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Deutsche Messe (Schubert)
The '' (German Mass)'', 872, is a hymn-cycle by Franz Schubert written in 1827. Neither a Mass nor strictly speaking German, it was published in Vienna as what it is: '' (Hymns for the Celebration of the Holy Offering of Mass)''. It sets a sequence of eight non-liturgical German poems by Johann Philipp Neumann, who commissioned Schubert's music, one or more of which could be used separately during Mass. A ninth hymn, given as an appendix, treats the Lord's Prayer, bringing the length to about 35 minutes when the music is performed, as it often now is, as one big concert work. The cycle's original scoring was plain: SATB choir with organ accompaniment. Decades after Schubert died, a grander edition was published: SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani and basso continuo. Besides the now standard misnomer ''Deutsche Messe'', the cycle is also sometimes called the ''Wind Mass'' due to the preponderance of wind instruments in this j ...
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Introit
The Introit (from Latin: ''introitus'', "entrance") is part of the opening of the liturgical celebration of the Eucharist for many Christian denominations. In its most complete version, it consists of an antiphon, psalm verse and ''Gloria Patri'', which are spoken or sung at the beginning of the celebration. It is part of the Proper of the liturgy: that is, the part that changes over the liturgical year. In the Roman Rite of the Catholic Church it is known as the ''antiphona ad introitum'' (Entrance antiphon), as in the text for each day's Mass, or as the ''cantus ad introitum'' (Entrance chant) as in the General Instruction of the Roman Missal, 47 and the First Roman Ordo (sixth to seventh century).Fortescue, A. (1910)"Introit" ''The Catholic Encyclopedia''. Retrieved 2 May 2009 In pre-1970 editions of the Roman Missal, the word ''Introitus'' was used, distinguished from the normal meaning of the word (entrance) by being capitalized. In Ambrosian chant and Beneventan chant, the c ...
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Timpani
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands. ''Timpani'' is an Italian ...
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Recessional Hymn
A recessional hymn is a hymn placed at the end of a church service to close it. It is used commonly in the Catholic Church and Anglican Church, an equivalent to the concluding voluntary, which is called a Recessional Voluntary, for example a Wedding Recessional. See also Processional hymn A processional hymn is a chant, hymn or other music sung during the Procession, usually at the start of a Christian service, although occasionally during the service itself. The procession usually contains members of the clergy and the choir walki ... References External links * Hymnology Order of Mass {{Song-stub ...
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Transubstantiation
Transubstantiation (Latin: ''transubstantiatio''; Greek: μετουσίωσις ''metousiosis'') is, according to the teaching of the Catholic Church, "the change of the whole substance of bread into the substance of the Body of Christ and of the whole substance of wine into the substance of the Blood of Christ". This change is brought about in the eucharistic prayer through the efficacy of the word of Christ and by the action of the Holy Spirit. However, "the outward characteristics of bread and wine, that is the 'eucharistic species', remain unaltered". In this teaching, the notions of "substance" and "transubstantiation" are not linked with any particular theory of metaphysics. The Roman Catholic Church teaches that, in the Eucharistic offering, bread and wine are changed into the body and blood of Christ. The affirmation of this doctrine was expressed, using the word "transubstantiate", by the Fourth Council of the Lateran in 1215. It was later challenged by various 14th-cen ...
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Order Of Mass
Order of Mass is an outline of a Mass celebration, describing how and in what order liturgical texts and rituals are employed to constitute a Mass. The expression Order of Mass is particularly tied to the Roman Rite where the sections under that title in the Roman Missal also contain a set of liturgical texts that recur in most or in all Eucharistic liturgies (the so-called invariable texts, or '' ordinary'' of the Mass), while the rubrics indicate the rituals, and the insertion points of the variable texts known as the proper of the Mass. Having been virtually unchanged for many centuries, the Roman Catholic Order of Mass changed decisively after the Second Vatican Council. Other Christian denominations have comparable descriptions of their liturgical practices for the Eucharist, which are however usually not called Order of Mass. Sections of the Order of Mass The Order of Mass in Western liturgy generally consists of the following sections: 1. Liturgy of the Word # The Prayers ...
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Acoustics
Acoustics is a branch of physics that deals with the study of mechanical waves in gases, liquids, and solids including topics such as vibration, sound, ultrasound and infrasound. A scientist who works in the field of acoustics is an acoustician while someone working in the field of acoustics technology may be called an Acoustical engineering, acoustical engineer. The application of acoustics is present in almost all aspects of modern society with the most obvious being the audio and noise control industries. Hearing (sense), Hearing is one of the most crucial means of survival in the animal world and speech is one of the most distinctive characteristics of human development and culture. Accordingly, the science of acoustics spreads across many facets of human society—music, medicine, architecture, industrial production, warfare and more. Likewise, animal species such as songbirds and frogs use sound and hearing as a key element of mating rituals or for marking territories. Art, ...
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Addendum
An addendum or appendix, in general, is an addition required to be made to a document by its author subsequent to its printing or publication. It comes from the gerundive , plural , "that which is to be added," from (, compare with memorandum, agenda, corrigenda). Specific uses In books An addendum may explain inconsistencies or expand the existing work or otherwise explain or update the information found in the main work, especially if any such problems were detected too late to correct the main work. For example, the main work could have had already been printed and the cost of destroying the batch and reprinting it deemed too high. As such, addenda may come in many forms—a separate letter included with the work, text files on a digital medium, or any similar carrier. It may serve to notify the reader of errors present, as errata. In contracts and other legal documents In other documents, most importantly in legal contracts, an addendum is an additional document not inclu ...
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Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ...
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Richard Proulx
Richard Proulx (''AmEng'' ɺu"An Interview with Richard Proulx", http://www.selahpub.com/MusicInWorship/ProulxInterview.html . (born April 3, 1937, St. Paul, Minnesota — died February 18, 2010, Chicago, Illinois) was an American composer and editor of church music, including anthems, service music, hymn concertatos, organ music and music for handbell choir, formerly based in Chicago. The pronunciation of his name is suggested by the section of his catalog entitled "Noulx ewfrom Proulx". Biography He served as a consultant on several important hymnals, including ''The Hymnal 1982'' of the Episcopal Church (United States), the ''United Methodist Hymnal'' and the Roman Catholic hymnals ''Worship II'' (1975) and ''Worship III'' (1986). He had a long association with Holy Name Cathedral, Chicago, and has made several recordings with The Cathedral Singers, a professional chorus which he founded in 1991. His anthem ''We Adore You, O Christ'' received the Raabe Prize for Excelle ...
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Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ...
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Homophonic
In music, homophony (;, Greek: ὁμόφωνος, ''homóphōnos'', from ὁμός, ''homós'', "same" and φωνή, ''phōnē'', "sound, tone") is a texture in which a primary part is supported by one or more additional strands that flesh out the harmony. One melody predominates while the other parts play either single notes or an elaborate accompaniment. This differentiation of roles contrasts with equal-voice polyphony (in which similar lines move with rhythmic and melodic independence to form an even texture) and monophony (in which all parts move in unison or octaves). Historically, homophony and its differentiated roles for parts emerged in tandem with tonality, which gave distinct harmonic functions to the soprano, bass and inner voices. A homophonic texture may be homorhythmic, which means that all parts have the same rhythm. Chorale texture is another variant of homophony. The most common type of homophony is melody-dominated homophony, in which one voice, often the ...
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Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurrian ''Hy ...
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