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Desire Develops An Edge
''Desire Develops an Edge'' is the second studio album by Kip Hanrahan, released in 1983 on Hanrahan's own label American Clavé and featuring guests including Jerry Gonzalez, Jamaaladeen Tacuma, and Chico Freeman. Initially on vinyl it contained an LP and an EP; the CD release via the German label VeraBra differed in the sequence of the tracks and the song "Late Fall" instead of "The Edge You Always Loved in Me". Background This was the first album Kip created with Jack Bruce and Steve Swallow, both of whom would go on to be on many future Hanrahan albums. Critical reception ''Le Monde'' described the album in a review, saying "''Desire'' is a record of jazz rock and salsa the way it should be today: inventive, moving, incisive, surprising. On top of everything else, it's so sensual! ...Jack Bruce gives one of the unforgettable vocal performances of the epoch... ''Desire Develops an Edge'' is not the record of the year, 1984 will be the year of ''Desire''" Track listing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kip Hanrahan
Kip Hanrahan (born December 9, 1954) is an American jazz music impresario, record producer and percussionist. Personal life Hanrahan was born in a Puerto Rican neighborhood in the Bronx to an Irish-Jewish family. His father left when he was 6 months old, leaving his mother and grandfather to raise him. He has described his grandfather as "this cynical Russian communist" whose approval of rebellion against authority he cites as among his early musical influences. While attending Cooper Union on a scholarship, he studied with visual-conceptual artist Hans Haacke. He has cited Haacke as his strongest influence. As part of his university study, he traveled to North Africa, and lived in India for a year. In the 1970's he moved to Paris, France to work on films with , Jean-Paul Sartre and Jean-Luc Godard. In his work as a composer, bandleader, and producer, he has compared his role to that of a film director, saying "Making a record is like making a film. If anything, the analo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chico Buarque
Francisco Buarque de Hollanda (born 19 June 1944), popularly known simply as Chico Buarque, is a Brazilian singer-songwriter, guitarist, composer, playwright, writer, and poet. He is best known for his music, which often includes social, economic, and cultural reflections on Brazil. The firstborn son of Sérgio Buarque de Hollanda, Buarque lived at several locations throughout his childhood, though mostly in Rio de Janeiro, São Paulo, and Rome. He wrote and studied literature as a child and found music through the bossa nova compositions of Tom Jobim and João Gilberto. He performed as a singer and guitarist in the 1960s as well as writing a play that was deemed dangerous by the Brazilian military dictatorship of the time. Buarque, along with several Tropicalist and MPB musicians, was threatened by the Brazilian military government and eventually left Brazil for Italy in 1969. However, he came back to Brazil in 1970, and continued to record, perform, and write, though much of hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignacio Berroa
Ignacio Berroa (born July 8, 1953 in Havana, Cuba) is a jazz drummer. In 1980 Ignacio left his country during the Mariel Boatlift, moved to New York and joined Dizzy Gillespie’s quartet in 1981, becoming the drummer of all the important band Gillespie formed until his death in 1993. Ignacio Berroa has been recognized by many as one of the greatest drummers of our times. Jazz legend Dizzy Gillespie best defined Ignacio as: "... the only Latin drummer in the world in the history of American music that intimately knows both worlds: his native Afro-Cuban music as well as Jazz..." As an educator Ignacio has conducted clinics and master classes all over the world. He also has created a video-teaching presentation "Afro- Cuban Jazz and Beyond" an overview of the development of Afro-Cuban music and its influence in Jazz. As an author he made his mark with the instructional video: Mastering the Art of Afro – Cuban Drumming as well as the books: ''Groovin’ in Clave'' and ''A New Way ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Moss (musician)
David Moss (born January 21, 1949 in New York City) is an American composer, percussionist and self-taught vocalist, founder of the David Moss Dense Band; co-founder and artistic director of the ''Institute for Living Voice'', Antwerp. His performances are noted for their innovative style, multimedia approach and improvisation. Moss has lived in Berlin, Germany since 1991, when he received a fellowship from the prestigious Berlin Artist Program of the DAAD. Biography Between 1963 and 1968 Moss studied percussion at Hartt College of Music and Hartford Symphony with Joe Porcaro, Al Lepak, Richard Lepore. In the following years he took percussion with Tanjore Ranganathan at Wesleyan University and composition with Bill Dixon at Bennington College. From 1971 to 1973, Moss played percussion for the Bill Dixon Ensemble. In the early 1980s he played on the first album by The Golden Palominos. Since his education has finished, he performed in many cities worldwide; in 1991 and 1992 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tambourine
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit (and played with drum sticks), or they can be held in the hand and played by tapping or hitting the instrument. Tambourines come in many shapes with the most common being circular. It is found in many forms of music: Turkish folk music, Greek folk music, Italian folk music, French folk music, classical music, Persian music, samba, gospel music, pop music, country music, and rock music. History The origin of the tambourine is unknown, but it appears in historical writings as early as 1700 BC and was used by ancient musicians in West Africa, the Middle East, Greece and India. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frisner Augustin
