Der Sturm (opera)
' (The tempest) is a German-language opera in three acts and an epilogue by the Swiss composer Frank Martin to a libretto based on the Schlegel/Tieck German translation of Shakespeare's play '' The Tempest''. Martin's only opera was premiered at the Vienna State Opera on 17 June 1956. The role of Prospero was originally conceived for Dietrich Fischer-Dieskau, but illness prevented him participating,Perroux, Alain (2011)"A new world of sound: Frank Martin's ''Der Sturm''" booklet notes tHyperion CDA67821/3 Hyperion Records. Accessed 4 June 2021. although Casaglia lists Fischer-Dieskau in the role of Sebastian, but a playbill for the premiere lists in that role. The word setting is through-composed ''parlando'', with few set pieces, most of which belong to Prospero. Roles Recordings * Extracts: Dietrich Fischer-Dieskau (Prospero), Berlin Philharmonic conducted by the composer, Deutsche Grammophon 1964 * Live recording: Robert Holl as Prospero, Christine Buffle as Miranda, Simon O ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Miranda (The Tempest)
Miranda is one of the principal characters of William Shakespeare's '' The Tempest''. She is the only female character to appear on stage. Miranda is the daughter of Prospero, another of the main characters of ''The Tempest''. She was banished to the Island along with her father at the age of three, and in the subsequent twelve years has lived with her father and their slave, Caliban, as her only company. She is openly compassionate and unaware of the evils of the world that surrounds her, learning of her father's fate only as the play begins. Origins There is some speculation that Miranda, along with her husband, Ferdinand, may be intended to represent Elizabeth Stuart and her new spouse, Elector Frederick V, as ''The Tempest'' was originally performed for the court of Elizabeth's father, King James, in celebration of the marriage. Role in the play ''The Tempest's'' second scene begins with Miranda, begging her father to spare the lives of the men at sea. She's fully awar ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Berlin Philharmonic
The Berlin Philharmonic (german: Berliner Philharmoniker, links=no, italic=no) is a German orchestra based in Berlin. It is one of the most popular, acclaimed and well-respected orchestras in the world. History The Berlin Philharmonic was founded in Berlin in 1882 by 54 musicians under the name Frühere Bilsesche Kapelle (literally, "Former Bilse's Band"); the group broke away from their previous conductor Benjamin Bilse after he announced his intention of taking the band on a fourth-class train to Warsaw for a concert. The orchestra was renamed and reorganized under the financial management of Hermann Wolff in 1882. Their new conductor was Ludwig von Brenner; in 1887 Hans von Bülow, the conductor of the Meiningen Court Orchestra and one of the most famous piano virtuosos of the time, took over the post. This helped to establish the orchestra's international reputation, and guests Hans Richter, Felix von Weingartner, Richard Strauss, Gustav Mahler, Johannes Brahms and Edva ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ariel (The Tempest)
Ariel is a spirit who appears in William Shakespeare's play '' The Tempest''. Ariel is bound to serve the magician Prospero, who rescued him from the tree in which he was imprisoned by Sycorax, the witch who previously inhabited the island. Prospero greets disobedience with a reminder that he saved Ariel from Sycorax's spell, and with promises to grant Ariel his freedom. Ariel is Prospero's eyes and ears throughout the play, using his magical abilities to cause the tempest in Act One which gives the play its name, and to foil other characters' plots to bring down their master. Ariel means "Lion of God" in the Hebrew language. Ariel may also be a simple play on the word "aerial". Scholars have compared Ariel to spirits depicted in other Elizabethan plays, and have managed to find several similarities between them, but one thing which makes Ariel unique is the human edge and personality given to Ariel by Shakespeare. The name is also phonetically similar to the word "areal", m ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Viktor Madin
Viktor Madin, originally ''Viktor Madincea'', (20 December 1876 – 19 March 1968) was an Austrian opera singer (baritone) of Romanian descent. He was a member of the ensemble of the Vienna State Opera for more than fifty years. Biography Madin was born in Lugoj, a city in Timiș County, Banat, belonging today to Romania. He was one of the longest serving singers of the Vienna State Opera. In the years 1908 to 1959 he sang more than 250 roles in more than 7,000 performances, mainly in smaller and medium parts. He is regarded as the singer with the highest number of performances ever in any opera house. He was named Kammersänger, an honour awarded to distinguished State Opera singers. He was especially successful in the Da Ponte/Mozart roles of Masetto in ''Don Giovanni'' and Antonio in ''Le nozze di Figaro'' as well as Faninal in ''Der Rosenkavalier'' by Hofmannsthal and Strauss. Sometimes he also sang major parts such as Klingsor in ''Parsifal'', Alberich in ''Der Ring des Ni ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Stephano (The Tempest)
