capuçon, as of the 2021-2022 season. In July 2024, the OCL announced the appointment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renato Bruson
Renato Bruson (born 13 January 1936) is an Italian operatic baritone. Bruson is widely considered one of the most important Verdi baritones of the late 20th and early 21st century. Life and career Bruson was born in Granze near Padua on 13 January 1936. His passion for music matured in the parish choir when he was a child. He began his music studies at the conservatory of Padua where he was awarded a scholarship that allowed him to attend the courses in the face of economic problems. He did not receive much support from his family, who considered him a good-for-nothing. In his own words: "They thought that I only wanted to study music because I had no desire to work. At that time, the general feeling where I lived was that if someone worked, they had a future, whereas those who studied, especially if they studied music, were considered failures who would never find their path in life." However, he could continue his studies with the help of the administration of the conservatory ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Alva
Luis Ernesto Alva y Talledo (10 April 1927 – 15 May 2025), known professionally as Luigi Alva, was a Peruvian operatic tenor who worked internationally at the major opera houses and festivals. A Mozart and Rossini specialist, Alva achieved fame with roles such as Don Ottavio in Mozart's ''Don Giovanni'', Count Almaviva in Rossini's ''The Barber of Seville'', and Fenton in Verdi's ''Falstaff (opera), Falstaff'', but he also appeared in world premieres. He retired from the stage in 1989. Life and career Alva was born in Paita, Peru, and served for a while in the Peruvian Navy before concentrating on a singing career. He studied at the Conservatorio Nacional de Música in Lima with Rosa Mercedes Ayarza de Morales and sang in Federico Moreno Torroba's zarzuela ''Luisa Fernanda (zarzuela), Luisa Fernanda'' in Lima in 1949. He performed at the Teatro Municipal de Lima first as Beppe in Leoncavallo's ''Pagliacci'' in 1951. Alva went to Milan in 1953 to study with Emilio Ghirardin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linda Zoghby
Linda Zoghby (born August 17, 1949) is an American operatic soprano. Zoghby was born in Mobile, Alabama, and began her vocal studies under Elena Nikolaidi at Florida State University. Her professional debut came in 1973 at Chicago's Grant Park Music Festival, following which she made her stage debut at Houston Grand Opera as Donna Elvira in 1975; thereafter she sang opera in venues around the United States, including New York City; Washington, D.C.; Dallas; Santa Fe; and New Orleans. On January 19, 1982, she made her Metropolitan Opera debut in ''La bohème'' by stepping in at the last minute for Teresa Stratas as Mimì, a performance which won her many critical plaudits. She sang the role thirteen times during her Met career; the only other role which she essayed at the house was Ilia in ''Idomeneo'', which she performed five times. Internationally, Zoghby appeared at the Glyndebourne Festival as Mimì and as Aminta in '' La fedeltà premiata'' by Joseph Haydn. Other roles fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norma Lerer
Norma may refer to: * Norma (given name), a given name (including a list of people with the name) ** Norma Lizbeth Ramos, a Mexican bullying victim Astronomy *Norma (constellation) * 555 Norma, a minor asteroid *Cygnus Arm or Norma Arm, a spiral arm in the Milky Way galaxy Geography *Norma, Lazio, a city in the province of Latina, Italy * Norma, Tibet * Norma Triangle, a neighborhood of West Hollywood, California Arts, entertainment, and media * ''Norma'' (album), by Mon Laferte * ''Norma'' (journal), in men's studies * ''Norma'' (opera), by Vincenzo Bellini * ''Norma'' (play), by Henrik Ibsen *Grupo Editorial Norma, a Colombian publishing house *Norma Editorial, a comics publishing company in Spain, unrelated to Grupo Editorial Norma *''Norma'', a 1942 sculpture by Abram Belskie *''Norma'', a novel by Vladimir Sorokin Other uses * ''Norma'' (AK-86), a never-commissioned U.S. Navy cargo vessel * Norma (supermarket), a supermarket in Europe * NoRMA, No Remote Memory Access, a co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano" ''Encyclopædia Britannica'' as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano (, ), or mezzo ( ), is a type of classical music, classical female singing human voice, voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Georges Bizet, Bizet's ''Carmen'', Angelina (Cinderella) in Gioachino Rossini, Rossini's ''La Cenerentola'', and Rosina in Rossini's ''The Barber of Seville, Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Wyn Jones
David Wyn Jones FLSW (born 1950) is a British musicologist. He is an expert on music of the Classical period, including that of Haydn and Beethoven. Professional life Wyn Jones received his Ph.D. from the University of Wales in 1978, on the basis of a doctoral dissertation in three volumes entitled ''The String Quartets of Vanhal''. Earlier (1974) he had been appointed as a Lecturer at Cardiff University, and was subsequently promoted there several times: Senior Lecturer (1998), Reader (2002), Professorial Chair (2007). He served as Head of School from March 2008 to July 2013. He serves on the editorial board of the journal ''Eighteenth-Century Music'' and the e-journal ''Haydn''. He has given lectures and talks at the BBC Proms, the Edinburgh Festival, and at the Royal Festival Hall The Royal Festival Hall is a 2,700-seat concert, dance and talks venue within Southbank Centre in London, England. It is situated on the South Bank of the River Thames, not far from Hungerfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
