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Dhoyin
Dhoyin or Dhoyī was a 12th century Sanskrit-language poet who composed the '' Pavanadūta''. He was a court poet of the Sena king Lakshmana Sena, who ruled Gauda in what is now Bengal. Personal life Dhoyi was born in a Tantuvaya (weaver) caste family from Nabadwip, according to Niharranjan Ray; Whereas according to PN Chopra he was a Baidya. He is sometimes referred as Dhoyi Kaviraj. He was one of the five gems of Sanskrit scholars, which was mentioned at the court of Lakshmana Sena. Style The theme of all messenger poems is ''viraha'', separation in love, and allusions to romance are never far away. Despite sharing Kālidāsa's use of conventional romantic motif, Dhoyin’s messenger poem was much more than a mere pastiche of the Meghadūta. Dhoyin devoted nearly half of his work (48 out of 104 stanzas) to describing the wind’s journey from Sandal mountain in the south to King Lakshmana’s palace at Vijayapura in Bengal. He spends a long time on the message (38 stanzas) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavanadūta
''Pavanadūta'' (पवनदूत) or ''Wind Messenger'' was composed by Dhoyin or Dhoyī, a poet at the court of the Lakshmana Sena, Sena king Lakshmana who ruled Gauḍa (region), Gauda, in what is now Bengal, during the latter part of the twelfth century CE. His Pavanadūta is probably the earliest surviving example of the many Sandesha Kavya, messenger poems which were written in imitation of the ''Meghadūta'' or Cloud Messenger by Kālidāsa. It tells the story of Kuvalayavatī, a gandharva maiden from the south who falls in love with King Laksmana when she sees him during his victory tour of the world. She asks the south wind to take her message to the king at his court. The theme, as of all messenger poems, is viraha, separation in love. Allusions to romance are never far away. While Dhoyin devotes 48 out of 104 stanzas of Pavanadūta to describing the wind’s journey from Sandal mountain in the south to king Lakshmana’s palace in Vijayapura in Bengal, he spends nearly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sena Dynasty
The Sena dynasty was a Hindu dynasty during the early medieval period on the Indian subcontinent, that ruled from Bengal through the 11th and 12th centuries. The empire at its peak covered much of the north-eastern region of the Indian subcontinent. The rulers of the Sena Dynasty traced their origin to the south Indian region of Karnataka. The dynasty's founder was Samanta Sena. After him came Hemanta Sena who usurped power and styled himself, king, in 1095 AD. His successor Vijaya Sena (ruled from 1096 AD to 1159 AD) helped lay the foundations of the dynasty, and had an unusually long reign of over 60 years. Ballala Sena conquered Gaur from the Pala, became the ruler of the Bengal Delta, and made Nadia the capital as well. Ballala Sena married Ramadevi a princess of the Western Chalukya Empire which indicates that the Sena rulers maintained close social contact with south India. Lakshmana Sena succeeded Ballala Sena in 1179, ruled Bengal for approximately 20 years, and expand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lakshmana Sena
Lakshmana Sena (reign: 1178–1206), also called Lakshman Sen in modern indian languages, was the ruler from the Sena dynasty of the Bengal region on the Indian subcontinent. His rule lasted for 28 years; and extended to much of the eastern regions of the Indian subcontinent, notably Bengal and Bihar regions. His reign ended with the invasion of Muhammad bin Bakhtiyar Khilji. Reign Lakshmana Sena succeeded his brother Ballala Sena. The history of his reign can be reconstructed from the epigraphs of his time that include the Deopara Prashasti stone inscriptions and copper plates from his successors. '' Tabaqt-i-Nasiri'', composed by 1260, is another source of information about his reign. In his youth, Lakshmana Sen led military campaigns against Gauḍa, Kamarupa, Kalinga and Varanasi (under the rule of Gahadavala King Jayachandra), and helped his grandfather Vijaya Sena and father Ballala Sena to expand the borders of the Sena kingdom. However, he ascended to the throne of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clay Sanskrit Library
The Clay Sanskrit Library is a series of books published by New York University Press and the JJC Foundation. Each work features the text in its original language (transliterated Sanskrit) on the left-hand page, with its English translation on the right. The series was inspired by the Loeb Classical Library, and its volumes are bound in teal cloth. History The Clay Sanskrit Library (CSL) is the product of the JJC Foundation, a charitable foundation established by John P. and Jennifer Clay, along with New York University Press. John Peter Clay was born in Paterson, New Jersey in 1934. He won a scholarship to attend St Paul’s School, London in 1947. In 1951, he was offered a full scholarship by the Queen’s College, Oxford, where he achieved a First-class degree in Sanskrit, Old Persian and Avestan. He was later appointed an Honorary Fellow of the Queen’s College. On leaving Oxford, Clay joined Vickers da Costa, a stockbroking firm based in the City of London. He spent 25 y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit
Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Old Indo-Aryan language varieties. The most archaic of these is the Vedic Sanskrit found in the Rig Veda, a colle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit Literature
Sanskrit literature broadly comprises all literature in the Sanskrit language. This includes texts composed in the earliest attested descendant of the Proto-Indo-Aryan language known as Vedic Sanskrit, texts in Classical Sanskrit as well as some mixed and non-standard forms of Sanskrit. Literature in the older language begins with the composition of the Ṛg·veda between about 1500 and 1000 BCE, followed by other Vedic works right up to the time of the grammarian Pāṇini around 6th or 4th century BCE (after which Classical Sanskrit texts gradually became the norm). Vedic Sanskrit is the language of the extensive liturgical works of the Vedic religion, while Classical Sanskrit is the language of many of the prominent texts associated with the major Indian religions, especially Hinduism, but also Buddhism, and Jainism. Some Sanskrit Buddhist texts are also composed in a version of Sanskrit often called Buddhist Hybrid Sanskrit or Buddhistic Sanskrit, which contains many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12th-century Indian Poets
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit (measurement), unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest Positive number, positive integer. It is also sometimes considered the first of the sequence (mathematics), infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Male Poets
Indian or Indians may refer to: Peoples South Asia * Indian people, people of Indian nationality, or people who have an Indian ancestor ** Non-resident Indian, a citizen of India who has temporarily emigrated to another country * South Asian ethnic groups, referring to people of the Indian subcontinent, as well as the greater South Asia region prior to the 1947 partition of India * Anglo-Indians, people with mixed Indian and British ancestry, or people of British descent born or living in the Indian subcontinent * East Indians, a Christian community in India Europe * British Indians, British people of Indian origin The Americas * Indo-Canadians, Canadian people of Indian origin * Indian Americans, American people of Indian origin * Indigenous peoples of the Americas, the pre-Columbian inhabitants of the Americas and their descendants ** Plains Indians, the common name for the Native Americans who lived on the Great Plains of North America ** Native Americans in the U ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baidya
Baidya or Vaidya is a Hindu community located in Bengal. Baidyas, a caste (''jāti'') of Ayurvedic physicians, have long had pre-eminence in society alongside Brahmins and Kayasthas. In the colonial era, the Bhadraloks were drawn primarily, but not exclusively, from these three upper castes, who continue to maintain a collective hegemony in West Bengal. Etymology The terms ''Baidya'' means a physician in the Bengali and Sanskrit languages. Bengal is the only place where they formed a caste or rather, a ''jati''. Origins The origins of Baidyas remain surrounded by a wide variety of overlapping and sometimes contradictory myths, and are heavily contested. Aside from Upapuraṇas and two genealogies(Kulajis), premodern Bengali literature does not discuss details of the caste's origins; no literature from outside the region discuss them either. The semi-legendary Ambastha connection of Baidyas who mostly held to be of a Kshatriya origin in Hindu scriptures is tenuous. It is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rasa (aesthetics)
In Indian aesthetics, a rasa ( sa, रस) literally means "nectar, essence or taste".Monier Monier-Williams (1899)Rasa Sanskrit English Dictionary with Etymology, Motilal Banarsidass (Originally Published: Oxford) It connotes a concept in Indian arts about the aesthetic flavour of any visual, literary or musical work that evokes an emotion or feeling in the reader or audience but cannot be described.Rasa: Indian Aesthetic Theory Encyclopedia Britannica (2013) It refers to the emotional flavors/essence crafted into the work by the writer and relished by a 'sensitive spectator' or ''sahṛdaya,'' literally one who "has heart", and can connect to the work with emotion, without dryness. Rasas are created by ''bhavas'': the state of mind. The ''rasa'' theory has a dedicated section (Chapter 6) in the |
Kālidāsa
Kālidāsa (''fl.'' 4th–5th century CE) was a Classical Sanskrit author who is often considered ancient India's greatest poet and playwright. His plays and poetry are primarily based on the Vedas, the Rāmāyaṇa, the Mahābhārata and the Purāṇas. His surviving works consist of three plays, two epic poems and two shorter poems. Much about his life is unknown except what can be inferred from his poetry and plays. His works cannot be dated with precision, but they were most likely authored before the 5th century CE. Early life Scholars have speculated that Kālidāsa may have lived near the Himalayas, in the vicinity of Ujjain, and in Kalinga. This hypothesis is based on Kālidāsa's detailed description of the Himalayas in his ''Kumārasambhava'', the display of his love for Ujjain in ''Meghadūta'', and his highly eulogistic descriptions of Kalingan emperor Hemāngada in '' Raghuvaṃśa'' (sixth ''sarga''). Lakshmi Dhar Kalla (1891–1953), a Sanskrit scholar an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