Stephano ( ) is a boisterous and often drunk butler of King Alonso in William Shakespeare's play, ''The Tempest''. He, The Tempest#Characters, Trinculo and Caliban (character), Caliban plot against Prospero, the ruler of the island on which the play is set and the former Duke of Milan in Shakespeare's fictional universe. In the play, he wants to take over the island and marry Prospero's daughter, Miranda (Shakespeare), Miranda. Caliban believes Stephano to be a god because he gave him wine to drink which Caliban believes healed him.The Tempest: Entire Play Character traits and analysis Boisterous and often drunk, Stephano is willing to be regarded as a Lord by Caliban, although for much of the play Caliban appears to be in control, specifical ...[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Caliban
Caliban ( ), son of the witch Sycorax, is an important character in William Shakespeare's play '' The Tempest''. His character is one of the few Shakespearean figures to take on a life of its own "outside" Shakespeare's own work: as Russell Hoban put it, "Caliban is one of the hungry ideas, he's always looking for someone to word him into being ... Caliban is a necessary idea". Character Caliban is half human, half monster. After his island becomes occupied by Prospero and his daughter Miranda, Caliban is forced into slavery. While he is referred to as a calvaluna or mooncalf, a freckled monster, he is the only human inhabitant of the island that is otherwise "not honour'd with a human shape" (Prospero, I.2.283). In some traditions, he is depicted as a wild man, or a deformed man, or a beast man, or sometimes a mix of fish and man, a dwarf or even a tortoise. Banished from Algiers, Sycorax was left on the isle, pregnant with Caliban, and died before Prospero's arrival. C ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Murray Dickie
Murray Dickie OBE (3 April 1924 – 19 June 1995) was a Scottish tenor opera singer and director, who established his career in England, Austria and Italy during the 1950s. In addition to his extensive stage work he was a prolific recording artist. Early career 1947–1955 Born in Bishopton, Scotland, Dickie had his first vocal training in Glasgow. He studied in Vienna with S. Polmann, and afterwards he studied in London with Dino Borgioli, and in Milan with Guido Farinelli. He at first worked for the BBC as effects boy and went on to become a production assistant. His debut was at the Cambridge Theatre in London in January 1947 as part of the New London Opera Company, as Almaviva in ''Il barbiere di Siviglia'', a role he afterwards repeated for them on several occasions. He joined the new resident company at Covent Garden when it was first formed after the War, from 1948 to 1952. His debut there was as Tamino. An early triumph was as David in ''Die Meistersinger von Nürnberg' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Anton Dermota
Kammersänger Anton Dermota (June 4, 1910 – June 22, 1989) was a Slovene lyric tenor. Early life He was born in a poor family in the Upper Carniolan village of Kropa in what was then the Austro-Hungarian Empire (and is now in Slovenia). He went to the Ljubljana Conservatory with the intention of studying composition and organ, but in 1934 he received a scholarship which sent him to Vienna. There, he devoted himself exclusively to vocal study with Marie Radó. Career Dermota made his debut at the opera in Cluj in 1934, and was promptly invited by Bruno Walter to perform at the Vienna State Opera. Here he made his début as "First Man in Armor" in Wolfgang Amadeus Mozart's ''The Magic Flute'' in 1936 and got a contract immediately. His first leading role was Alfredo in Giuseppe Verdi's ''La traviata'', which he sang in 1937. In the same year Dermota made his début at the Salzburg Festival in a production of Wagner's ''Die Meistersinger von Nürnberg'', conducted by ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ferdinand (The Tempest)
Ferdinand is the prince of Naples and the son of Alonso, the King of Naples, in William Shakespeare, Shakespeare's play, ''The Tempest''. He falls in love with Miranda (The Tempest), Miranda. He is quick to promise the title of queen and wife to Miranda even though he doesn't know her name. He is happy in humble labours, blinded by love. He makes a solemn vow to be truthful to Prospero, and not to violate Miranda's chastity before their wedding. Fictional biography Ferdinand is aboard the ship that is run aground due to the storm created by the sorcerer and old Duke, Prospero. Ferdinand is separated from his father and friends (purposely) by Ariel (The Tempest), Ariel, the airy servant of Prospero. Ariel leads Ferdinand to Prospero and his daughter Miranda (The Tempest), Miranda, with whom he instantly falls in love. Ferdinand, who is astounded that Miranda is even human, tells her that she is the most amazing woman he has ever encountered: Full many a lady I have eyed with ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gonzalo (The Tempest)
Gonzalo ( ) is a fictional character in William Shakespeare's '' The Tempest''. An honest and trusted adviser to King Alonso of Naples, he has a good heart and an optimistic outlook, and is described as noble. For example, when Prospero and his daughter, Miranda, were set adrift at sea, Gonzalo took pity on them, supplying them not only with the food and water necessary to survive but also with those things that make life easier. In addition, Gonzalo is the only character able to see Caliban as more than a demonic beast. Gonzalo first arrives on Prospero's island with Alonso, Ferdinand, Sebastian, Antonio, Stephano, and Trinculo during a storm while returning from the wedding of Alonso’s daughter. During their time on the island, Gonzalo repeatedly attempts to lighten the mood by discussing the beauty of the island. An old, honest lord, he speaks cheerfully of the miracle of the reconciliation of the lords.The Tempest, Act V, scene 1 Many see Gonzalo as the mouthpiece of the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |