Die Stumme Serenade
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Die Stumme Serenade
, Op. 36, (The silent serenade), is a German-language musical comedy by Erich Wolfgang Korngold to a libretto by Victor Clement. The style of the work is a mix of operetta and 1920s-style revue songs. The roles are written for eight singers and eight actors and the work is scored for a small chamber orchestra: two pianos, the first doubling on celesta, two violins, cello, flute, clarinet or saxophone, trumpet, and percussion. The plot is set in 1820s Naples. Korngold worked on the piece from 1946 to 1951, with a version (shortened from 180 to 100 minutes) being premiered by Radio Vienna in 1951. The full version was first staged in 1954 by Theater Dortmund to negative critical response.Amaury Du Closel: ''Erstickte Stimmen: "Entartete Musik" im Dritten Reich'', p. 377 (2010): ", , op. 36, " Recordings The recording of the shortened version by Radio Vienna in 1951 featured sopranos Hilde Ceska (Silvia), Rosl Schwaiger (Luise), Liane Synek, mezzo-soprano Tonja Sontis, contralto Ha ...
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Erich Wolfgang Korngold
Erich Wolfgang Korngold (May 29, 1897November 29, 1957) was an Austrian-born American composer and conductor. A child prodigy, he became one of the most important and influential composers in Hollywood history. He was a noted pianist and composer of classical music, along with music for Hollywood films, and the first composer of international stature to write Hollywood scores., video, 9 min. When he was 11, his ballet ''Der Schneemann'' (The Snowman), became a sensation in Vienna, followed by his Second Piano Sonata, which he wrote at age 13, played throughout Europe by Artur Schnabel. His one-act operas ''Violanta'' and Der Ring des Polykrates (opera), ''Der Ring des Polykrates'' were premiered in Munich in 1916, conducted by Bruno Walter. At 23, his opera ''Die tote Stadt'' (The Dead City) premiered in Hamburg and Cologne. In 1921 he conducted the Hamburg Opera.Michael Kennedy (music critic), Kennedy, Michael. ''The Oxford Dictionary of Music'', Oxford Univ. Press (2013) p. 4 ...
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Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ...
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1951 Operas
Events January * January 4 – Korean War: Third Battle of Seoul – Chinese and North Korean forces capture Seoul for the second time (having lost the Second Battle of Seoul in September 1950). * January 9 – The Government of the United Kingdom announces abandonment of the Tanganyika groundnut scheme for the cultivation of peanuts in the Tanganyika Territory, with the writing off of £36.5M debt. * January 15 – In a court in West Germany, Ilse Koch, The "Witch of Buchenwald", wife of the commandant of the Buchenwald concentration camp, is sentenced to life imprisonment. * January 20 – Winter of Terror: Avalanches in the Alps kill 240 and bury 45,000 for a time, in Switzerland, Austria and Italy. * January 21 – Mount Lamington in Papua New Guinea 1951 eruption of Mount Lamington, erupts catastrophically, killing nearly 3,000 people and causing great devastation in Oro Province. * January 25 – Dutch author Anne de Vries releases the first volume of his children's nove ...
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Operas By Erich Wolfgang Korngold
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Classic Produktion Osnabrück
Classic Produktion Osnabrück (often referred to as cpo, in lowercase) is a record label founded in 1986 by Georg Ortmann and several others. Its declared mission is to fill niches in the recorded classical repertory, with an emphasis on romantic, late romantic and 20th-century music. The label also aims to release complete cycles of recordings, such as complete sets of symphonies, concertos, chamber music, and so forth. It is the house label of online retailer jpc. Recordings Recordings issued by cpo include (see second external link; some of these are no longer available) *Concertos, suites, cantates, chambermusic etc. of Georg Philipp Telemann *The complete orchestral works and string quartets of Paul Hindemith *The complete string quartets of Mieczysław Weinberg *The complete orchestral works of Erich Wolfgang Korngold *The orchestral works of Hans Pfitzner (and a substantial amount of his chamber works as well) *The symphonies and string quartets of Benjamin Frankel *The ...
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Klaus Simon
Klaus Simon is a German classical pianist and conductor. Biography and career Klaus Simon was born in Überlingen am Bodensee, Germany, and studied music, German and geography at Albert-Ludwigs-Universität in Freiburg. He studied piano with Michael Leuschner at the Freiburg Musikhochschule, and later studied in master classes with Aloys Kontarsky, for piano, and Hans Zender und Johannes Kalitzke for conducting. Simon founded the Holst Sinfonietta and the Young Opera Company, and is music director for both of these groups. He is especially interested in 20th-century music, and, as accompanist, he initiated and led a series of lieder recitals featuring music by composers such as Arnold Schoenberg, Hans Pfitzner Hans Erich Pfitzner (5 May 1869 – 22 May 1949) was a German composer, conductor and polemicist who was a self-described anti-modernist. His best known work is the post-Romantic opera ''Palestrina'' (1917), loosely based on the life of the s ..., Erich Wolfgang Ko ...
