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Dear Companion
''Dear Companion'' is Espers vocalist Meg Baird's first solo album. It was released in 2007 to critical praise. The album contains three traditional folk songs, four covers of more recent songs, and two original songs written by Baird. The album is lightly orchestrated traditional folk music, without Espers' psychedelic and prog influences, dense orchestration, and dark atmosphere. ''Dear Companion'' was recorded at the same time as the Espers album '' II'', at Baird's home in Philadelphia.Murphy, MatthewAlbum Review: Dear Companion Pitchfork Media. 2007-04-30. Two of the traditional songs ("Willie o Winsbury" and " Barbry Ellen") also appeared on ''Leaves From Off the Tree'', an album by Baird, Espers bandmate Helena Espvall, and Sharron Kraus that came out the year before. Two versions of the title song open and close the album, the second one a cappella. Track listing #"Dear Companion" (Traditional) – 3:44 #"River Song" by Chris Thompson (http://www.expdev.net/ht ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie O Winsbury
Willie O Winsbury is Child Ballad 100 (Roud 64). The song, of which there are many variants, is a traditional Scottish ballad that dates from at least 1775, and is known under several other names, including "Johnnie Barbour" and "Lord Thomas of Winesberry". Synopsis A king is away for some time. His daughter becomes pregnant by the hero, William or Thomas. The king threatens to hang him, but is struck by his beauty and offers him his daughter's hand, gold, and land. The hero agrees to marry the king's daughter but declares the gold and the land to be hers, not his own. Historical Basis This ballad closely parallels Child ballad 99, "Johnie Scot". In one variant, the lands are specifically described: he will be king when he returns to Scotland. It may, in fact, be based on James V's courtship of and marriage to Madeleine de Valois of France; James came to see the woman he was betrothed to in disguise, and went on to meet the princess, who fell in love with him.Francis James C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2007 Debut Albums
7 (seven) is the natural number following 6 and preceding 8. It is the only prime number preceding a cube. As an early prime number in the series of positive integers, the number seven has greatly symbolic associations in religion, mythology, superstition and philosophy. The seven Classical planets resulted in seven being the number of days in a week. It is often considered lucky in Western culture and is often seen as highly symbolic. Unlike Western culture, in Vietnamese culture, the number seven is sometimes considered unlucky. It is the first natural number whose pronunciation contains more than one syllable. Evolution of the Arabic digit In the beginning, Indians wrote 7 more or less in one stroke as a curve that looks like an uppercase vertically inverted. The western Ghubar Arabs' main contribution was to make the longer line diagonal rather than straight, though they showed some tendencies to making the digit more rectilinear. The eastern Arabs developed the digit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie O' Winsbury
Willie O Winsbury is Child Ballad 100 (Roud 64). The song, of which there are many variants, is a traditional Scottish ballad that dates from at least 1775, and is known under several other names, including "Johnnie Barbour" and "Lord Thomas of Winesberry". Synopsis A king is away for some time. His daughter becomes pregnant by the hero, William or Thomas. The king threatens to hang him, but is struck by his beauty and offers him his daughter's hand, gold, and land. The hero agrees to marry the king's daughter but declares the gold and the land to be hers, not his own. Historical Basis This ballad closely parallels Child ballad 99, "Johnie Scot". In one variant, the lands are specifically described: he will be king when he returns to Scotland. It may, in fact, be based on James V's courtship of and marriage to Madeleine de Valois of France; James came to see the woman he was betrothed to in disguise, and went on to meet the princess, who fell in love with him.Francis James C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Riders Of The Purple Sage
New Riders of the Purple Sage is an American country rock band. The group emerged from the psychedelic rock scene in San Francisco in 1969 and its original lineup included several members of the Grateful Dead. The band is sometimes referred to as the New Riders or as NRPS. History Origins: early 1960s – 1969 The roots of the New Riders can be traced back to the early 1960s Peninsula folk/ beatnik scene centered on Stanford University's now-defunct Perry Lane housing complex in Menlo Park, California where future Grateful Dead guitarist Jerry Garcia often played gigs with like-minded guitarist David Nelson. The young John Dawson (also known as "Marmaduke") also played some concerts with Garcia, Nelson, and their compatriots while visiting relatives on summer vacation. Enamored of the sounds of Bakersfield-style country music, Dawson would turn his older friends on to the work of Merle Haggard and Buck Owens and provided a vital link between Timothy Leary's Internationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sweet William And Fair Ellen
Sweetness is a basic taste most commonly perceived when eating foods rich in sugars. Sweet tastes are generally regarded as pleasurable. In addition to sugars like sucrose, many other chemical compounds are sweet, including aldehydes, ketones, and sugar alcohols. Some are sweet at very low concentrations, allowing their use as non-caloric sugar substitutes. Such non-sugar sweeteners include saccharin and aspartame. Other compounds, such as miraculin, may alter perception of sweetness itself. The perceived intensity of sugars and high-potency sweeteners, such as Aspartame and Neohesperidin Dihydrochalcone, are heritable, with gene effect accounting for approximately 30% of the variation. The chemosensory basis for detecting sweetness, which varies between both individuals and species, has only begun to be understood since the late 20th century. One theoretical model of sweetness is the multipoint attachment theory, which involves multiple binding sites between a sweetness ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fraser & DeBolt
