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Die Heimkehr Aus Der Fremde
''Die Heimkehr aus der Fremde'' (German, ''The Return Home from Abroad''), known in English as ''Son and Stranger'' or ''Return of the Roamer'',Program notes for Concert Opera Boston performance of March 15, 2009, accessed November 23, 2009 is a one-act Aldrich, Richard, "Of Music and Musicians: Hugo Wolff, His Songs and His Admirers—Mendelssohn's "Return of the Roamer" and Its Origin" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singspiel
A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and arias which were often strophic, or folk-like. Singspiel plots are generally comic or romantic in nature, and frequently include elements of magic, fantastical creatures, and comically exaggerated characterizations of good and evil. __TOC__ History Some of the first Singspiele were miracle plays in Germany, where dialogue was interspersed with singing. By the early 17th century, miracle plays had grown profane, the word "Singspiel" is found in print, and secular Singspiele were also being performed, both in translated borrowings or imitations from English and Italian songs and plays, and in original German creations. In the 18th century, some Singspiele were translations of English ballad operas. In 1736, the Prussian ambassador to England commissioned a translation of the ballad op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Gerhaher
Christian Gerhaher (born 24 July 1969, in Straubing) is a German baritone and bass singer in opera and concert, particularly known as a Lieder singer. Career Christian Gerhaher studied with Paul Kuën and Raimund Grumbach at the Hochschule für Musik und Theater München, and Lied with Friedemann Berger, already together with his accompanist for decades to come, Gerold Huber. He took master classes with Dietrich Fischer-Dieskau (whose voice Gerhaher's remarkably resembles), Elisabeth Schwarzkopf and Inge Borkh.Christian Gerhaher on Bach Cantatas website He was a member of the opera in from 1998 to 2000, performing in [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juliane Banse
Juliane Banse (born 10 July 1969 in Tettnang, Germany) is a German opera soprano and noted singer. Banse received her vocal training at the Zürich Opera, and with Brigitte Fassbaender in Munich. She won first prize in the singing competition of the Kulturforum in Munich in 1989. She made her operatic debut that year as Pamina in Mozart's ''The Magic Flute'' at the Komische Oper Berlin. In 1993, the International Franz Schubert Institute, whose jury that year included Elisabeth Schwarzkopf and Dietrich Fischer-Dieskau, awarded her first prize in the International Franz Schubert Competition. Banse created the role of Schneewittchen in Heinz Holliger's 1998 opera ''Schneewittchen'' at the Zürich Opera House. In 2005, she gave the world premiere of J.S. Bach's recently-discovered aria, "Alles mit Gott und nichts ohn' ihn, BWV 1127", with András Schiff and Quatuor Mosaïques. She made her debut at the Metropolitan Opera in New York in 2014 as Zdenka in Richard Strauss' ''Arabella' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compact Disc
The compact disc (CD) is a Digital media, digital optical disc data storage format that was co-developed by Philips and Sony to store and play digital audio recordings. In August 1982, the first compact disc was manufactured. It was then released in October 1982 in Japan and branded as ''Compact Disc Digital Audio, Digital Audio Compact Disc''. The format was later adapted (as CD-ROM) for general-purpose data storage. Several other formats were further derived, including write-once audio and data storage (CD-R), rewritable media (CD-RW), Video CD (VCD), Super Video CD (SVCD), Photo CD, Picture CD, Compact Disc-Interactive (CD-i) and Enhanced Music CD. Standard CDs have a diameter of and are designed to hold up to 74 minutes of uncompressed stereo digital audio or about 650 mebibyte, MiB of data. Capacity is routinely extended to 80 minutes and 700 mebibyte, MiB by arranging data more closely on the same sized disc. The Mini CD has various diameters ranging from ; t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strophic
Strophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music. Contrasting song forms include through-composed, with new music written for every stanza, and ternary form, with a contrasting central section. The term is derived from the Greek word , '' strophē'', meaning "turn". It is the simplest and most durable of musical forms, extending a piece of music by repetition of a single formal section. This may be analyzed as "A A A...". This additive method is the musical analogue of repeated stanzas in poetry or lyrics and, in fact, where the text repeats the same rhyme scheme from one stanza to the next, the song's structure also often uses either the same or very similar material from one stanza to the next. A ''modified'' strophic form varies the pattern in some stanzas (A A' A"...) somewhat like a rudimentary theme and variations. Contrasting v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overture
Overture (from French ''ouverture'', "opening") in music was originally the instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing instrumental, programmatic works that foreshadowed genres such as the symphonic poem. These were "at first undoubtedly intended to be played at the head of a programme". History 17th century The idea of an instrumental opening to opera existed during the 17th century. Peri's '' Euridice'' opens with a brief instrumental ritornello, and Monteverdi's ''L'Orfeo'' (1607) opens with a toccata, in this case a fanfare for muted trumpets. More important, however, was the prologue, which comprised sung dialogue between allegorical characters which introduced the overarching themes of the stories depicted. French overture As a musical form, however, the French overture first appears in the court balle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eduard Devrient
(Philipp) Eduard Devrient (11 August 18014 October 1877) was a German baritone, librettist, playwright, actor, theatre director, and theatre reformer and historian. Devrient came from a theatrical family. His uncle was Ludwig Devrient and his brother Karl was the first husband of Wilhelmine Schröder-Devrient. He was born and studied in Berlin and performed in a number of German opera houses between 1819 and 1834, when he lost his singing voice and turned his attention to writing and acting. From 1844-6 he worked in Dresden as actor/director, and he directed the Hoftheater in Karlsruhe from 1852 until his retirement in 1870. As a singer, he performed in works by Gluck, Mozart, Beethoven and Weber, among others, and sang in the première of Marschner's '' Hans Heiling'' (in the title-role; Devrient also wrote its libretto). He also sang in the 1831 Berlin premiere of ''Der Templer und die Jüdin'' (as Bois-Guilbert). He also took the part of Christ in the 1829 revival by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebecka Mendelssohn
Johann Peter Gustav Lejeune Dirichlet (; 13 February 1805 – 5 May 1859) was a German mathematician who made deep contributions to number theory (including creating the field of analytic number theory), and to the theory of Fourier series and other topics in mathematical analysis; he is credited with being one of the first mathematicians to give the modern formal definition of a function. Although his surname is Lejeune Dirichlet, he is commonly referred to by his mononym Dirichlet, in particular for results named after him. Biography Early life (1805–1822) Gustav Lejeune Dirichlet was born on 13 February 1805 in Düren, a town on the left bank of the Rhine which at the time was part of the First French Empire, reverting to Prussia after the Congress of Vienna in 1815. His father Johann Arnold Lejeune Dirichlet was the postmaster, merchant, and city councilor. His paternal grandfather had come to Düren from Richelette (or more likely Richelle), a small community north ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Fanny Mendelssohn
Fanny Mendelssohn (14 November 1805 – 14 May 1847) was a German composer and pianist of the early Romantic era who was also known as Fanny (Cäcilie) Mendelssohn Bartholdy and, after her marriage, Fanny Hensel (as well as Fanny Mendelssohn Hensel). Her compositions include a piano trio, a piano quartet, an orchestral overture, four cantatas, more than 125 pieces for the piano, and over 250 lieder, most of which went unpublished in her lifetime. Although praised for her piano technique, she rarely gave public performances outside her family circle. She grew up in Berlin and received a thorough musical education from teachers including her mother, as well as the composers Ludwig Berger and Carl Friedrich Zelter. Her younger brother Felix Mendelssohn, also a composer and pianist, shared the same education and the two developed a close relationship. Due to her family's reservations, and to social conventions of the time about the roles of women, six of her songs were published ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
