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Dhrupad Ratna At Kalakendra
Dhrupad is a genre in Hindustani classical music from the Indian subcontinent. It is the oldest known style of major vocal styles associated with Hindustani classical music, Haveli Sangeet of Pushtimarg Sampraday and also related to the South Indian Carnatic tradition. It is a term of Sanskrit origin, derived from ''dhruva'' (ध्रुव, immovable, permanent) and ''pada'' (पद, verse). The roots of Dhrupad are ancient. It is discussed in the Hindu Sanskrit text '' Natyashastra'' (~200 BCE – 200 CE), and other ancient and medieval Sanskrit texts, such as chapter 33 of Book 10 in the ''Bhagavata Purana'' (~800–1000 CE), where the theories of music and devotional songs for Krishna are summarized. The term denotes both the verse form of the poetry and the style in which it is sung. It is spiritual, heroic, thoughtful, virtuous, embedding moral wisdom or solemn form of song-music combination. Thematic matter ranges from the religious and spiritual (mostly in praise of Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, with no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swami Haridas
Swami Haridas (1480—1573) was a spiritual poet and classical musician. Credited with a large body of devotional compositions, especially in the Dhrupad style, he is also the founder of the Haridasi school of mysticism, still found today in North India. His work influenced both the classical music and the Bhakti movements of North India, especially those devoted to Krishna's consort Radha. Hit Harivansh Mahaprabhu, Hariram Vyas, Rupa Goswami, Vidyapati, Mahaprabhu Vallabhacharya, Vitthalnath (Gusainji), were his contemporaries. Swami Haridas is a direct disciple of father of Carnatic Music Purandara Dasa of Karnataka. He had many pupils, Tansen being one of them and one of Akbar's nine gems. Biography Haridas's father was a Saraswat Brahmin from Multan and that his mother's name was Chitra Mata. The family migrated to a village called Rajpur , near Vrindavan in Uttar Pradesh. Haridas was born there in 1480 and the village is now called Rajpur gram in his honor. This vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mughal Empire
The Mughal Empire was an early-modern empire that controlled much of South Asia between the 16th and 19th centuries. Quote: "Although the first two Timurid emperors and many of their noblemen were recent migrants to the subcontinent, the dynasty and the empire itself became indisputably Indian. The interests and futures of all concerned were in India, not in ancestral homelands in the Middle East or Central Asia. Furthermore, the Mughal empire emerged from the Indian historical experience. It was the end product of a millennium of Muslim conquest, colonization, and state-building in the Indian subcontinent." For some two hundred years, the empire stretched from the outer fringes of the Indus river basin in the west, northern Afghanistan in the northwest, and Kashmir in the north, to the highlands of present-day Assam and Bangladesh in the east, and the uplands of the Deccan Plateau in South India. Quote: "The realm so defined and governed was a vast territory of some , rang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krishna
Krishna (; sa, कृष्ण ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme god in his own right. He is the god of protection, compassion, tenderness, and love; and is one of the most popular and widely revered among Indian divinities. Krishna's birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar. The anecdotes and narratives of Krishna's life are generally titled as ''Krishna Leela''. He is a central character in the ''Mahabharata'', the '' Bhagavata Purana'', the ''Brahma Vaivarta Purana,'' and the '' Bhagavad Gita'', and is mentioned in many Hindu philosophical, theological, and mythological texts. They portray him in various perspectives: as a god-child, a prankster, a model lover, a divine hero, and the universal supreme being. Quote: "Krsna's various appearances as a di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ravi Shankar
Ravi Shankar (; born Robindro Shaunkor Chowdhury, sometimes spelled as Rabindra Shankar Chowdhury; 7 April 1920 – 11 December 2012) was an Indian sitarist and composer. A sitar virtuoso, he became the world's best-known export of North Indian classical music in the second half of the 20th century, and influenced many musicians in India and throughout the world. Shankar was awarded India's highest civilian honour, the Bharat Ratna, in 1999. Shankar was born to a Bengali Brahmin family in India, and spent his youth as a dancer touring India and Europe with the dance group of his brother Uday Shankar. He gave up dancing in 1938 to study sitar playing under court musician Allauddin Khan. After finishing his studies in 1944, Shankar worked as a composer, creating the music for the ''Apu Trilogy'' by Satyajit Ray, and was music director of All India Radio, New Delhi, from 1949 to 1956. In 1956, Shankar began to tour Europe and the Americas playing Indian classical music and incr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man Singh Tomar
Man Singh Tomar (IAST: Mānasiṃha) was a Tomar Rajput ruler of Gwalior who ascended the throne in 1486 CE. History Maharaja Man Singh Tomar was born to Raja Kalyanmall, the Tomar Rajput ruler of Gwalior. He ruled for over 30 years. In his years the Tomar sometimes feuded with and were sometimes allies with the sultans of Delhi. Amongst other women, he married Mrignayani. Tomar built Gujari Mahal as a palace for her, as a monument of love for Mrignayani. Tradition has it that as a queen, Mrignayni, was very beautiful and courageous woman. She was not allowed to sit with other queens because of her lower caste, so she asked foe a separate palace for herself named (Gujari mahal). Tomar was a great warrior and great patron of music. One of the nine gems of his court was the Hindustani classical musician Tansen. He was patron of Dhrupad genre from Hindustani Classical Music. Tomar is credited to have defeated Sikander Lodi, who was Delhi Sultan at that time. Conflict w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abu'l-Fazl Ibn Mubarak
