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Die Heilige Ente
''Die heilige Ente: ein Spiel mit Göttern und Menschen'' (German: ''The sacred duck: a play with Gods and men'') is an opera with a prelude and three acts by the composer Hans Gál (his Op. 15), to a libretto by Karl Michael Leventzow and Leo Feld. Written in 1920–21, it was premiered in Düsseldorf on 29 April 1923 under the baton of Georg Szell. Performance history The opera was a great success, and was immediately taken up by other German-language opera houses during the 1920s and early 1930s, including Breslau, Weimar, Aachen, Chemnitz, Kassel, Königsberg, Prague and Berlin. The Berlin and Breslau performances were undertaken by the director Heinz Tietjen. The critic Hanns Gutmann enthused over the Berlin production: "The score of this opera demonstrates how the orchestra has developed throughout the 19th century and is handled with the same virtuosity as Mahler and Strauss". In 1929 ''Die heilige Ente'' became the first contemporary opera to be broadcast by RAVAG (V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Language
German ( ) is a West Germanic languages, West Germanic language mainly spoken in Central Europe. It is the most widely spoken and Official language, official or co-official language in Germany, Austria, Switzerland, Liechtenstein, and the Italy, Italian province of South Tyrol. It is also a co-official language of Luxembourg and German-speaking Community of Belgium, Belgium, as well as a national language in Namibia. Outside Germany, it is also spoken by German communities in France (Bas-Rhin), Czech Republic (North Bohemia), Poland (Upper Silesia), Slovakia (Bratislava Region), and Hungary (Sopron). German is most similar to other languages within the West Germanic language branch, including Afrikaans, Dutch language, Dutch, English language, English, the Frisian languages, Low German, Luxembourgish, Scots language, Scots, and Yiddish. It also contains close similarities in vocabulary to some languages in the North Germanic languages, North Germanic group, such as Danish lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was ''Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote'', ''Ein Heldenleben' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buffo
''Opera buffa'' (; "comic opera", plural: ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramma bernesco'', ''dramma comico'', ''divertimento giocoso''. Especially associated with developments in Naples in the first half of the 18th century, whence its popularity spread to Rome and northern Italy, ''buffa'' was at first characterized by everyday settings, local dialects, and simple vocal writing (the basso buffo is the associated voice type), the main requirement being clear diction and facility with patter. ''The New Grove Dictionary of Opera'' considers ''La Cilla'' (music by Michelangelo Faggioli, text by , 1706) and Luigi and Federico Ricci's'' Crispino e la comare'' (1850) to be the first and last appearances of the genre, although the term is still occasionally applied to newer work (for example Ernst Krenek's ''Zeitoper'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josef Witt
Kammersänger Josef Witt (17 May 1901 – 3 January 1994) was a tenor who was a regular performer at the Vienna State Opera before WW II. His name is sometimes spelt Joseph Witt. In 1923 Witt created the role of Li in Hans Gál's opera, '' Die heilige Ente'', in Düsseldorf. He performed the role of Palestrina in the production of Pfitzner’s opera ''Palestrina'' at the State Opera in 1937. He conducted opera classes at the Akadamie fur Musik und Darstellende Kunst in Vienna until his death in 1990. Singers like Norman Bailey, Walter Berry, Mimi Coertse and Ernst Gutstein, who went on to have important opera careers in Austria and Germany, were among his students. Roles created * The airman in Hindemith's '' Lehrstück'' (1929) * Robespierre in Gottfried von Einem's ''Dantons Tod'' (1947) Recordings He made several widely circulated recordings of Strauss operas with Karl Böhm and Clemens Krauss, in which he sang secondary parts in operas like Ariadne auf Naxos ('' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coolie
A coolie (also spelled koelie, kuli, khuli, khulie, cooli, cooly, or quli) is a term for a low-wage labourer, typically of South Asian or East Asian descent. The word ''coolie'' was first popularized in the 16th century by European traders across Asia, and by the 18th century would refer to migrant Indian indentured labourers, and by the 19th century during the British colonial era, would gain a new definition of the systematic transportation and employment of Asian laborers via employment contracts on sugar plantations that had been formerly worked by enslaved Africans. The word has had a variety of other implications and is sometimes regarded as offensive or a pejorative, depending upon the historical and geographical context; in India, its country of origin, it is still considered a derogatory slur. It is similar, in many respects, to the Spanish term peón, although both terms are used in some countries with different implications. The word originated in the 17th-centur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandarin (bureaucrat)
A mandarin () was a bureaucrat scholar in the history of China, Korea and Vietnam. The term is generally applied to the officials appointed through the imperial examination system; it sometimes includes the eunuchs also involved in the governance of the above realms. History and use of the term The English term comes from the Portuguese ''mandarim'' (spelled in Old Portuguese as ''mandarin,'' ). The Portuguese word was used in one of the earliest Portuguese reports about China: letters from the imprisoned survivors of the Tomé Pires' embassy, which were most likely written in 1524, and in Castanheda's ''História do descobrimento e conquista da Índia pelos portugueses'' (c. 1559). Matteo Ricci, who entered mainland China from Portuguese Macau in 1583, also said the Portuguese used the word. The Portuguese word was thought by many to be related to ''mandador'' ("one who commands") and ''mandar'' ("to command"), from Latin ''mandare''. Modern dictionaries, however, agree ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theater & Orchester Heidelberg
Theater & Orchester Heidelberg is a theatre in Heidelberg, Baden-Württemberg Baden-Württemberg (; ), commonly shortened to BW or BaWü, is a German state () in Southwest Germany, east of the Rhine, which forms the southern part of Germany's western border with France. With more than 11.07 million inhabitants across a .... The Heidelberger Stückemarkt, an annual theatre festival and competition for emerging playwrights, is held at the theatre. Temporary closure 2006-2009 and renovation 2009-2012. In 2006, the theater was closed due to significant structural deficiencies. In August 2009, work began on the renovation of the theater and a new theater building. This was made possible in part by an extraordinary civic commitment, in particular a major donation from Heidelberg entrepreneur Wolfgang Marguerre. The total cost was nearly €60 million, about €19 million of which was donated, with Marguerre alone contributing €15 million. The building's New Hall was named ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cologne Opera
The Cologne Opera (German: Oper der Stadt Köln or Oper Köln) refers both to the main opera house in Cologne, Germany and to its resident opera company. History of the company From the mid 18th century, opera was performed in the city's court theatres by travelling Italian opera companies. The first permanent company in the city was established in 1822, and performed primarily in the Theater an der Schmierstraße (built in 1783 as a private theatre and also used for plays and concerts). The opera company later performed in Theater in der Glockengasse (built in 1872) and in the Theater am Habsburger Ring (built in 1902). The Theater am Habsburger Ring was constructed by the city of Cologne and became its first theatre to be specifically designed as an opera house. The opera house The current opera house was designed by the German architect, Wilhelm Riphahn. It was inaugurated on 8 May 1957 in the presence of Konrad Adenauer, then the Chancellor of Germany and a former mayor of C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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