Cornelis Brisé
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Cornelis Brisé
Cornelis Brisé (also Brisée, Bresee, Brizé, and Brizée) (1622, Haarlem - 1670, Amsterdam) was a Dutch Golden Age painter. Biography He made a trip to Rome in 1642, but in 1655 he was back in the Netherlands where he settled in Amsterdam.Brisé, Cornelis
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According to Houbraken he was specialized in all sorts of still life painting, including harness, which was considered the most difficult object to paint. His two and a half meters wide ''documents on the wall'' in were immortalized by

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Haarlem
Haarlem (; predecessor of ''Harlem'' in English) is a city and municipality in the Netherlands. It is the capital of the province of North Holland. Haarlem is situated at the northern edge of the Randstad, one of the most populated metropolitan areas in Europe; it is also part of the Amsterdam metropolitan area, being located about 15 km to the west of the core city of Amsterdam. Haarlem had a population of in . Haarlem was granted city status or '' stadsrechten'' in 1245, although the first city walls were not built until 1270. The modern city encompasses the former municipality of Schoten as well as parts that previously belonged to Bloemendaal and Heemstede. Apart from the city, the municipality of Haarlem also includes the western part of the village of Spaarndam. Newer sections of Spaarndam lie within the neighbouring municipality of Haarlemmermeer. Geography Haarlem is located on the river Spaarne, giving it its nickname 'Spaarnestad' (Spaarne city). It is sit ...
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Joost Van Den Vondel
Joost van den Vondel (; 17 November 1587 – 5 February 1679) was a Dutch poet, writer and playwright. He is considered the most prominent Dutch poet and playwright of the 17th century. His plays are the ones from that period that are still most frequently performed, and his epic ''Joannes de Boetgezant'' (1662), on the life of John the Baptist, has been called the greatest Dutch epic. Vondel's theatrical works were regularly performed until the 1960s. The most visible was the annual performance, on New Year's Day from 1637 to 1968, of '' Gijsbrecht van Aemstel''. Vondel remained productive until a very old age. Several of his most notable plays like ' and ' were written after 1650, when he was already 65, and his final play ', written at the age of eighty, is considered one of his finest. Early life Vondel was born on 17 November 1587 on the Große Witschgasse in Cologne, Holy Roman Empire. His parents, Joost van den Vondel the Elder and Sara (née Kranen), were Mennonites of ...
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Dutch Golden Age Painters
Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence. The new Dutch Republic was the most prosperous nation in Europe and led European trade, science, and art. The northern Netherlandish provinces that made up the new state had traditionally been less important artistic centres than cities in Flanders in the south. The upheavals and large-scale transfers of population of the war, and the sharp break with the old monarchist and Catholic cultural traditions, meant that Dutch art had to reinvent itself almost entirely, a task in which it was very largely successful. The painting of religious subjects declined very sharply, but a large new market for all kinds of secular subjects grew up. Although Dutch painting of the Golden Age is included in the general European period of Baroque painting, and often shows many of ...
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1670 Deaths
Year 167 ( CLXVII) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Aurelius and Quadratus (or, less frequently, year 920 ''Ab urbe condita''). The denomination 167 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Lucius Aurelius Verus Augustus and Marcus Ummidius Quadratus Annianus become Roman Consuls. * The Marcomanni tribe wages war against the Romans at Aquileia. They destroy aqueducts and irrigation conduits. Marcus Aurelius repels the invaders, ending the Pax Romana (Roman Peace) that has kept the Roman Empire free of conflict since the days of Emperor Augustus. * The Vandals (Astingi and Lacringi) and the Sarmatian Iazyges invade Dacia. To counter them, Legio V ''Macedonica'', returning from the Parthian War, moves ...
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1622 Births
Sixteen or 16 may refer to: *16 (number), the natural number following 15 and preceding 17 *one of the years 16 BC, AD 16, 1916, 2016 Films * ''Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music * The Sixteen, an English choir * 16 (band), a sludge metal band * Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"16", by Craig David from '' Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", ...
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Royal Palace Of Amsterdam
The Royal Palace of Amsterdam in Amsterdam (Dutch: ''Koninklijk Paleis van Amsterdam'' or ) is one of three palaces in the Netherlands which are at the disposal of the monarch by Act of Parliament. It is situated on the west side of Dam Square in the centre of Amsterdam, opposite the War Memorial and next to the Nieuwe Kerk. The palace was built as a city hall during the Dutch Golden Age in the 17th century. The building became the royal palace of King Louis Napoleon and later of the Dutch Royal House. History Town hall The structure was built as the Town Hall of the City of Amsterdam "facing the landing wharfs along Damrak, which at that time would have been busy with ships". The town hall was opened on 29 July 1655 by Cornelis de Graeff, the mayor of Amsterdam. The main architect was Jacob van Campen, who took control of the construction project in 1648. It was built on 13,659 wooden piles. Palace After the patriot revolution which swept the House of Orange from power a ...
