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Derek Lee Ragin
Derek Lee Ragin (born June 17, 1958) is an American countertenor. _Biography.html" ;"title="Derek Lee Ragin > Biography">Derek Lee Ragin > Biographyallmusic Early life Derek Ragin was born in West Point, New York and grew up in Newark, New Jersey. He began his formal voice training with the Newark Boys Chorus, and studied as a piano and music education major at the Oberlin Conservatory of Music. While at Oberlin, he also took secondary voice lessons with Richard Anderson, and began his operatic career at Oberlin in Benjamin Britten's ''A Midsummer Night's Dream'' as Oberon. After leaving Oberlin, Ragin worked with singer Max van Egmond for a summer session at BPI and went to Europe to pursue his career in Baroque opera. Career Ragin gained fame by winning the 1983 Purcell-Britten Prize for Concert Singers in England, the Prix Spécial du Jury du Grand Prix Lyrique de Monte Carlo in 1988, and First Prize at the 35th ARD International Music Competition in Munich in 1986. He had ...
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Derek Lee Ragin And Tracey Mitchell, 1991
Derek is a masculine given name. It is the English language short form of ''Diederik'', the Low Franconian form of the name Theodoric. Theodoric is an old Germanic name with an original meaning of "people-ruler". Common variants of the name are Derrek, Derick, Dereck, Derrick, and Deric. Low German and Dutch short forms of Diederik are Dik, Dirck, and Dirk. History The English form of the name arises in the 15th century, via import from the Low Countries. The native English (Anglo-Saxon) form of the name was ''Deoric'' or ''Deodric'', from Old English ''Þēodrīc'', but this name had fallen out of use in the medieval period. During the Late Middle Ages, there was intense contact between the territories adjacent to the North Sea, in particular due to the activities of the Hanseatic League. As a result, there was a lot of cross-pollination between Low German, Dutch, English, Danish and Norwegian. The given name ''Derk'' is found in records of the Low Countries from the early 1 ...
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Rodney Milnes
Rodney Milnes Blumer OBE (26 July 1936 – 5 December 2015) was an English music critic, musicologist, writer, translator and broadcaster, with a particular interest in opera.Rodney Milnes. ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. He wrote under the professional name of Rodney Milnes. Life and career Milnes was born in Stafford, where his father was a surgeon. He learnt the piano as a child, to the level of playing the early Beethoven sonatas, and later recalled accompanying a fellow Oxford student in ''Winterreise'' at the Holywell Music Room. Wheatcroft, Geoffrey. Rodney Milnes, 1936-2015. ''Opera'', Vol 67 No 2, February 2016, p140-145. Milnes attended Rugby School and studied history at Christ Church, Oxford University. He was a member of the Oxford University Opera Club, taking part in ''The Fair Maid of Perth'' in 1955 (with Dudley Moore among the first violins and David Lloyd-Jones in the chorus),Rodney remembered (letters). L ...
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Missa Brevis
Missa brevis (plural: Missae breves) is . The term usually refers to a mass composition that is short because part of the text of the Mass ordinary that is usually set to music in a full mass is left out, or because its execution time is relatively short. Full mass with a relatively short execution time The concise approach is found in the mostly syllabic settings of the 16th century, and in the custom of "telescoping" (or simultaneous singing by different voices) in 18th-century masses. After the period when all church music was performed a cappella, a short execution time usually also implied modest forces for performance, that is: apart from Masses in the "brevis et solemnis" genre. Polyphony * Orlande de Lassus: (''Hunters' Mass'') * Giovanni Pierluigi da Palestrina: Missa Brevis * Andrea Gabrieli: Missa brevis quatuor vocum * Gaspar van Weerbeke: Missa brevis Classical period For composers of the classical period such as Mozart, ''missa brevis'' meant "short in du ...
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Chichester Psalms
''Chichester Psalms'' is an extended choral composition in three movements by Leonard Bernstein for boy treble or countertenor, choir and orchestra. The text was arranged by the composer from the Book of Psalms in the original Hebrew. Part 1 uses Psalms 100 and 108, Part 2 uses 2 and 23, and Part 3 uses 131 and 133. Bernstein scored the work for a reduced orchestra, but also made a version for an even smaller ensemble of organ, one harp, and percussion. The work premiered at the Philharmonic Hall in New York City on 15 July 1965, conducted by the composer. That was followed by a performance at Chichester Cathedral as part of the festival, for which it was commissioned, on 31 July that year, conducted by John Birch. History The work was commissioned for the 1965 Southern Cathedrals Festival at Chichester Cathedral by the cathedral's Dean, Walter Hussey. However, the world premiere took place in the Philharmonic Hall, New York, on 15 July 1965 with the composer conduct ...
