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Della Jones
Della Jones is a Welsh mezzo-soprano, particularly well known for her interpretations of works by Handel, Mozart, Rossini, Donizetti, and Britten. Early life Jones was born in Tonna, near Neath, Wales. She attended Neath Grammar School for Girls. She studied at the Royal College of Music, where she won the Kathleen Ferrier Memorial Scholarship. Career In Geneva she made her professional debut in 1970, as Feodor in Boris Godunov and Olga in Eugene Onegin. In 1977 she joined the English National Opera, where she created the role of Dolly in Iain Hamilton's ''Anna Karenina'' in 1981,Dean, Winton (1981)"Music in London: Anna Karenina" ''The Musical Times'' Vol. 122, No. 1661 (July 1981), p. 487 and the Royal Opera House in 1983, and began appearing abroad, notably in France, Italy, and the United States. She sang Arne's ''Rule, Britannia!'' alongside John Tomlinson at 1993 Last Night of the Proms. Her repertoire ranges from baroque to contemporary works, with a specialty in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iain Hamilton (composer)
Iain Ellis Hamilton (6 June 1922 – 21 July 2000) was a Scottish composer. Hamilton was born in Glasgow, but was educated in London, where he became an apprentice engineer. He remained in that profession for the next seven years. He undertook the study of music in his spare time. After winning a scholarship to study at the Royal College of Music, which he entered in 1947,. Houghton Mifflin Company Reference Books, page 674; . (One or the other source had Royal Academy of Music or Royal College of Music wrong?) he decided to devote himself to a musical career. He earned the Bachelor of Music degree from the University of London and was awarded an honorary Doctorate of Music from the University of Glasgow. Hamilton moved to the United States in 1962, but died in London, aged 78. Works Chamber and solo instrument *Antigone for Wind Octet (1991) *Aria for Horn and Piano *Brass Quintet (by 1991) *Capriccio for Trumpet and Piano *Five Scenes for Trumpet and Piano (1966) *Hyperio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Padilla
''Maria Padilla'' is a ''melodramma'', or opera, in three acts by Gaetano Donizetti. Gaetano Rossi and the composer wrote the Italian libretto after François Ancelot's play. It premiered on 26 December 1841 at La Scala, Milan. The plot is loosely based on the historical figure María de Padilla, the mistress of Pedro the Cruel, King of Castile. Performance history The American premiere took place in 1990 when the young Renée Fleming made her major debut with Opera Omaha. Among other performances, the opera was presented by the Buxton Festival in 2003 and by the Minnesota Opera in 2005. Roles Synopsis :Place: Castile :Time: 14th century Maria tells her sister Ines that she hopes to marry Don Pedro, the ruler of Castile. When he sneaks into her room disguised as Mendez, Maria tells him that she knows his true identity and demands marriage to save her honour. Don Pedro acquiesces, although the marriage must be kept secret. After their elopement, a faction of the Don Ped ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'assedio Di Calais
''L'assedio di Calais'' (''The siege of Calais'') is an 1836 ''melodramma lirico'', or opera, in three acts by Gaetano Donizetti, his 49th opera. Salvatore Cammarano wrote the Italian libretto, which has been described as "...a remarkable libretto, the closest Cammarano ever got to real poetry, particularly in his description of the embattled city and the heartfelt pride of its citizens". It was based on Luigi Marchionni's play ''L'assedio di Calais'' (also called ''Edoardo III''), which had been presented in Naples around 1825, and secondarily on Luigi Henry's ballet ''L'assedio di Calais'', which had been performed in Naples in 1828 and revived in 1835. Both of these were probably derived from the French play ''Eustache de St Pierre, ou Le siège de Calais'' by Hubert (pen name of Philippe-Jacques Laroche), which had been given in Paris in 1822 and was in turn taken from the 1765 play ''Le siège de Calais'' by Pierre-Laurent Buirette de Belloy. The historical basis was Edward ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ugo, Conte Di Parigi
''Ugo, conte di Parigi'' (''Hugo, Count of Paris'') is a ''tragedia lirica'', or tragic opera, in two acts by Gaetano Donizetti. Felice Romani wrote the Italian libretto after Hippolyte-Louis-Florent Bis's ''Blanche d'Aquitaine''. It premiered on 13 March 1832 at La Scala, Milan. Roles Synopsis :Time: 10th century :Place: ParisOsborne 1994, p. 205 Sesynopsis on opera-rara.com Recordings References Notes Cited sources * Osborne, Charles, (1994), ''The Bel Canto Operas of Rossini, Donizetti, and Bellini'', Portland, Oregon: Amadeus Press. Other sources *Allitt, John Stewart (1991), ''Donizetti: in the light of Romanticism and the teaching of Johann Simon Mayr'', Shaftesbury: Element Books, Ltd (UK); Rockport, MA: Element, Inc.(USA) * Ashbrook, William (1982), ''Donizetti and His Operas'', Cambridge University Press. *Ashbrook, William (1998), "Donizetti, Gaetano" in Stanley Sadie (Ed.), ''The New Grove Dictionary of Opera'', Vol. One. London: Macmillan Publishers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Rara
