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Dengue Dengue Dengue!
Dengue Dengue Dengue! is a musical duo of electronic music from Peru established in Lima, made up of Rafael Pereira and Felipe Salmon. For their concerts they are accompanied by Nadia Escalante, VJ Sixta. Likewise, a characteristic of their live performances is to appear in masks of colorful and traditional aesthetics. History The musical project was born in 2010 in Lima, when Lima-born musicians Rafael Pereira and Felipe Salmon after attending the Trimarchi graphic design festival in Argentina decided to explore Amazonian cumbia and psychedelic music through electronics. Among their musical influences was Los Wembler's de Iquitos band. In 2012, they released their first album, ''La alianza profana''. Since then they began to incorporate various styles of domestic dances from all over Latin America, the Caribbean and Africa, including zouk, dancehall, kuduro and tarraxo. The pair began performing at festivals in Peru and later toured throughout South America, Centra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lima
Lima ( ; ), originally founded as Ciudad de Los Reyes (City of The Kings) is the capital and the largest city of Peru. It is located in the valleys of the Chillón River, Chillón, Rímac River, Rímac and Lurín Rivers, in the desert zone of the central coastal part of the country, overlooking the Pacific Ocean. Together with the seaside city of Callao, it forms a contiguous urban area known as the Lima Metropolitan Area. With a population of more than 9.7 million in its urban area and more than 10.7 million in its metropolitan area, Lima is one of the largest cities in the Americas. Lima was named by natives in the agricultural region known by native Peruvians as ''Limaq''. It became the capital and most important city in the Viceroyalty of Peru. Following the Peruvian War of Independence, it became the capital of the Republic of Peru (República del Perú). Around one-third of the national population now lives in its Lima Metropolitan Area, metropolitan area. The city of Li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kuduro
Kuduro (or kuduru) is a type of music and dance from Angola. It is characterized as uptempo, energetic, and danceable. Kuduro was developed in Luanda, Angola in the late 1980s. Producers sampled traditional carnival music like soca and zouk béton ("hard" zouk) from the Caribbean to Angola, techno and accordion playing from Europe and laid this around a fast 4/4 beat. The kuduro is similar to the kizomba rhythm. Origins The roots of kuduro can be traced to the late 1980s when producers in Luanda, Angola started mixing African percussion samples with zouk béton ("hard" zouk) and soca to create a style of music then known as Batida ("Beat"). European and American electronic music had begun appearing in the market, which attracted Angolan musicians and inspired them to incorporate their own musical styles. Young producers began adding heavy African percussion to both European and American beats. In Europe, western house and techno producers mixed it with house and techno. Kuduro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DJ Python
''Mas Amable'' () is the second studio album by Ecuadorian musician DJ Python. It was released on 10 April 2020 by Incienso. Critical reception At Metacritic, which assigns a weighted rating out of 100 to reviews from mainstream critics, the album has an average In ordinary language, an average is a single number taken as representative of a list of numbers, usually the sum of the numbers divided by how many numbers are in the list (the arithmetic mean). For example, the average of the numbers 2, 3, 4, 7, ... score of 82 based on 6 reviews, indicating "universal acclaim". Track listing References 2020 albums DJ Python albums {{2020s-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minimalism Music
Minimal music (also called minimalism)"Minimalism in music has been defined as an aesthetic, a style, and a technique, each of which has been a suitable description of the term at certain points in the development of minimal music. However, two of these definitions of minimalism—aesthetic and style—no longer accurately represent the music that is often given that label." Johnson 1994, 742. is a form of art music or other compositional practice that employs limited or minimal musical materials. Prominent features of minimalist music include repetitive patterns or pulses, steady drones, consonant harmony, and reiteration of musical phrases or smaller units. It may include features such as phase shifting, resulting in what is termed phase music, or process techniques that follow strict rules, usually described as process music. The approach is marked by a non-narrative, non- teleological, and non-representational approach, and calls attention to the activity of listening ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cross-beat
In music, a cross-beat or cross-rhythm is a specific form of polyrhythm. The term ''cross rhythm '' was introduced in 1934 by the musicologist Arthur Morris Jones (1889–1980). It refers to when the rhythmic conflict found in polyrhythms is the basis of an entire musical piece. Etymology The term "cross rhythm" was introduced in 1934 by the musicologist Arthur Morris Jones (1889–1980), who, with Klaus Wachsmann, took-up extended residence in Zambia and Uganda, respectively, as missionaries, educators, musicologists, and museologists. African music One main system African cross-rhythm is most prevalent within the greater Niger-Congo linguistic group, which dominates the continent south of the Sahara Desert. (Kubik, p. 58) Cross-rhythm was first identified as the basis of sub-Saharan rhythm by A.M. Jones. Later, the concept was more fully explained in the lectures of Ewe master drummer and scholar C.K. Ladzekpo, and in the writings of David Locke. Jones observes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berlin
Berlin ( , ) is the capital and largest city of Germany by both area and population. Its 3.7 million inhabitants make it the European Union's most populous city, according to population within city limits. One of Germany's sixteen constituent states, Berlin is surrounded by the State of Brandenburg and contiguous with Potsdam, Brandenburg's capital. Berlin's urban area, which has a population of around 4.5 million, is the second most populous urban area in Germany after the Ruhr. The Berlin-Brandenburg capital region has around 6.2 million inhabitants and is Germany's third-largest metropolitan region after the Rhine-Ruhr and Rhine-Main regions. Berlin straddles the banks of the Spree, which flows into the Havel (a tributary of the Elbe) in the western borough of Spandau. Among the city's main topographical features are the many lakes in the western and southeastern boroughs formed by the Spree, Havel and Dahme, the largest of which is Lake Müggelsee. Due to its l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jawbone (instrument)
The quijada, charrasca, or jawbone (in English), is an idiophone percussion instrument made from the jawbone of a donkey, horse or mule cattle, producing a powerful buzzing sound. The jawbone is cleaned of tissue and dried to make the teeth loose and act as a rattle. It is used in music in most of Latin America, including Mexico, Peru, El Salvador, Ecuador, and Cuba. It was also historically used in the early American minstrel show. Technique To play it, a musician holds one end in one hand and strikes the other with either a stick or their hand; this causes the teeth to rattle against the bone creating a loud, untuned sound, specific to this instrument. The stick can also be pulled along the teeth which act as a rasp. These ingredients provide the basis for a wide variety of combinations and rhythms. Historical and cultural content While it is used in most of Latin America, the quijada originated from the Africans that were brought to the Americas during the colonial era. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quijada
The quijada, charrasca, or jawbone (in English), is an idiophone percussion instrument made from the jawbone of a donkey, horse or mule cattle, producing a powerful buzzing sound. The jawbone is cleaned of tissue and dried to make the teeth loose and act as a rattle. It is used in music in most of Latin America, including Mexico, Peru, El Salvador, Ecuador, and Cuba. It was also historically used in the early American minstrel show. Technique To play it, a musician holds one end in one hand and strikes the other with either a stick or their hand; this causes the teeth to rattle against the bone creating a loud, untuned sound, specific to this instrument. The stick can also be pulled along the teeth which act as a rasp. These ingredients provide the basis for a wide variety of combinations and rhythms. Historical and cultural content While it is used in most of Latin America, the quijada originated from the Africans that were brought to the Americas during the colonial era. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Festejo
''Festejo'' (from Spanish 'fiesta') is a festive form of Afro-Peruvian music. The dance is a staple in the Black coastal populations and it celebrates the emancipation of slaves. Festejo is recognized for its high energy and the improvisation carried out by the dancers. Some believe that its origins trace back to competitive dance circles performed by individuals playing cajóns. Despite its African origins, people of all different backgrounds participate in the dance that many regards as one of the greatest representations of Peruvian culture. It is currently performed, in its most traditional form, in San Luis de Cañete and El Carmen District, Chincha (Chincha). History There are theories that describe the Festejo as a dance that began in Lima in the mid-17th century, but they do not provide evidence to support these hypotheses. No musical example has yet been established to show that this musical form existed before 1800. However, some Festejos dating from the 19th centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Landó (music)
Landó is an Afro-Peruvian form of music in the musica criolla genre. Influences There are theories of the origin of this genre. According to the Peruvian reciter and ethnomusicologist Nicomedes Santa Cruz Nicomedes Santa Cruz Gamarra (June 4, 1925 – February 5, 1992) was a Peruvian singer, songwriter and musicologist. He was primarily a '' decimista'' (or ''decimero''), a singer of ''décimas''. He researched most forms of Afro-Peruvian music an ... (1925-1992), the word "landó" derives from ''ondú'', an African dance. It is also suggested that the landó comes from the Brazilian dance ''lundu''. Likewise, the term "landó" is hardly found in the literature of the time of the Viceroyalty of Peru, although there is some mention of the "zamba landa". No reliable historical sources have yet been found on which an accurate description of the development of the landau in Peru can be elaborated; the only available source is the scant information provided by twentieth-century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Peruvians
Black Peruvians or Afro-Peruvians are Peruvian of mostly or partially African descent. They mostly descend from enslaved Africans brought to Peru after the arrival of the conquistadors. Early history The first Africans arrived with the conquerors in 1521, mostly as slaves, and some returned with colonists to settle in 1525. Between 1529 and 1537, when Francisco Pizarro was granted permits to import 363 slaves to colonial Peru, a large group of Africans were imported to do labor for public construction, building bridges and road systems. They also fought alongside the conquistadors as soldiers and worked as personal servants and bodyguards. In 1533, Afro-Peruvian slaves accompanied Spaniards in the conquest of Cuzco. Two types of black slaves were forced to travel to Peru. Those born in Africa were commonly referred to as '' negros bozales'' ("untamed blacks"), which was also used in a derogatory sense. These slaves could have been directly shipped from west or southwest Africa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son De Los Diablos
The ''Son de los Diablos'' is an Afro-Peruvian dance that developed as a mixture between African, Spanish, and Amerindian rhythms. Nicomedes Santa Cruz explains that, despite popular opinion, the ''Son de los Diablos'' has no links with African rituals or with the Andean Morenada, but rather it has a very slight similarity with the ''Diabladas'' of Oruro (Bolivia). Name In English, the name directly translates as "Song of the Devils". History Developed during the Viceroyalty of Peru with origins in Spain, the ''Son de los Diablos'' was assimilated by the black slaves living in the Spanish colony. After the independence of Peru in 1821, people of African descent lived in alleys near churches and plazas of Lima, where festivities were held. Before the celebrations, blacks joined the festivities by forming gangs that danced the Son de los Diablos. Much like the ''Diablada'', the ''Son de los Diablos'' was heavily influenced by the Spanish Corpus Christi celebrations, it w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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