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Davida Afzelius-Bohlin
Davida Carolina Afzelius-Bohlin née Larsson (1866–1955) was a Swedish mezzo-soprano who performed in operas and concerts around the turn of the 20th century. She appeared for the first time when she was 17 at a concert in Gothenburg, the first of many she would give in Sweden and abroad. In May 1900, she made her debut at the Royal Swedish Opera as Amneris in ''Aida''. She was engaged by the Royal Opera until 1902. After marrying the music director Carl Bohlin in 1903, she appeared on occasion as an oratorio and concert singer. Biography Born in Gothenburg on 20 December 1866, David Carolina Larsson was the daughter of the farmer Johan Anton Larsson and his wife Hilda née Durchbach. She studied voice in Gothenburg under Andreas Hallén (1882–1883), in Stockholm under Fritz Arlberg (1891–1892) and in Dresden under (1896–1898). She first performed in public when she was 17 at a concert in Gothenburg arranged by Hallen. From 1886 to 1888, she performed in various Stockholm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Davida Afzelius
Davida Carolina Afzelius-Bohlin née Larsson (1866–1955) was a Swedish mezzo-soprano who performed in operas and concerts around the turn of the 20th century. She appeared for the first time when she was 17 at a concert in Gothenburg, the first of many she would give in Sweden and abroad. In May 1900, she made her debut at the Royal Swedish Opera as Amneris in '' Aida''. She was engaged by the Royal Opera until 1902. After marrying the music director Carl Bohlin in 1903, she appeared on occasion as an oratorio and concert singer. Biography Born in Gothenburg on 20 December 1866, David Carolina Larsson was the daughter of the farmer Johan Anton Larsson and his wife Hilda née Durchbach. She studied voice in Gothenburg under Andreas Hallén (1882–1883), in Stockholm under Fritz Arlberg (1891–1892) and in Dresden under (1896–1898). She first performed in public when she was 17 at a concert in Gothenburg arranged by Hallen. From 1886 to 1888, she performed in various Stockhol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them '' Orfeo ed Euridice'' and '' Alceste'', he broke the stranglehold that Metastasian '' opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. Future composers like Mozart, Schubert, Berlioz and Wagner revered Gluck very highly. The strong influence of French opera encouraged Gluck to move to Paris in November 1773. Fusing the traditions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century Swedish Women Opera Singers
The 19th (nineteenth) century began on 1 January 1801 (Roman numerals, MDCCCI), and ended on 31 December 1900 (Roman numerals, MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolitionism, abolished in much of Europe and the Americas. The Industrial Revolution, First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Gunpowder empires, Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Actors From Gothenburg
An actor or actress is a person who portrays a Character (arts), character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for Hypocrisy, hypocrite) also means, less often, "to answer" the Tragedy, tragic Greek chorus, chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' (acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of actingpertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in ancient Greece and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1955 Deaths
Events January * January 3 – José Ramón Guizado becomes president of Panama. * January 17 – , the first nuclear-powered submarine, puts to sea for the first time, from Groton, Connecticut. * January 18– 20 – Battle of Yijiangshan Islands: The Chinese Communist People's Liberation Army seizes the islands from the Republic of China (Taiwan). * January 22 – In the United States, The Pentagon announces a plan to develop intercontinental ballistic missiles (ICBMs), armed with nuclear weapons. * January 23 – The Sutton Coldfield rail crash kills 17, near Birmingham, England. * January 25 – The Presidium of the Supreme Soviet of the Soviet Union announces the end of the war between the USSR and Germany, which began during World War II in 1941. * January 28 – The United States Congress authorizes President Dwight D. Eisenhower to use force to protect Formosa from the People's Republic of China. February * February 10 – The United States Seventh Flee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1866 Births
Events January–March * January 1 ** Fisk University, a historically black university, is established in Nashville, Tennessee. ** The last issue of the abolitionist magazine '' The Liberator'' is published. * January 6 – Ottoman troops clash with supporters of Maronite leader Youssef Bey Karam, at St. Doumit in Lebanon; the Ottomans are defeated. * January 12 ** The ''Royal Aeronautical Society'' is formed as ''The Aeronautical Society of Great Britain'' in London, the world's oldest such society. ** British auxiliary steamer sinks in a storm in the Bay of Biscay, on passage from the Thames to Australia, with the loss of 244 people, and only 19 survivors. * January 18 – Wesley College, Melbourne, is established. * January 26 – Volcanic eruption in the Santorini caldera begins. * February 7 – Battle of Abtao: A Spanish naval squadron fights a combined Peruvian-Chilean fleet, at the island of Abtao, in the Chiloé Archipelago of southern Chile. * February 13 †... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nya Idun