Fraser & DeBolt were a Canadian folk duo, active in the late 1960s and early 1970s. Its members were Allan Fraser and Daisy DeBolt (1945 – October 4, 2011). Career Allan Fraser and Daisy DeBolt met at a workshop at the 1968 Mariposa Folk Festival. Their first words to each other were "I like your voice." As DeBolt puts it, Fraser "knocked on the door and that was it, he never left." Not long after, their budding musical romance found them hitchhiking every day from Toronto to Hamilton, Ontario to work on material. By the summer of 1969, Fraser & DeBolt was officially formed as a duo. In 1970 they travelled to the United States on a coffee house circuit tour. During the second week of February, while in upper New York State, they received a message from Ravi Shankar's manager, Jay K. Hoffman. Hoffman signed them to a management contract, and arranged for Fraser & DeBolt to audition for a recording contract. On April 5, 1970, they opened for Tom Paxton at Fillmore East in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Webb
Jimmy Layne Webb (born August 15, 1946) is an American songwriter, composer, and singer. He has written numerous platinum-selling songs, including " Up, Up and Away", "By the Time I Get to Phoenix", "MacArthur Park", "Wichita Lineman", "Worst That Could Happen", "Galveston" and "All I Know". He had successful collaborations with Glen Campbell, Michael Feinstein, Linda Ronstadt, the 5th Dimension, the Supremes, Art Garfunkel and Richard Harris. Webb was inducted into the Songwriters Hall of Fame in 1986 and the Nashville Songwriters Hall of Fame in 1990. He received the National Academy of Songwriters Lifetime Achievement Award in 1993, the Songwriters Hall of Fame Johnny Mercer Award in 2003, the ASCAP "Voice of Music" Award in 2006 and the Ivor Novello Special International Award in 2012. According to BMI, his song "By the Time I Get to Phoenix" was the third most performed song in the 50 years between 1940 and 1990. Webb is the only artist ever to receive Grammy Awards for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sharron Kraus
Sharron Kraus is an English singer, songwriter and musician with strong ties to the US. Kraus was born in New York but grew up in Leicester, England. She has lived in Philadelphia and collaborated with American musicians, including Meg Baird, Helena Espvall, Christian Kiefer, Tara Burke (Fursaxa), and Gillian Chadwick (Ex Reverie) . Kraus has been compared to 1970s English folk singers such as Shirley Collins and Anne Briggs and heralded as one of the strongest voices in English contemporary folk. She has recorded a collection of traditional folk songs, ''Leaves From Off the Tree'', with Meg Baird and Helena Espvall of Philadelphia psych folk band Espers (band), Espers, but the majority of her work is self-authored, influenced by English and Appalachian folk song, but with its own distinctive voice. Musically Kraus' work is described as 'spine-tingling' 'spooky' and 'the sound of England and its enchanted gardens'.Jan Arne-Sohns“The Fox's Wedding Review” ''Foxy Digitalis'' Kr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helena Espvall
Helena Espvall is a Swedish-American musician noted for her participation in the post-millennial psychedelic folk and free improv scenes. Her primary instruments are cello, guitar and voice."Helena Espvall interviewed and introduced by Buck Curran". (2009). Dream Magazine #9, pp. 12-13. Career Espvall's early career included work with Arabian music ensemble Sumer and with Projektor 7, a silent movie orchestra formed by members of Swedish pop group Komeda. She relocated to Philadelphia, USA in the year 2000. Time spent concentrating on cello improvisation led to performances at the High Zero festival in 2001 and 2002. Espvall subsequently entered Philadelphia's flourishing psychedelic and weird-folk circles. She joined Espers shortly after they recorded their first album, was a member of The Valerie Project, and formed the duo Anahita with Tara Burke (a.k.a. Fursaxa). In 2006 a trio consisting of Espvall, Espers bandmate Meg Baird, and English folk singer Sharron Krau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbara Allen (song)
"Barbara Allen" (Child 84, Roud 54) is a traditional folk song that is popular throughout the English-speaking world and beyond. It tells of how the eponymous character denies a dying man's love, then dies of grief soon after his untimely death. The song began as a ballad in the seventeenth century or earlier, before quickly spreading (both orally and in print) throughout Britain and Ireland and later North America. Ethnomusicologists Steve Roud and Julia Bishop described it as "far and away the most widely collected song in the English language—equally popular in England, Scotland and Ireland, and with hundreds of versions collected over the years in North America." As with most folk songs, "Barbara Allen" has been published and performed under many different titles, including "The Ballet of Barbara Allen", "Barbara Allen's Cruelty", "Barbarous Ellen", "Edelin", "Hard Hearted Barbary Ellen", "Sad Ballet Of Little Johnnie Green", "Sir John Graham", "Bonny Barbara Allan", "Bar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
II (Espers Album)
''II'' is the third album from the band Espers. It was their first to be released on Drag City. The song "Children of Stone" was later covered by Marianne Faithfull Marianne Evelyn Gabriel Faithfull (born 29 December 1946) is an English singer and actress. She achieved popularity in the 1960s with the release of her hit single " As Tears Go By" and became one of the lead female artists during the British I ... on her 2008 album '' Easy Come, Easy Go''. Track listing #"Dead Queen" – 8:13 #"Widow's Weed" – 6:51 #"Cruel Storm" – 5:17 #"Children of Stone" – 8:54 #"Mansfield and Cyclops" – 5:57 #"Dead King" – 8:02 #"Moon Occults the Sun" – 6:47 References 2006 albums Espers (band) albums Drag City (record label) albums {{2000s-folk-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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