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Digital Library For Dutch Literature
The Digital Library for Dutch Literature (Dutch: Digitale Bibliotheek voor de Nederlandse Letteren or DBNL) is a website (showing the abbreviation as dbnl) about Dutch language and Dutch literature. It contains thousands of literary texts, secondary literature and additional information, like biographies, portrayals etcetera, and hyperlinks. The DBNL is an initiative by the DBNL foundation that was founded in 1999 by the Society of Dutch Literature (Dutch: Maatschappij der Nederlandse Letterkunde). Building of the DNBL was made possible by donations, among others, from the Dutch Organization for Scientific Research (Dutch: Nederlandse Organisatie voor Wetenschappelijk Onderzoek or NWO) and the Nederlandse Taalunie. From 2008 to 2012, the editor was René van Stipriaan. The work is done by eight people in Leiden (as of 2013: The Hague), 20 students, and 50 people in the Philippines who scan and type the texts. As of 2020, the library is being maintained by a collaboration of ...
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Arnold Houbraken
Arnold Houbraken (28 March 1660 – 14 October 1719) was a Dutch painter and writer from Dordrecht, now remembered mainly as a biographer of Dutch Golden Age painters. Life Houbraken was sent first to learn ''threadtwisting'' (Twyndraat) from Johannes de Haan, who introduced him to engraving. After two years he then studied art with Willem van Drielenburch, who he was with during the rampjaar, the year 1672. He then studied 9 months with Jacobus Leveck and finally, four years with Samuel van Hoogstraten. In 1685 he married Sara Sasbout, and around 1709 he moved from Dordrecht to Amsterdam. Arnold Houbraken painted mythological and religious paintings, portraits and landscapes. He is best known for the art historical work '' The Great Theatre of Dutch Painters'' (1718–1721). When he died his son Jacob assisted his mother with the last proofs of the manuscript before publishing. His first attempt at an instructive manual for artists was his Emblem book, ''Inhoud van ' ...
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Trompe-l'œil
''Trompe-l'œil'' ( , ; ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. ''Trompe l'oeil'', which is most often associated with painting, tricks the viewer into perceiving painted objects or spaces as real. Forced perspective is a related illusion in architecture. History in painting The phrase, which can also be spelled without the hyphen and ligature in English as ''trompe l'oeil'', originates with the artist Louis-Léopold Boilly, who used it as the title of a painting he exhibited in the Paris Salon of 1800. Although the term gained currency only in the early 19th century, the illusionistic technique associated with ''trompe-l'œil'' dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical ''trompe-l'œil'' mural might depict a window, door, or hallway, intended to suggest a larger room. A version ...
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Amsterdam
Amsterdam ( , , , lit. ''The Dam on the River Amstel'') is the capital and most populous city of the Netherlands, with The Hague being the seat of government. It has a population of 907,976 within the city proper, 1,558,755 in the urban area and 2,480,394 in the metropolitan area. Located in the Dutch province of North Holland, Amsterdam is colloquially referred to as the "Venice of the North", for its large number of canals, now designated a UNESCO World Heritage Site. Amsterdam was founded at the mouth of the Amstel River that was dammed to control flooding; the city's name derives from the Amstel dam. Originally a small fishing village in the late 12th century, Amsterdam became a major world port during the Dutch Golden Age of the 17th century, when the Netherlands was an economic powerhouse. Amsterdam is the leading center for finance and trade, as well as a hub of production of secular art. In the 19th and 20th centuries, the city expanded and many new neighborho ...
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Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assembl ...
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Vanitas Stilleven Rijksmuseum SK-A-1281
A ''vanitas'' (Latin for 'vanity') is a symbolic work of art showing the transience of life, the futility of pleasure, and the certainty of death, often contrasting symbols of wealth and symbols of ephemerality and death. Best-known are ''vanitas'' still lifes, a common genre in the Low Countries of the 16th and 17th centuries; they have also been created at other times and in other media and genres. Etymology The Latin noun ''vanitas'' (from the Latin adjective ''vanus'' 'empty') means "emptiness", "futility", or "worthlessness", the traditional Christian view being that earthly goods and pursuits are transient and worthless. It alludes to Ecclesiastes , where ''vanitas'' translates the Hebrew word ''hevel'', which also includes the concept of transitoriness. Themes Vanitas themes were common in medieval funerary art, with most surviving examples in sculpture. By the 15th century, these could be extremely morbid and explicit, reflecting an increased obsession with ...
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