Opera Rara is a London-based opera company and recording label which specialises in recording and performing forgotten operatic repertoire from the 19th and early 20th centuries. Founded in 1970 by bel canto enthusiasts Patric Schmid and Don White, Opera Rara's recordings are internationally distributed by Warner Classics. In September 2019, Italian conductor Carlo Rizzi succeeded Sir Mark Elder as Artistic Director. History Opera Rara launched in the 1970s with a series of concerts of 19th-century operatic arias performed at the Southbank Centre, St John’s Smith Square and Wigmore Hall in London. The company presented its first complete opera - Meyerbeer’s '' Il crociato in Egitto'' - in 1972 at the Queen Elizabeth Hall, marking the first performance of the opera for more than 100 years. It subsequently performed at the Bath Festival, Camden Festival (where its first staged production was Donizetti’s '' Le convenienze ed inconvenienze teatrali'') and Sadler’s Well ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bel Canto
Bel canto (Italian for "beautiful singing" or "beautiful song", )—with several similar constructions (''bellezze del canto'', ''bell'arte del canto'')—is a term with several meanings that relate to Italian singing. The phrase was not associated with a "school" of singing until the middle of the 19th century, when writers in the early 1860s used it nostalgically to describe a manner of singing that had begun to wane around 1830. Nonetheless, "neither musical nor general dictionaries saw fit to attempt definition f bel cantountil after 1900". The term remains vague and ambiguous in the 21st century and is often used to evoke a lost singing tradition. History of the term and its various definitions As generally understood today, the term ''bel canto'' refers to the Italian-originated vocal style that prevailed throughout most of Europe during the 18th and early 19th centuries. Late 19th- and 20th-century sources "would lead us to believe that ''bel canto'' was restricted to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Last Night Of The Proms
The BBC Proms or Proms, formally named the Henry Wood Promenade Concerts Presented by the BBC, is an eight-week summer season of daily orchestral classical music concerts and other events held annually, predominantly in the Royal Albert Hall in central London. The Proms were founded in 1895, and are now organised and broadcast by the BBC. Each season consists of concerts in the Royal Albert Hall, chamber music concerts at Cadogan Hall, additional Proms in the Park events across the UK on the Last Night of the Proms, and associated educational and children's events. The season is a significant event in British culture and in classical music. Czech conductor Jiří Bělohlávek described the Proms as "the world's largest and most democratic musical festival". ''Prom'' is short for ''promenade concert'', a term which originally referred to outdoor concerts in London's pleasure gardens, where the audience was free to stroll around while the orchestra was playing. In the con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Tomlinson (bass)
Sir John Rowland Tomlinson (born 22 September 1946) is an English Bass (voice type), bass. Tomlinson was born in Oswaldtwistle, Lancashire, England. He trained as a civil engineer at Manchester University before deciding on a career in opera at age 21. He studied with Patrick McGuigan at the Royal Northern College of Music and with Otakar Kraus. He is now President of the RNCM. Whilst studying at the RNCM, he was a member of the Manchester Universities Gilbert and Sullivan Society (MUGSS). He sings regularly with the Royal Opera, London, Royal Opera and English National Opera, and has appeared with all the major British opera companies. He sang at the Bayreuth Festival in Germany every year from 1988 to 2006, as Wotan, the Wanderer, King Marke, Titurel, Gurnemanz, Hagen and the Dutchman. In 2008, he created the title role in Harrison Birtwistle's opera The Minotaur (opera), ''The Minotaur'' at the Royal Opera House. Honours * He was given an Honorary title (academic), Honorary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rule, Britannia!
"Rule, Britannia!" is a British patriotic song, originating from the 1740 poem "Rule, Britannia" by James Thomson and set to music by Thomas Arne in the same year. It is most strongly associated with the Royal Navy, but is also used by the British Army. ''Alfred'' The song was originally the final musical number in Thomas Arne's ''Alfred'', a masque about Alfred the Great, co-written by James Thomson and David Mallet and first performed at Cliveden, the country home of Frederick, Prince of Wales, on 1 August 1740. Lyrics This version is taken from ''The Works of James Thomson'' by James Thomson, Published 1763, Vol II, p. 191, which includes the entire text of ''Alfred''. "Married to a Mermaid" In 1751 Mallet re-used the text of "Rule, Britannia!", omitting three of the original six stanzas and adding three new ones by Lord Bolingbroke, to form the repeated chorus of a comic song "Married to a Mermaid". This became extremely popular when Mallet produced his m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Arne
Thomas Augustine Arne (; 12 March 17105 March 1778) was an English composer. He is best known for his patriotic song "Rule, Britannia!" and the song "A-Hunting We Will Go", the latter composed for a 1777 production of ''The Beggar's Opera'', which has since become popular as a folk song and a nursery rhyme. Arne was a leading British theatre composer of the 18th century, working at the West End's Drury Lane and Covent Garden. He wrote many operatic entertainments for the London theatres and pleasure gardens, as well as concertos, sinfonias, and sonatas. Early life Arne was born on March 12th, 1710 in Covent Garden and baptised at St Paul's, Covent Garden. Arne's father and grandfather were both upholsterers and both held office in the Worshipful Company of Upholders of the City of London. His grandfather fell on hard times and died in the debtors' prison of Marshalsea. His father earned enough money not only to rent 31 King Street, a large house in Covent Garden, but also t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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