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Leonard Bernstein
Leonard Bernstein ( ; August 25, 1918 – October 14, 1990) was an American conductor, composer, pianist, music educator, author, and humanitarian. Considered to be one of the most important conductors of his time, he was the first American conductor to receive international acclaim. According to music critic Donal Henahan, he was "one of the most prodigiously talented and successful musicians in American history". Bernstein was the recipient of many honors, including seven Emmy Awards, two Tony Awards, sixteen Grammy Awards including the Lifetime Achievement Award, and the Kennedy Center Honors, Kennedy Center Honor. As a composer he wrote in many genres, including symphonic and orchestral music, ballet, film and theatre music, choral works, opera, chamber music and works for the piano. His best-known work is the Broadway theatre, Broadway musical ''West Side Story'', which continues to be regularly performed worldwide, and has been adapted into two (West Side Story (1961 ...
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New World Ensemble
New is an adjective referring to something recently made, discovered, or created. New or NEW may refer to: Music * New, singer of K-pop group The Boyz Albums and EPs * ''New'' (album), by Paul McCartney, 2013 * ''New'' (EP), by Regurgitator, 1995 Songs * "New" (Daya song), 2017 * "New" (Paul McCartney song), 2013 * "New" (No Doubt song), 1999 *"new", by Loona from '' Yves'', 2017 *"The New", by Interpol from ''Turn On the Bright Lights'', 2002 Acronyms * Net economic welfare, a proposed macroeconomic indicator * Net explosive weight, also known as net explosive quantity * Network of enlightened Women, a conservative university women's organization * Next Entertainment World, a South Korean film distribution company Identification codes * Nepal Bhasa language ISO 639 language code * New Century Financial Corporation (NYSE stock abbreviation) * Northeast Wrestling, a professional wrestling promotion in the northeastern United States Transport * New Orleans Lakefront Ai ...
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Moses Hogan
Moses George Hogan (March 13, 1957 – February 11, 2003) was an American composer and arranger of choral music. He was best known for his settings of spirituals. Hogan was a pianist, conductor, and arranger of international renown. His works are celebrated and performed by high school, college, church, community, and professional choirs today. Over his lifetime, he published 88 arrangements for voice, eight of which were solo pieces. Biography Born in New Orleans, Hogan lived with five siblings and his parents, who gave their children a passion for music. He was an accomplished pianist by the age of nine. The family attended the A.L. Davis New Zion Baptist Church. Hogan's father, of the same name, was a bass singer in the church choir while Hogan's uncle, Edwin B. Hogan, was the Minister of Music and organist. His mother, Gloria Hogan, was a nurse. Hogan was musically educated from a young age, first enrolling in Xavier University Junior School of Music. In his sophomore yea ...
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Monteverdi
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history. Born in Cremona, where he undertook his first musical studies and compositions, Monteverdi developed his career first at the court of Mantua () and then until his death in the Republic of Venice where he was ''maestro di cappella'' at the basilica of San Marco. His surviving letters give insight into the life of a professional musician in Italy of the period, including problems of income, patronage and politics. Much of Monteverdi's output, including many stage works, has been lost. His surviving music includes nine books of madrigals, large-scale religious works, such as his ''Vespro della Beata Vergine'' (''Vespers for the Blessed Virgin'') of ...
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Orfeo Ed Euridice
' (; French: '; English: ''Orpheus and Eurydice'') is an opera composed by Christoph Willibald Gluck, based on Orpheus, the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the ''azione teatrale'', meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. ''Orfeo ed Euridice'' is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of ''opera seria'' with a "noble simplicity" in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent Opera in German, German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Wolfgang Amadeus Mozart, Mozart's ''The Magic Flute'', Ludwig van Beethoven, Beetho ...
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Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them '' Orfeo ed Euridice'' and '' Alceste'', he broke the stranglehold that Metastasian '' opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. Future composers like Mozart, Schubert, Berlioz and Wagner revered Gluck very highly. The strong influence of French opera encouraged Gluck to move to Paris in November 1773. Fusing the traditions ...
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Metropolitan Museum Of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The museum's permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of American and modern ...
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Giulio Cesare
''Giulio Cesare in Egitto'' (; , HWV 17), commonly known as ''Giulio Cesare'', is a dramma per musica ('' opera seria'') in three acts composed by George Frideric Handel for the Royal Academy of Music in 1724. The libretto was written by Nicola Francesco Haym who used an earlier libretto by Giacomo Francesco Bussani, which had been set to music by Antonio Sartorio (1676). The opera was a success at its first performances, was frequently revived by Handel in his subsequent opera seasons and is now one of the most often performed Baroque operas. The opera's plot is loosely based on historic events during the Roman Civil War of 49–45 BC. Composition history ''Giulio Cesare in Egitto'' was first performed at the King's Theatre in the Haymarket, London on 20 February 1724. The opera was an immediate success. A contemporary wrote in a letter on 10 March 1724: ...the opera is in full swing also, since Hendell's new one, called Jules César – in which Cenesino and Cozzun ...
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