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Der Stricker
Der Stricker is the pseudonym of a 13th-century Middle High German itinerant poet whose real name has been lost to history. His name, which means "The Knitter," may indicate he was a commoner; he was likely from Franconia but later worked in Austria. His works evince a knowledge of German literature and practical theology, and include both adaptations and works with no known sources.Gürttler, Karin R. (1991). "Der Stricker". In Lacy, Norris J., ''The New Arthurian Encyclopedia'', p. 434. New York: Garland. . Der Stricker's oeuvre includes the Arthurian romance ''Daniel von dem blühenden Tal'' and the epic ''Karl'', a German adaptation of the ''Song of Roland'', based directly on Konrad der Pfaffe's earlier German version but updated for his time. However, he was chiefly a writer of didactic poetry and exempla or bispel, and was one of the early pioneers of the genre. These poems dealt not only with the religious and moral matters typical of the form, but also with the praise of wom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pseudonym
A pseudonym (; ) or alias () is a fictitious name that a person or group assumes for a particular purpose, which differs from their original or true name (orthonym). This also differs from a new name that entirely or legally replaces an individual's own. Many pseudonym holders use pseudonyms because they wish to remain anonymous, but anonymity is difficult to achieve and often fraught with legal issues. Scope Pseudonyms include stage names, user names, ring names, pen names, aliases, superhero or villain identities and code names, gamer identifications, and regnal names of emperors, popes, and other monarchs. In some cases, it may also include nicknames. Historically, they have sometimes taken the form of anagrams, Graecisms, and Latinisations. Pseudonyms should not be confused with new names that replace old ones and become the individual's full-time name. Pseudonyms are "part-time" names, used only in certain contexts – to provide a more clear-cut separation between o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtly Love
Courtly love ( oc, fin'amor ; french: amour courtois ) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their "courtly love". This kind of love is originally a literary fiction created for the entertainment of the nobility, but as time passed, these ideas about love changed and attracted a larger audience. In the high Middle Ages, a "game of love" developed around these ideas as a set of social practices. "Loving nobly" was considered to be an enriching and improving practice. Courtly love began in the ducal and princely courts of Aquitaine, Provence, Champagne, ducal Burgundy and the Norman Kingdom of Sicily at the end of the eleventh century. In essence, courtly love was an experience between erotic desire and spiritual attainment, "a love at once illicit and morally elevating, passionate and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle High German Literature
Middle High German literature refers to literature written in German between the middle of the 11th century and the middle of the 14th. In the second half of the 12th century, there was a sudden intensification of activity, leading to a 60-year "golden age" of medieval German literature referred to as the ''mittelhochdeutsche Blütezeit'' (). This was the period of the blossoming of ''Minnesang'', MHG lyric poetry, initially influenced by the French and Provençal tradition of courtly love song. The same sixty years saw the composition of the most important courtly romances. again drawing on French models such as Chrétien de Troyes, many of them relating Arthurian material. The third literary movement of these years was a new revamping of the heroic tradition, in which the ancient Germanic oral tradition can still be discerned, but tamed and Christianized and adapted for the court. Historical overview The vernacular literature of the Old High German period, written in abbeys an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Writers Of Arthurian Literature
A writer is a person who uses written words in different writing styles and techniques to communicate ideas. Writers produce different forms of literary art and creative writing such as novels, short stories, books, poetry, travelogues, plays, screenplays, teleplays, songs, and essays as well as other reports and news articles that may be of interest to the general public. Writers' texts are published across a wide range of media. Skilled writers who are able to use language to express ideas well, often contribute significantly to the cultural content of a society. The term "writer" is also used elsewhere in the arts and music, such as songwriter or a screenwriter, but also a stand-alone "writer" typically refers to the creation of written language. Some writers work from an oral tradition. Writers can produce material across a number of genres, fictional or non-fictional. Other writers use multiple media such as graphics or illustration to enhance the communication of thei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Poetry
An epic poem, or simply an epic, is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants. Etymology The English word ''epic'' comes from Latin ''epicus'', which itself comes from the Ancient Greek adjective (''epikos''), from (''epos''), "word, story, poem." In ancient Greek, 'epic' could refer to all poetry in dactylic hexameter (''epea''), which included not only Homer but also the wisdom poetry of Hesiod, the utterances of the Delphic oracle, and the strange theological verses attributed to Orpheus. Later tradition, however, has restricted the term 'epic' to ''heroic epic'', as described in this article. Overview Originating before the invention of writing, primary epics, such as those of Homer, were composed by bards who used complex rhetorical and metrical schemes by which they could memorize the epic as received i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garel