Frisner Augustin () (March 1, 1948 – February 28, 2012) was a major performer and composer of Haitian Vodou drumming, and the first and only citizen of Haiti to win a National Heritage Fellowship from the National Endowment for the Arts in the United States, where he resided for forty years. A youth prodigy on the traditional drums of Haitian Vodou in ritual context, Augustin took his genre to the modern stage, often exploring its common roots with various jazz styles. From his initial forays in Haiti with Lina Mathon-Blanchet, Jacky Duroseau, and Jazz des Jeunes, he went on to work in the United States and Europe with Kip Hanrahan, Edy Brisseaux, and Andrew Cyrille. He also recorded for the late filmmaker Jonathan Demme. Augustin led his own ensembleLa Troupe Makandal from 1981 until his death. He used the group not only to make music but also to change popular misconceptions in the public mind regarding Haitian Vodou, a poorly understood but richly develop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shekere
The shekere (from Yoruba Ṣẹ̀kẹ̀rẹ̀) is a West African percussion instrument consisting of a dried gourd with beads or cowries woven into a net covering the gourd. The Shekere originated in a tribe in Nigeria called the Yoruba. The instrument is common in West African and Latin American folkloric traditions as well as some of the popular music styles. In performance it is shaken and/or hit against the hands. The shekere is made from vine gourds that grow on the ground. The shape of the gourd determines the sound of the instrument. A shekere is made by drying the gourd for several months then removing the pulp and seeds. After it is scrubbed, skillful bead work is added as well as colour. Varieties Throughout the African continent there are similar gourd/bead or gourd/seed percussion instruments. Some are the ''lilolo'', axatse (Ghana), ''djabara'' (Guinea), ''ushàkà'', ''chequere'' and ''saa saa'' (Liberia). The agbe is a gourd drum with cowrie shells and is usually ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milton Cardona
Milton Cardona (November 21, 1944 – September 19, 2014) was a percussionist, vocalist and conga player from Mayagüez, Puerto Rico. Milton Cardona made well over 1000 recordings, nine of which won Grammies. His career and was highly influenced by Mongo Santamaria. He studied violin during his childhood in The Bronx, New York, and played bass guitar professionally in New York City as a youth before playing percussion. He collaborated with Kip Hanrahan, Spike Lee, Paul Simon, Willie Colón, David Byrne, Cachao, Larry Harlow, Eddie Palmieri, Don Byron, Celia Cruz, Guaco, Hector Lavoe, Ned Rothenberg, Rabih Abou-Khalil and Jack Bruce from the rock band Cream. He died on September 19, 2014, from heart failure. Early life His family moved to the South Bronx, from Mayaguez, when he was 5 years old. He was a santero, a priest of Santería. Selected discography * '' Beautiful Scars'' (2007) * '' Bembé'' (1985) * '' Cambucha'' (1999) * '' Cosa Nuestra'' (1969) * ''Rei Momo'' (1989) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quinto (drum)
The quinto (literally ''fifth'' in Spanish) is the smallest and highest pitched type of conga drum. It is used as the lead drum in Cuban rumba styles such as guaguancó, yambú, columbia and guarapachangueo, and it is also present in congas de comparsa. Quinto phrases are played in both triple-pulse (12/8, 6/8) and duple-pulse (4/4, 2/2) structures. In columbia, triple pulse is the primary structure and duple pulse is secondary. In yambú and guaguancó duple-pulse is primary and triple-pulse is secondary. Quinto performance in rumba The optimum expression of quinto phrasing is shaped by its interaction with the dance and the song, in other words, the complete social event, which is rumba. Quinto interaction with the song During the verses of the song the quinto is capable of sublime creativity, while musically subordinate to the lead vocalist. There are natural pauses in the cadence of the verses, typically one or two measures in length, where the quinto can play succinct phr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claves
Claves (; ) are a percussion instrument consisting of a pair of short, wooden sticks about 20–25 centimeters (8–10 inches) long and about 2.5 centimeters (1 inch) in diameter. Although traditionally made of wood (typically rosewood, ebony or grenadilla) many modern manufacturers offer claves made of fiberglass or plastic. When struck, claves produce a bright, penetrating clicking noise. This makes them useful when playing in large dance bands. Claves are sometimes hollow and carved in the middle to amplify the sound. History Claves have been very important in the development Afro-Cuban music, such as the son and guaguancó. They are often used to play an ostinato, or repeating rhythmic figure, throughout a piece known as the clave. Many examples of clave-like instruments can be found around the world. Technique The basic principle when playing claves is to allow at least one of them to resonate. The usual technique is to hold one lightly with the thumb and fingerti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conga
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Scofield
John Scofield (born December 26, 1951), sometimes referred to as "Sco", is an American guitarist and composer whose music over a long career has blended jazz, jazz fusion, funk, blues, soul and rock. He first came to mainstream attention in the band of Miles Davis, and has toured and recorded with many prominent jazz artists, including saxophonists Eddie Harris, Dave Liebman, Joe Henderson and Joe Lovano; keyboardists George Duke, Joey DeFrancesco, Herbie Hancock, Larry Goldings and Robert Glasper; fellow guitarists Pat Metheny, John Abercrombie, Pat Martino and Bill Frisell; bassists Marc Johnson and Jaco Pastorius; and drummer Billy Cobham and Dennis Chambers. Outside the world of jazz, he has collaborated with Phil Lesh, Mavis Staples, John Mayer, Medeski Martin & Wood, and Gov’t Mule. Biography Scofield was born in Ohio but, when he was still a baby, his family moved to Wilton, Connecticut, where he discovered his interest in music. Educated at the Berklee College of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
