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Crinaeae
In Greek mythology, the Crinaeae (; grc, Κρηναῖαι, from Greek " κρήνη") were a type of Naiad nymphs associated with fountains or wells. The number of Crinaeae includes but is not limited to: *Aganippe *Appias * Myrtoessa * The Sithnides (a group of nymphs associated with a fountain in Megara)Pausanias, ''Graeciae Descriptio'' 1.40.1 See also * Camenae *Pegaeae Notes References Dictionary of Greek and Roman Biography and Mythology, v. 2, page 1216*Pausanias, ''Description of Greece'' with an English Translation by W.H.S. Jones, Litt.D., and H.A. Ormerod, M.A., in 4 Volumes. Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1918. Online version at the Perseus Digital Library*Pausanias, ''Graeciae Descriptio.'' ''3 vols''. Leipzig, Teubner. 1903.Greek text available at the Perseus Digital Library *Publius Ovidius Naso, ''The Art of Love (Ars Amatoria)'' translated by A.S. KlineOnline version at the Topos Text Project.*Publius Vergilius Maro ...
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Naiad
In Greek mythology, the naiads (; grc-gre, ναϊάδες, naïádes) are a type of female spirit, or nymph, presiding over fountains, wells, springs, streams, brooks and other bodies of fresh water. They are distinct from river gods, who embodied rivers, and the very ancient spirits that inhabited the still waters of marshes, ponds and lagoon-lakes such as pre-Mycenaean Lerna in the Argolis. Etymology The Greek word is (, ), plural (, ). It derives from (), "to flow", or (), "running water". Mythology Naiads were often the object of archaic local cults, worshipped as essential to humans. Boys and girls at coming-of-age ceremonies dedicated their childish locks to the local naiad of the spring. In places like Lerna their waters' ritual cleansings were credited with magical medical properties. Animals were ritually drowned there. Oracles might be situated by ancient springs. Naiads could be dangerous: Hylas of the '' Argo''’s crew was lost when he was taken ...
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Nymph
A nymph ( grc, νύμφη, nýmphē, el, script=Latn, nímfi, label=Modern Greek; , ) in ancient Greek folklore is a minor female nature deity. Different from Greek goddesses, nymphs are generally regarded as personifications of nature, are typically tied to a specific place or landform, and are usually depicted as maidens. They were not necessarily immortal, but lived much longer than human beings. They are often divided into various broad subgroups, such as the Meliae (ash tree nymphs), the Dryads (oak tree nymphs), the Naiads (freshwater nymphs), the Nereids (sea nymphs), and the Oreads (mountain nymphs). Nymphs are often featured in classic works of art, literature, mythology, and fiction. Since the Middle Ages, nymphs have been sometimes popularly associated or even confused with fairies. Etymology The Greek word has the primary meaning of "young woman; bride, young wife" but is not usually associated with deities in particular. Yet the etymology of the noun remains ...
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Camenae
In Roman mythology, the Camenae (; also ''Casmenae'', ''Camoenae'') were originally goddesses of childbirth, wells and fountains, and also prophetic deities. List of Camenae There were four Camenae: *Carmenta, or Carmentis * Egeria, or Ægeria, or Aegeria *Antevorta, or Porrima *Postverta, or Postvorta, or Prorsa The last two were sometimes specifically referred to as the Carmentae and in ancient times might have been two aspects of Carmenta rather than separate figures; in later times, however, they are distinct beings believed to protect women in labor. Carmenta was chief among the nymphs. Her festival day, the Carmentalia, featured water ritually drawn by Vestal Virgins from the spring outside the Porta Capena. The Camenae were later identified with the Greek Muses; in his translation of Homer's ''Odyssey'', Livius Andronicus rendered the Greek word ''Mousa'' as ''Camena'' and Horace refers to poetic inspiration as the "soft breath of the Greek Camena" (spiritum Graiae tenue ...
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Myrtoessa
In Greek mythology, Myrtoessa (Ancient Greek: Μυρτωέσσης) was an Arcadian nymph, specifically a Crinaeae, who together with other nymphs, Neda, Anthracia, Hagno and Anchirhoe, were nurses of the god Zeus. She was depicted to carry water-pots with what is meant to be water coming down from her. Notes References * Pausanias Pausanias ( el, Παυσανίας) may refer to: *Pausanias of Athens, lover of the poet Agathon and a character in Plato's ''Symposium'' *Pausanias the Regent, Spartan general and regent of the 5th century BC *Pausanias of Sicily, physician of th ..., ''Description of Greece'' with an English Translation by W.H.S. Jones, Litt.D., and H.A. Ormerod, M.A., in 4 Volumes. Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1918. {{ISBN, 0-674-99328-4Online version at the Perseus Digital Library* Pausanias, ''Graeciae Descriptio.'' ''3 vols''. Leipzig, Teubner. 1903.Greek text available at the Perseus Digital Library Arcadian ...
