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Corrado Miraglia
Corrado Miraglia (1821 – 30 December 1881) was an Italian operatic tenor and in his later years a voice teacher and theatrical agent. He is best known today for having created the role of Ismaele in Verdi's opera ''Nabucco'', although he sang in the world premieres of several other lesser-known works. He was married to the opera singer Giuseppina Brambilla. Life and career Miraglia was born in Palermo. Little has been recorded of his life and career prior to his performance in the world premiere of ''Nabucco'' in March 1842, apart from his appearance earlier that year as Ivanhoe in Nicolai's ''Il templario'' at the Teatro Sociale in Mantua. He was only 21 when he sang this leading tenor role in Mantua, and a contemporary critic noted that his performance had been hampered by severe stage fright. Kutsch, Karl-Josef; Riemens, Leo (2003)"Miraglia, Corrado" ''Großes Sängerlexikon'', Vol. 4, p. 3151. Walter de Gruyter Whatever his problems in Mantua, he went on to a career singi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palermo
Palermo ( , ; scn, Palermu , locally also or ) is a city in southern Italy, the capital (political), capital of both the autonomous area, autonomous region of Sicily and the Metropolitan City of Palermo, the city's surrounding metropolitan province. The city is noted for its history, culture, architecture and gastronomy, playing an important role throughout much of its existence; it is over 2,700 years old. Palermo is in the northwest of the island of Sicily, by the Gulf of Palermo in the Tyrrhenian Sea. The city was founded in 734 BC by the Phoenicians as ("flower"). Palermo then became a possession of Carthage. Two ancient Greeks, Greek ancient Greek colonization, colonies were established, known collectively as ; the Carthaginians used this name on their coins after the 5th centuryBC. As , the town became part of the Roman Republic and Roman Empire, Empire for over a thousand years. From 831 to 1072 the city was under History of Islam in southern Italy, Arab ru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Moscuzza
Vincenzo Moscuzza (1827–1896) was an Italian composer. Born in Syracuse, Sicily, he was the son of composer Luigi Moscuzza, and his initial musical training was from his father. He later studied at the Naples Conservatory with Saverio Mercadante. He is chiefly known for his many operas, of which his most successful were ''Stradella il trovatore'' (1850), ''Don Carlo ''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedr ...'' (1862), and ''Gonzales Davila'' (1869). He died in Naples.Resigno, Eduardo (2012)"Moscuzza, Vincenzo" ''Vivaverdi: dalla A alla Z Giuseppe Verdi e la sua opera'', p. 1811. BUR/Rizzoli References 1827 births 1896 deaths Italian classical composers Italian male classical composers Italian opera composers Male opera composers 19th-century classical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco D'Andrade
Francisco Augusto D'Andrade, or De Andrade, (11 January 1856 – 8 February 1921) was a Portuguese baritone who sang leading roles in opera houses throughout Europe, including five years as the principal baritone at the Royal Italian Opera in London and thirteen years at the Berlin Hofoper. Considered a "very elegant and cultured singer," he was particularly admired for his portrayal of the title role in Mozart's ''Don Giovanni''. Forbes, Elizabeth (2008)"D'Andrade (De Andrade), Franciscoin Laura Williams Macy (ed). ''The Grove Book of Opera Singers'', p. 109. Oxford University Press In his native city of Lisbon, D'Andrade created the role of Adaour in the 1888 world premiere of Alfredo Keil's '' Donna Bianca'', appearing with his elder brother, the tenor António D'Andrade. Life and career D'Andrade was born in Lisbon. His father was a prominent jurist there, and he initially trained as a lawyer. However, like his older brother António, D'Andrade also had a keen interest in op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canon (music)
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitation (music), imitations of the melody played after a given duration (music), duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or ''dux''), while the imitative melody, which is played in a different part (music), voice, is called the follower (or ''comes''). The follower must imitate the leader, either as an exact replication of its rhythms and Interval (music), intervals or some transformation thereof. Repeating canons in which all voices are musically identical are called round (music), rounds—"Row, Row, Row Your Boat" and "Frère Jacques" are popular examples. An accompanied canon is a canon accompanied by one or more additional independent parts that do not imitate the melody. History Medieval and Renaissance During the Medieval music, Middle Ages, Renaissance music, Renaissance, and Baroque music, Baroque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maestro Di Cappella
(, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term has evolved considerably in its meaning and is today used for denoting the leader of a musical ensemble, often smaller ones used for TV, radio, and theatres. Historical usage In German-speaking countries during the approximate period 1500–1800, the word often designated the director of music for a monarch or nobleman. For English speakers, it is this sense of the term that is most often encountered, since it appears frequently in biographical writing about composers who worked in German-speaking countries. During that period, in Italy, the position (Italian: ''maestro di capella'') largely referred to directors of music assigned to cathedrals and sacred institutions rather than those under royal or aristocratic patronage. A Kapellmeister ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raimondo Boucheron
Raimondo Boucheron (March 15, 1800 – February 28, 1876) was an Italian composer, chiefly of sacred music. During his life, he was known primarily for the song "Inno per le cinque giornate". Today he is remembered as one of the contributors to the ''Messa per Rossini'', for which he wrote the ''Confutatis'' and ''Oro supplex'' of the ''Sequentia''. He also served for a time as maestro di cappella of Milan Cathedral, being succeeded in the post by Guglielmo Quarenghi. ReferencesBiographyat Answers.com External links * Boucheron, Raimondo Dizionario Biografico degli Italiani The ''Dizionario Biografico degli Italiani'' ( en, Biographical Dictionary of the Italians) is a biographical dictionary published by the Istituto dell'Enciclopedia Italiana, started in 1925 and completed in 2020. It includes about 40,000 biograp ... * 1800 births 1876 deaths Italian male composers 19th-century Italian composers 19th-century Italian male musicians {{Italy-composer-stu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cathedral Of Milan