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Franz Böheim
Franz Böheim (June 24, 1909 – March 24, 1963) was an Austrian film actor. Böheim appeared in more than fifty films and television series, including the 1947 film ''It's Only Love'' in which he played Franz Schubert.Mitchell p.200 He was the brother of the actors Carlo Böhm and Alfred Böhm. Selected filmography * ''Anton the Last'' (1939) * ''Immortal Waltz'' (1939) * '' Beloved Augustin'' (1940) * ''Late Love'' (1943) * ''The Heart Must Be Silent'' (1944) * ''Die Fledermaus'' (1946) * ''It's Only Love'' (1947) * ''The Heavenly Waltz'' (1948) * ''Adventure in Vienna'' (1952) * ''Arena of Death'' (1953) * '' Grandstand for General Staff'' (1953) * ''Marriage Sanitarium'' (1955) * '' Mozart'' (1955) * ''The Blue Danube "The Blue Danube" is the common English title of "An der schönen blauen Donau", Op. 314 (German for "By the Beautiful Blue Danube"), a waltz by the Austrian composer Johann Strauss II, composed in 1866. Originally performed on 15 Februa ...'' (1955) ...
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Egon Von Jordan
Egon von Jordan (19 March 1902 – 27 December 1978) was an Austrian film actor. He appeared in more than 80 films between 1923 and 1974. Selected filmography * '' The Ghost of Morton's Castle'' (1922) * ''Young Medardus'' (1923) * ''Lace'' (1926) * ''Vienna - Berlin'' (1926) * ''One Does Not Play with Love'' (1926) * '' When the Young Wine Blossoms'' (1927) * ''Poor Little Colombine'' (1927) * '' Autumn on the Rhine'' (1928) * ''Girls, Beware!'' (1928) * '' Queen Louise'' (1928) * '' Men Behind Bars'' (1931) * ''Our Emperor'' (1933) * '' A Star Fell from Heaven'' (1934) * ''Such Great Foolishness'' (1937) * ''Vienna Tales'' (1940) * '' My Daughter Lives in Vienna'' (1940) * '' Vienna Blood'' (1942) * '' Gabriele Dambrone'' (1943) * ''Music in Salzburg'' (1944) * ''Viennese Girls'' (1945) * ''Shame on You, Brigitte!'' (1952) * ''Adventure in Vienna'' (1952) * '' Stolen Identity'' (1953) * '' A Night in Venice'' (1953) * '' Once I Will Return'' (1953) * ''Bel Ami'' (1955) * '' ...
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Fred Liewehr
Fred Liewehr (1909–1993) was an Austrian stage and film actor.von Dassanowsky p.87 Partial filmography * ''Jana, das Mädchen aus dem Böhmerwald'' (1935) - Michael * ''Immortal Waltz'' (1939) - Johann Strauß Sohn * ''Brüderlein fein'' (1942) - von Jaroszinsky * '' Vienna Blood'' (1942) - Crown-Prince Ludwig von Bayern * ''Late Love'' (1943) - von Pioletti * '' The Angel with the Trumpet'' (1948) - Kronprinz Rudolf * ''Viennese Girls'' (1949) - John Cross * ''Child of the Danube'' (1950) - Georg * '' Maria Theresa'' (1951) - Franz I. * ''1. April 2000'' (1952) * '' Grandstand for General Staff'' (1953) - Erzherzog Karl Viktor * ''Das Licht der Liebe'' (1954) - Kammersänger * '' Victoria in Dover'' (1954) - König Leopold von Belgien * '' Goetz von Berlichingen'' (1955) - Franz von Sickingen * ''Im Prater blüh’n wieder die Bäume'' (1958) - Baron Lazi Köröshazi * ''Der veruntreute Himmel'' (1958) - Leopold Argan * ''Maria Stuart'' (1959) * ''Don Carlos'' (1960) - Marquis ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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Theater Dortmund
Theater Dortmund is a theatrical organization that produces operas, musicals, ballets, plays, and concerts in Dortmund, Germany. It was founded as the Stadttheater Dortmund in 1904. Supported by the German Government, the organization owns and operates several performance spaces. In 2010 the Ruhr district was a European Capital of Culture, Theater Dortmund is a partner of the related program ''RUHR.2010'' in the fields ''Music'' and ''Theater and Dance''.Dortmund
at RUHR2010, including ''Musik'' and ''Theater und Tanz'' (in German)


Stadttheater Dortmund


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