''Garel von dem blühenden Tal'' ( en, Garel of the Flowering Valley) is a Middle High German Arthurian romance composed by Der Pleier around 1230-40. It appears to have been written in contradiction to Der Stricker's ''Daniel von Blumenthal''. It consists of 21,310 lines in rhyming couplets; the beginning is missing. The story is illustrated in frescoes to be found at Runkelstein Castle in South Tyrol.http://www.comune.bolzano.it/roncolo/ie/galerie.htm After a journey, King Arthur receives a declaration of war from King Ekunaver. Garel von Blumenthal leaves Arthur's court in order to raise troops for the war. On the way various adventures befall him, amongst which he lays siege to the castle of Sir Eskilabon, who had taken several knights prisoner, and frees many prisoners from the power of two giants. By killing the gruesome monster Vulganus he wins the hand of the beautiful Laudamie. Garel then gains a victory over Ekunaver before Arthur even arrives with his army. His success ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Pleier
Der Pleier is the pen name of a 13th-century German poet whose real name is unknown. Three of his works survive, all Middle High German romances on Arthurian legend, Arthurian subjects: ''Garel'', ''Tandareis und Flordibel'', and ''Meleranz''. Little else is known of him, but he was an important figure in the revival of Arthurian literature in Germany in the mid-13th century, after decades of declining interest in the subject. Name and biography Der Pleier was active between around 1240 and 1270. His real name is unknown. The meaning of his pseudonym is also unknown, though it may mean "The Blower," as in Glassblowing, glassblower, and may refer to his tendency to break down old material and reforge it, much as a glassblower melts down old material to shape it into something new. Textual evidence in his work implies he may have been from Austria, perhaps the area around Salzburg. He had a broad knowledge of German Arthurian literature, and most of his work takes plots, scenes, and es ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolf Von Ems
Rudolf von Ems (c. 1200 – 1254) was a Middle High German narrative poet. Life Rudolf von Ems was born in the Vorarlberg in Austria. He took his name from the castle of Hohenems near Bregenz, and was a knight in the service of the Counts of Montfort. His works were written between 1220 and 1254. He is thought to have died whilst accompanying King Conrad IV on his advance into Italy. He was one of the most learned and also most productive poets of his time, although not all his works are preserved. Those that are, were distinguished by grace and sincerity in the narration, strict morality and technical mastery. He himself describes Gottfried von Strassburg as his ideal; this is quite credible, as he sometimes quotes literally from "Tristan". He also adopted Gottfried's technique of making literary excursuses in which he names works of contemporaries and of his own. He is thought to have died in Italy in 1254. Works Of his surviving works, the tale ''Der gute Gerhard'' (''Gerh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trickster
In mythology and the study of folklore and religion, a trickster is a character in a story (god, goddess, spirit, human or anthropomorphisation) who exhibits a great degree of intellect or secret knowledge and uses it to play tricks or otherwise disobey normal rules and defy conventional behavior. Mythology Tricksters, as archetypal characters, appear in the myths of many different cultures. Lewis Hyde describes the trickster as a "boundary-crosser".Hyde, Lewis. ''Trickster Makes This World: Mischief, Myth, and Art''. New York: Farrar, Straus and Giroux, 1998. The trickster crosses and often breaks both physical and societal rules: Tricksters "violate principles of social and natural order, playfully disrupting normal life and then re-establishing it on a new basis." Often, this bending or breaking of rules takes the form of tricks or thievery. Tricksters can be cunning or foolish or both. The trickster openly questions, disrupts or mocks authority. Many cultures have tales ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
England
England is a country that is part of the United Kingdom. It shares land borders with Wales to its west and Scotland to its north. The Irish Sea lies northwest and the Celtic Sea to the southwest. It is separated from continental Europe by the North Sea to the east and the English Channel to the south. The country covers five-eighths of the island of Great Britain, which lies in the North Atlantic, and includes over 100 smaller islands, such as the Isles of Scilly and the Isle of Wight. The area now called England was first inhabited by modern humans during the Upper Paleolithic period, but takes its name from the Angles, a Germanic tribe deriving its name from the Anglia peninsula, who settled during the 5th and 6th centuries. England became a unified state in the 10th century and has had a significant cultural and legal impact on the wider world since the Age of Discovery, which began during the 15th century. The English language, the Anglican Church, and Engli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burlesque
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects."Burlesque" ''Oxford English Dictionary'', Oxford University Press, accessed 16 February 2011 The word derives from the Italian ', which, in turn, is derived from the Italian ' – a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian burlesque, Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century. It has been applied retrospectively to works of Geoffrey Chaucer, Chaucer and William Shakespeare, Shakespeare and to the Graeco-Roman classics.Baldick, Chris [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