Milan Cathedral ( it, Duomo di Milano ; lmo, Domm de Milan ), or Metropolitan Cathedral-Basilica of the Nativity of Saint Mary ( it, Basilica cattedrale metropolitana di Santa Maria Nascente, links=no), is the cathedral church of Milan, Lombardy, Italy. Dedicated to the Nativity of St Mary (''Santa Maria Nascente''), it is the seat of the Archbishop of Milan, currently Archbishop Mario Delpini. The cathedral took nearly six centuries to complete: construction began in 1386, and the final details were completed in 1965. It is the largest church in the Italian Republic—the larger St. Peter's Basilica is in the State of Vatican City, a sovereign state—and possibly the second largest in Europe and the third largest in the world (its size and position remain a matter of debate). History Milan's layout, with streets either radiating from the Duomo or circling it, reveals that the Duomo occupies what was the most central site in Roman Mediolanum, that of the public bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizionario Biografico Degli Italiani
The ''Dizionario Biografico degli Italiani'' ( en, Biographical Dictionary of the Italians) is a biographical dictionary published by the Istituto dell'Enciclopedia Italiana, started in 1925 and completed in 2020. It includes about 40,000 biographies of distinguished Italians. The entries are signed by their authors and provide a rich bibliography. History The work was conceived in 1925, to follow the model of similar works such as the German ''Allgemeine Deutsche Biographie'' (1912, 56 volumes) or the British '' Dictionary of National Biography'' (from 2004 the ''Oxford Dictionary of National Biography''; 60 volumes). It is planned to include biographical entries on Italians who deserve to be preserved in history and who lived at any time during the long period from the fall of the Western Roman Empire to the present. As director of the Treccani, Giovanni Gentile entrusted the task of coordinating the work of drafting to Fortunato Pintor, who was soon joined by Arsenio Frugoni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biblioteca Nacional De Portugal
The (Portuguese for ''National Library of Portugal'') is the Portuguese national library, fulfilling the function of legal deposit and copyright. History The library was created by Decree of 29 February 1796, under the name of Royal Public Library of the Court ( pt, Real Biblioteca Pública da Corte). The library's objective was to allow the general public access to the court's collections, thus bucking the trend of the time only available to scholars and sages could access the treasures, manuscripts, paintings, and books of the royal court. In the dawn of the victory of the Liberals following the Portuguese Civil War and the abolition of the religious orders (1834), the institution was renamed the National Library of Lisbon and was officially entrusted with all or part of the libraries of numerous monasteries and convents. The arrival of these large collections made it absolutely necessary to move to larger premises, and the choice fell on the Convento de São Francisco. Ov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Nacional De São Carlos
The ''Teatro Nacional de São Carlos'' () (''National Theatre of Saint Charles'') is an opera house in Lisbon, Portugal. It was opened on June 30, 1793 by Queen Maria I as a replacement for the Tejo Opera House, which was destroyed in the 1755 Lisbon earthquake. The theatre is located in the historical center of Lisbon, in the Chiado district. History In 1792, a group of Lisbon businessmen decided to finance the construction of a new Opera House in the city. The theatre was built in only six months following a design by Portuguese architect José da Costa e Silva, with neoclassical and rococo elements. The general project is clearly inspired by great Italian theatres like the San Carlo of Naples (interior) and La Scala in Milan (interior and façade). In the early 19th century, when the Portuguese Royal Court had to flee to the Portuguese colony of Brazil to escape the invading Napoleonic troops, a theatre modelled on the São Carlos was built in Rio de Janeiro. The theatr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Pacini
Giovanni Pacini (11 February 17966 December 1867) was an Italian composer, best known for his operas. Pacini was born in Catania, Sicily, the son of the buffo Luigi Pacini, who was to appear in the premieres of many of Giovanni's operas. The family was of Tuscan origin, living in Catania when the composer was born. His first 25 or so operas were written when Gioachino Rossini dominated the Italian operatic stage. But Pacini's operas were "rather superficial", a fact which, later, he candidly admitted in his ''Memoirs''.Rose 2001, in Holden, p. 650 For some years he held the post of "director of the Teatro San Carlo in Naples." Later, retiring to Viareggio to found a school of music, Pacini took time to assess the state of opera in Italy and, during a five-year period during which he stopped composing, laid out his ideas in his Memoirs. Like Saverio Mercadante, who also reassessed the strength and weaknesses of this period in opera, Pacini's style did change, but he quickly becam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mosè In Egitto
''Mosè in Egitto'' (; "''Moses in Egypt''") is a three-act opera written by Gioachino Rossini to an Italian libretto by Andrea Leone Tottola, which was based on a 1760 play by Francesco Ringhieri, ''L'Osiride''. It premièred on 5 March 1818 at the recently reconstructed Teatro San Carlo in Naples, Italy. In 1827 Rossini revised and greatly enlarged the work to a four-act French libretto: ''Moïse et Pharaon, ou Le passage de la Mer Rouge'' (; "''Moses and Pharaoh, or The Crossing of the Red Sea''"). This was written by Luigi Balocchi and Victor-Joseph Étienne de Jouy. The première took place in the Salle Le Peletier of the Paris Opera on 26 March that year. Riccardo Muti and many scholars consider ''Moïse et Pharaon'', along with ''Guillaume Tell'', to be among Rossini's greatest achievements: :I prefer it because Rossini himself preferred it. Don't get me wrong. ''Mosè in Egitto'' is a wonderful opera, but it remains very much a mere sketch for ''Moïse et Pharaon''. An ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