Nya Idun is a Swedish cultural association for women founded in 1885, originally as a female counterpart to Sällskapet Idun ('the Idun Society'). Its aim was to "gather educated women in the Stockholm area for informal gatherings". There was also an early 20th-century women's journal of the same name. Activity Nya Idun was founded on 7 February 1885 in the premises of the at Jakobsbergsgatan 11 in Stockholm. Its founders were Calla Curman, Hanna Winge, Ellen Fries, Ellen Key and Amelie Wikström. The first fifteen women elected to the association's committee were Alfhild Agrell, Lilly Engström, Selma Giöbel, Therese Gyldén, Anna Höjer, Amanda Kerfstedt, Anne Charlotte Leffler, Hulda Lundin, Agda Montelius, Anna Munthe-Norstedt, Mathilda Roos, Anna Sandström, Hilma Svedbom, Anna Whitlock, and Coraly Zethræus. The association's model was Sällskapet Idun in Stockholm, founded in 1862, which, according to its statutes, was for "men living in Stockholm who have the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Das Rheingold
''Das Rheingold'' (; ''The Rhinegold''), WWV 86A, is the first of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 22 September 1869, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus, on 13 August 1876. Wagner wrote the ''Ring'' librettos in reverse order, so that ''Das Rheingold'' was the last of the texts to be written; it was, however, the first to be set to music. The score was completed in 1854, but Wagner was unwilling to sanction its performance until the whole cycle was complete; he worked intermittently on this music until 1874. The 1869 Munich premiere of ''Das Rheingold'' was staged, much against Wagner's wishes, on the orders of his patron, King Ludwig II of Bavaria. Following its 1876 Bayreuth premiere, the ''Ring'' cycle was introduced into the worldwide repertory, with perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Trovatore
''Il trovatore'' ('The Troubadour') is an opera in four acts by Giuseppe Verdi to an Italian libretto largely written by Salvadore Cammarano, based on the play ''El trovador'' (1836) by Antonio GarcÃa Gutiérrez. It was GarcÃa Gutiérrez's most successful play, one which Verdi scholar Julian Budden describes as "a high flown, sprawling melodrama flamboyantly defiant of the Aristotelian unities, packed with all manner of fantastic and bizarre incident." The premiere took place at the Teatro Apollo in Rome on 19 January 1853, where it "began a victorious march throughout the operatic world," a success due to Verdi's work over the previous three years. It began with his January 1850 approach to Cammarano with the idea of ''Il trovatore''. There followed, slowly and with interruptions, the preparation of the libretto, first by Cammarano until his death in mid-1852 and then with the young librettist Leone Emanuele Bardare, which gave the composer the opportunity to propose signifi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orfeo Ed Euridice
' (; French: '; English: ''Orpheus and Eurydice'') is an opera composed by Christoph Willibald Gluck, based on Orpheus, the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the ''azione teatrale'', meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. ''Orfeo ed Euridice'' is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of ''opera seria'' with a "noble simplicity" in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent Opera in German, German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Wolfgang Amadeus Mozart, Mozart's ''The Magic Flute'', Ludwig van Beethoven, Beetho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Stenhammar
Carl Wilhelm Eugen Stenhammar (February 7, 1871 – November 20, 1927) was a Swedish composer, conductor and pianist. Biography Stenhammar was born in Stockholm and was the brother of architect Ernst Stenhammar. He received his first musical education in Stockholm. He then went to Berlin to further his studies in music. He became a glowing admirer of German music, especially Richard Wagner and Anton Bruckner. Stenhammar himself described the style of his First Symphony in F major as "idyllic Bruckner". He subsequently sought to emancipate himself and write in a more "Nordic" style, looking to Carl Nielsen and Jean Sibelius for guidance. The latter's Symphony No. 2, especially, had a great effect on him, leading him to change his style and withdraw his own First Symphony from performance. Having seen Sibelius's symphony performed in Stockholm, Stenhammar wrote to him:You should know that you are in my thoughts daily ever since I heard the symphony. You magnificent person, it is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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