Abu'l-Fazl ibn Mubarak, also known as Abul sharma, Abu'l Fadl and Abu'l-Fadl 'Allami (14 January 1551 – 22 August 1602), was the grand vizier of the Mughal emperor Akbar, from his appointment in 1579 until his death in 1602. He was the author of the ''Akbarnama'', the official history of Akbar's reign in three volumes, (the third volume is known as the '' Ain-i-Akbari'') and a Persian translation of the Bible.Abu al Fazl Biography and Works persian.packhum.org. He was also one of the Nine Jewels ( hi, script=Latn, Navaratnas) of Akbar's royal court and the brother of , the poet la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ain-i-Akbari
The ''Ain-i-Akbari'' ( fa, ) or the "Administration of Akbar", is a 16th-century detailed document recording the administration of the Mughal Empire under Emperor Akbar, written by his court historian, Abu'l Fazl in the Persian language. It forms Volume III and the final part of the much larger document, the ''Akbarnama'' (''Account of Akbar''), also by Abu'l-Fazl, and is itself in three volumes. Contents The ''Ain-i-Akbari'' is the third volume of the ''Akbarnama'' containing information on Akbar's reign in the form of administrative reports, similar to a gazetteer. In Blochmann's explanation, "it contains the 'āīn' (i.e. mode of governing) of Emperor Akbar, and is in fact the administrative report and statistical return of his government as it was about 1590."Blochmann, H. (tr.) (1927, reprint 1993). ''The Ain-I Akbari by Abu'l-Fazl Allami'', Vol. I, Calcutta: The Asiatic Society, preface (first edition) The ''Ain-i-Akbari'' is divided into five books. The first book calle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nimbarka Sampradaya
The Nimbarka Sampradaya (IAST: ''Nimbārka Sampradāya'', Sanskrit निम्बार्क सम्प्रदाय), also known as the Hamsa Sampradāya, and Sanakādi Sampradāya (सनकादि सम्प्रदाय), is one of the four Sampradāyas. It was founded by Nimbarka, a Telugu Brahmin yogi and philosopher. It propounds the Vaishnava Bhedabheda theology of Dvaitadvaita (dvaita-advaita) or ''dualistic non-dualism''. ''Dvaitadvaita'' states that humans are both different and non-different from Isvara, God or Supreme Being. Specifically, this Sampradaya is a part of Krishnaism—Krishna-centric traditions. Guru Parampara Nimbarka Sampradaya is also known as Kumāra Sampradāya, Hamsa Sampradāya, and Sanakādi Sampradāya. According to tradition, the ''Nimbarka Sampradaya'' Dvaita-advaita philosophy was revealed by to Sri Sanakadi Bhagawan, one of the Four Kumaras; who passed it to Sri Narada Muni; and then on to Nimbarka. The Four Kumaras, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samaveda
The Samaveda (, from ' "song" and ' "knowledge"), is the Veda of melodies and chants. It is an ancient Vedic Sanskrit text, and part of the scriptures of Hinduism. One of the four Vedas, it is a liturgical text which consists of 1,875 verses. All but 75 verses have been taken from the Rigveda. Three recensions of the Samaveda have survived, and variant manuscripts of the Veda have been found in various parts of India. While its earliest parts are believed to date from as early as the Rigvedic period, the existing compilation dates from the post-Rigvedic Mantra period of Vedic Sanskrit, between c. 1200 and 1000 BCE or "slightly rather later," roughly contemporary with the Atharvaveda and the Yajurveda. Embedded inside the Samaveda is the widely studied Chandogya Upanishad and Kena Upanishad, considered as primary Upanishads and as influential on the six schools of Hindu philosophy, particularly the Vedanta school. The Samaveda set important foundations for the subsequent India ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vishnu
Vishnu ( ; , ), also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism. Vishnu is known as "The Preserver" within the Trimurti, the triple deity of supreme divinity that includes Brahma and Shiva.Gavin Flood, An Introduction to Hinduism' (1996), p. 17. In Vaishnavism, Vishnu is the supreme being who creates, protects, and transforms the universe. In the Shaktism tradition, the Goddess, or Adi Shakti, is described as the supreme Para Brahman, yet Vishnu is revered along with Shiva and Brahma. Tridevi is stated to be the energy and creative power (Shakti) of each, with Lakshmi being the equal complementary partner of Vishnu. He is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. According to Vaishnavism, the highest form of Ishvara is with qualities (Saguna), and have certain form, but is limitless, transcend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baiju Bawara
Baiju Bawra (Lit. "Baiju the Insane", born as Baijnath Mishra) was a dhrupad musician from medieval India. Nearly all the information on Baiju Bawra comes from legends, and lacks historical authenticity. According to the most popular legends, he lived in the Mughal period during the 16th and 17th centuries. He was one of the court musicians of Man Singh Tomar of Gwalher (now Gwalior). Chanderi–Gwalior legend According to a story, mentioned by Susheela Misra in ''Some immortals of Hindustani music'', Baiju Bawra was born as Baijnath Mishra in a poor Brahmin family in Champaner, Gujarat Sultanate. After his father's death, his mother, a devotee of Krishna, went to Vrindavan. There, Baiju met his teacher Swami Haridas, and was trained in a gurukula. He also adopted an orphan named Gopal, and trained him to be a musician. Gradually, Baiju became famous, and was invited to the court of the Raja of Chanderi. In Chanderi, Baiju's adopted son Gopal also became famous. Gopal married h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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