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Greek Mythology
A major branch of classical mythology, Greek mythology is the body of myths originally told by the Ancient Greece, ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the Cosmogony, origin and Cosmology#Metaphysical cosmology, nature of the world, the lives and activities of List of Greek mythological figures, deities, Greek hero cult, heroes, and List of Greek mythological creatures, mythological creatures, and the origins and significance of the ancient Greeks' own cult (religious practice), cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself. The Greek myths were initially propagated in an oral tradition, oral-poetic tradition most likely by Minoan civilization, Minoan and Mycenaean Greece, Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its after ...
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Remedia Amoris
''Remedia Amoris'' (''Love's Remedy'' or ''The Cure for Love'') . 2 ADis an 814-line poem in Latin by Roman poet Ovid. In this companion poem to '' The Art of Love'', Ovid offers advice and strategies to avoid being hurt by love feelings, or to fall out of love, with a stoic overtone. Genre ''Remedia Amoris'' fell into the Hellenistic category of didactic poetry, often carried out on mock-solemn subjects. Goal and methods Ovid's goal was to provide, for men and women alike, advice on how to escape safely from an unhappy love affair - emotional bondage - without falling into the tragic ends of such legendary figures as Dido or Medea. Among the techniques he suggested were: keeping busy; travelling; avoiding wine and love poetry (!); and concentrating on the beloved's defects rather than their strong points. Critical reactions *Alexander Neckam in the Middle Ages thought that ''De Remedio Amoris'' was ''the'' most important book of Ovid's for scholars to read. *Victorian views, ...
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Megara
Megara (; el, Μέγαρα, ) is a historic town and a municipality in West Attica, Greece. It lies in the northern section of the Isthmus of Corinth opposite the island of Salamis Island, Salamis, which belonged to Megara in archaic times, before being taken by Athens. Megara was one of the four districts of Attica, embodied in the four mythic sons of King Pandion II, of whom Nisos was the ruler of Megara. Megara was also a trade port, its people using their ships and wealth as a way to gain leverage on armies of neighboring poleis. Megara specialized in the exportation of wool and other animal products including livestock such as horses. It possessed two harbors, Pagae to the west on the Corinthian Gulf, and Nisaea to the east on the Saronic Gulf of the Aegean Sea. It is part of Athens metropolitan area. Early history According to Pausanias (geographer), Pausanias, the Megarians said that their town owed its origin to Car (Greek mythology), Car, the son of Phoroneus, who bui ...
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Ars Amatoria
The ''Ars amatoria'' ( en, The Art of Love) is an instructional elegy series in three books by the ancient Roman poet Ovid. It was written in 2 AD. Background Book one of ''Ars amatoria'' was written to show a man how to find a woman. In book two, Ovid shows how to keep her. The third book, written two years after the first books were published, gives women advice on how to win and keep the love of a man ("I have just armed the Greeks against the Amazons; now, Penthesilea, it remains for me to arm thee against the Greeks...").. Content The first two books, aimed at men, contain sections which cover such topics as 'not forgetting her birthday', 'letting her miss you - but not for long' and 'not asking about her age'. The third gives similar advice to women, sample themes include: 'making up, but in private', 'being wary of false lovers' and 'trying young and older lovers'. Although the book was finished around 2 AD, much of the advice he gives is applicable to any day and age. His ...
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Appias
In ancient Rome, Appias was a statue of a nymph near the Appiades Fountain in the Forum of Caesar. Ovid wrote that the fountain was in the middle of the Temple of Venus Genetrix and surrounded by statues of nymphs who were called "The Appiades" (; plural form of Appias). Traditionally the Appiades are said to be of Concordia (mythology), Concordia, Minerva, Pax (mythology), Pax, Venus (mythology), Venus, and Vesta (mythology), Vesta. In Roman mythology, Appias was a naiad who lived in the Appian Well outside the temple to Venus (goddess), Venus Genitrix in the Roman Forum. In one of his letters,Cicero, ''Ad familiares'', 3. 1 Cicero refers to a statue of Minerva as "Appias". In this case, he derived this surname from the name of Appius Claudius Pulcher (consul 54 BC), Appius Claudius Pulcher, whom he intended to flatter. References SourcesDictionary of Greek and Roman Biography and Mythology by William Smith, v. 1, page 248, under Appias
Characters in Roman mythology Naiad ...
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Ovid
Pūblius Ovidius Nāsō (; 20 March 43 BC – 17/18 AD), known in English as Ovid ( ), was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is often ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists.Quint. ''Inst.'' 10.1.93 Although Ovid enjoyed enormous popularity during his lifetime, the emperor Augustus banished him to Tomis, a Dacian province on the Black Sea, where he remained a decade until his death. Overview A contemporary of the older poets Virgil and Horace, Ovid was the first major Roman poet to begin his career during Augustus's reign. Collectively, they are considered the three canonical poets of Latin literature. The Imperial scholar Quintilian described Ovid as the last of the Latin love elegists.Quint. ''Inst.'' 10.1.93 He enjoyed enormous popularity during his lifetime, but the emperor Augus ...
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