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Das Märchen Von Der Schönen Lilie
''Das Märchen von der schönen Lilie'' (''The Fairy Tale of the Beautiful Lily''), Op. 55, is an opera in two acts by Giselher Klebe, with a libretto by Lore Klebe, based on Goethe's fairy tale ''Das Märchen''. On a commission by the SWR for the Schwetzingen Festival, it was premiered on 15 May 1969 at the Schlosstheater Schwetzingen, staged by Oscar Fritz Schuh and conducted by Hans Zender. The opera was published by Bärenreiter. History Klebe composed the opera on a commission of the broadcaster Südwestrundfunk for the opening of the Schwetzingen Festival. He based the opera on classical literature, as also in some of his earlier operas such as '' Die Räuber'' after Schiller (1957), ''Die tödlichen Wünsche'' after Balzac (1959) and ''Alkmene'' after Kleist (1961). His wife, Lore Klebe, wrote the libretto based on the fairy tale ''Das Märchen'', part of the novella ''Unterhaltungen deutscher Ausgewanderten'' by Johann Wolfgang von Goethe. ''Das Märchen von ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giselher Klebe
Giselher Wolfgang Klebe (28 June 19255 October 2009) was a German composer, and an academic teacher. He composed more than 140 works, among them 14 operas, all based on literary works, eight symphonies, 15 solo concerts, chamber music, piano works, and sacred music. Biography Giselher Klebe was born in Mannheim, Germany. He received musical tuition early in his life from his mother, the violinist Gertrud Klebe. The family relocated in 1932 to Munich, where his mother's sister, Melanie Michaelis, continued the training. His father's profession required a further relocation in 1936 to Rostock. Following the separation of his parents, Klebe moved with his mother and sister to Berlin. During 1938, the 13-year-old sketched his first compositions. In 1940, he began studies in violin, viola, and composition, supported by a grant from the city of Berlin. After serving his Reichsarbeitsdienst (labour service), Klebe was conscripted to military service as signalman. After the German ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schwetzingen Schlosstheater Blick Zur Bühne 1
Schwetzingen (; pfl, Schwetzinge) is a German town in northwest Baden-Württemberg, around southwest of Heidelberg and southeast of Mannheim. Schwetzingen is one of the five biggest cities of the Rhein-Neckar-Kreis district and a medium-sized centre between Heidelberg and Mannheim. The city is most famous for Schwetzingen Palace and the Schlosstheater. The palace grounds also feature a mosque, the oldest in Germany. Although not functional, it was used by Muslim prisoners in the Franco-Prussian War. Geography Schwetzingen is located in the '' Rhine-Neckar-triangle'' in the plain of the Rhine river, lying west of the Odenwald and in the east of the Rhine. A small stream, the Leimbach, runs through the city before joining the Rhine. Neighbouring municipalities The following municipalities, listed clockwise beginning in the north, border on the city limits of Schwetzingen: Mannheim, Plankstadt, Oftersheim, Hockenheim, Ketsch and Brühl. The municipal area ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eike Wilm Schulte
Eike Wilm Schulte (born 13 October 1939) is a German operatic baritone. A member of the Hessisches Staatstheater Wiesbaden, from 1988 the Bayerische Staatsoper, he made an international career, singing more than 100 parts at major opera houses such as the Metropolitan Opera, and at festivals including the Bayreuth Festival. He participated in several premieres of contemporary opera. Career Schulte was born in Plettenberg, Westphalia. He studied voice at the Musikhochschule Köln, with Josef Metternich among others. He made his debut on stage at the Deutsche Oper am Rhein in 1966 as ''Sid'' in Benjamin Britten's ''Albert Herring''. From 1969, Schulte was a member of the Theater Bielefeld, where he appeared as Papageno in Mozart's ''Die Zauberflöte'', as Germont in ''La Traviata'' and in the leading part Alfred Ill in Gottfried von Einem's ''Der Besuch der alten Dame'', opposite Martha Mödl in the title role. From 1973 to 1988 Schulte was a member of the Hessisches Staatstheater ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Judith Beckmann
Judith Beckmann (born May 10, 1935) is an American-German soprano. She has spent the majority of her stage career in Germany and Austria. Life and work Beckmann was born in Jamestown, North Dakota, into a talented musical family, the daughter of an opera singer and a pianist. She received her musical education at the University of Southern California and the Music Academy of the West in Santa Barbara, studying under her father and Lotte Lehmann. In 1961 she won a singing contest in San Francisco, through which she was awarded a scholarship to study with Henny Wolff at the Hochschule für Musik und Theater Hamburg and with Franziska Martienssen-Lohmann in Düsseldorf. Her musical debut came in 1962 at the former National Theater of Braunschweig, in the role of Fiordiligi in Mozart's ''Così fan tutte''. This was the beginning of an ongoing and successful career with engagements at the Deutsche Oper Berlin and the Bavarian State Opera in Munich. From 1964, Beckmann was a permanent m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rachel Yakar
Rachel Yakar (born 3 March 1938) is a French soprano. Yakar was born in Lyon, France. She studied under Germaine Lubin at the Paris Conservatoire. In 1963, she made her debut at Strasbourg. For the next twenty years, she was associated with the Deutsche Oper am Rhein in Düsseldorf. In the mid and late 1970s, she performed at Bayreuth, Glyndebourne, Edinburgh, Salzburg and Covent Garden. Her repertory included Mozart's Donna Elvira from ''Don Giovanni'', and First Lady from ''The Magic Flute''; Monteverdi's ''L'incoronazione di Poppea'' and Rameau's Aricia; Jean-Baptiste Lully's Climène from ''Phaëton (Lully), Phaëton'', Leclair's Circé in ''Scylla et Glaucus''; Arthur Honegger's Diane from ''Les aventures du roi Pausole'' and Francis Poulenc's Madame Lidoine from ''Dialogues of the Carmelites''. ReferencesGrove Music Online (Requires subscription) * Musicians from Lyon French operatic sopranos Living people 1938 births Conservatoire de Paris alumni 20th-century French ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
