|
Colette D'Arville
Colette D'Arville (1902 – 16 December 1944) was a French soprano and musical theatre actress who had an international career in operas, concerts, and musicals from the 1920s through the 1940s. Born Marie Marthe Cescosse, she began her career at the Théâtre des Bouffes-Parisiens from 1922 to 1927 with the stage name Colette Etchery, she changed her stage name to Colette D'Arville for her United States debut in the 1928 Broadway musical '' Here's Howe''. She was active with the Opéra-Comique in Paris during the 1930s, and periodically appeared in operas with American companies from 1931 to 1942 in addition to performing on American radio and in concerts and recitals. She was particularly associated with the title role in Bizet's ''Carmen''. While principally active in live performance on the stage and radio, she starred as Chichita in the 1935 musical film ''Tango Bar'' for Paramount Pictures. She was romantically involved with composer Deems Taylor and tenor Giovanni Marti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Basque Country
The French Basque Country, or Northern Basque Country ( eu, Iparralde (), french: Pays basque, es, País Vasco francés) is a region lying on the west of the French department of the Pyrénées-Atlantiques. Since 1 January 2017, it constitutes the Basque Municipal Community ( eu, Euskal Hirigune Elkargoa, links=no; french: Communauté d'Agglomeration du Pays Basque, links=no) presided over by . It includes three former historic French provinces in the north-east of the traditional Basque Country totalling : Lower Navarre (french: Basse-Navarre, links=no; eu, Nafarroa Beherea, links=no), until 1789 nominally Kingdom of Navarre, with ; Labourd (), with ; Soule (), with . The population included in the Basque Municipal Community amounts to 309,723 inhabitants distributed in 158 municipalities. It is delimited in the north by the department of Landes, in the west by the Bay of Biscay, in the south by the Southern Basque Country and in the east by Béarn (although in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beverly Sills
Beverly Sills (May 25, 1929July 2, 2007) was an American operatic soprano whose peak career was between the 1950s and 1970s. Although she sang a repertoire from Handel and Mozart to Puccini, Massenet and Verdi, she was especially renowned for her performances in coloratura soprano roles in live opera and recordings. Sills was largely associated with the operas of Donizetti, of which she performed and recorded many roles. Her signature roles include the title role in Donizetti's ''Lucia di Lammermoor'', the title role in Massenet's ''Manon'', Marie in Donizetti's ''La fille du régiment'', the three heroines in Offenbach's ''Les contes d'Hoffmann'', Rosina in Rossini's ''The Barber of Seville'', Violetta in Verdi's ''La traviata'', and most notably Elisabetta in Donizetti's ''Roberto Devereux''. ''The New York Times'' noted, In her prime her technique was exemplary. She could dispatch coloratura roulades and embellishments, capped by radiant high Ds and E-flats, with seemin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broadcasting & Cable
''Broadcasting & Cable'' (or ''Broadcasting+Cable'') is a weekly telecommunications industry trade magazine published by Future US. Previous names included ''Broadcasting-Telecasting'', ''Broadcasting and Broadcast Advertising'', and ''Broadcasting''. ''B&C'', which was published biweekly until January 1941, and weekly thereafter, covers the business of television in the U.S.—programming, advertising, regulation, technology, finance, and news. In addition to the newsweekly, ''B&C'' operates a comprehensive website that provides a roadmap for readers in an industry that is in constant flux due to shifts in technology, culture and legislation, and offers a forum for industry debate and criticism. History ''Broadcasting'' was founded in Washington, D.C., by Martin Codel, Sol Taishoff, and former National Association of Broadcasters president Harry Shaw, and the first issue was published on October 15, 1931. Originally, Shaw was publisher, Codel editor, and Taishoff managing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dave Stamper
David Stamper (November 10, 1883September 18, 1963) was an American songwriter of the Tin Pan Alley and vaudeville eras, a contributor to twenty-one editions of the Ziegfeld Follies, writer for the Fox Film Corporation, and composer of more than one thousand songs, in spite of never learning to read or write traditional music notation. He may have written "Shine On Harvest Moon", a claim supported by vaudeville performer and writer Eddie Cantor. He was also a charter member of the American Society of Composers, Authors and Publishers or ASCAP. Biography Stamper was born in New York City on November 10, 1883, and took up piano at age ten. At seventeen, he left school and became a pianist at a Coney Island dance hall for two years before becoming a " song-plugger" for publisher F. A. Mills. Stamper was twenty when he met singer Nora Bayes and her husband Jack Norworth becoming her accompanist and touring widely for the next four years. After Stamper left Bayes' employment, he resum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sammy Lee (choreographer)
Sammy Lee (May 26, 1890 – March 30, 1968), born Samuel Levy, was an American choreographer, dancer, and producer who worked mainly on Broadway and for 20th Century Fox film corporation in Hollywood. Work on Broadway Lee got his start on the Broadway stage as a dancer and choreographer, along with Signor Albertiera, in the Arthur Hammerstein produced Friml operetta, The Firefly. For the next several years Lee worked as a dancer and choreographer in many reviews before he got his big break as the choreographer for the George and Ira Gershwin musical, '' Lady, Be Good''. In ''Lady, Be Good'', Lee was the first to choreograph such hit songs as "Fascinating Rhythm", " Swiss Miss", and " Oh, Lady Be Good!". Lee was also the one of the first choreographers to work on the Broadway stage with the young duo of Fred Astaire and Adele Astaire. Following the success of ''Lady, Be Good'', Lee worked steadily in such shows as ''No, No, Nanette'', ''Tip-Toes'', ''The Cocoanuts'', and '' Rio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vinton Freedley
Vinton Freedley (November 5, 1891 – June 5, 1969) was an American theater and television producer known for his productions of the works of Cole Porter, George Gershwin, Richard Rodgers and television shows such as Talent Jackpot and ''Showtime U.S.A.''. Early life and education Freedley was born in Philadelphia, Pennsylvania. He graduated Harvard University in 1914 where he was a member of The Delphic Club and The Hasty Pudding. He later attended The University of Pennsylvania where he earned a JD degree. He later became a member of the historic theatrical club, The Lambs in 1918 Producing Soon after graduating college, Freedley met Alexander A. Aarons with whom he formed a long term producing partnership. Their first major hit was '' Lady Be Good!'' (1924) with music and lyrics by George and Ira Gershwin and featuring Fred Astaire and Adele Astaire. Over the next ten years the pair produced some of the most important works in the Broadway musical canon, featuring some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broadhurst Theatre
The Broadhurst Theatre is a Broadway theatre, Broadway theater at 235 West 44th Street (Manhattan), 44th Street in the Theater District, Manhattan, Theater District of Midtown Manhattan in New York City. Opened in 1917, the theater was designed by Herbert J. Krapp and was built for the Shubert family, Shubert brothers. The Broadhurst Theatre is named for British-American theatrical producer George Broadhurst, who leased the theater before its opening. It has 1,218 seats across two levels and is operated by The Shubert Organization. Both the facade and the auditorium interior are List of New York City Landmarks, New York City landmarks. The neoclassical facade is simple in design and is similar to that of the Gerald Schoenfeld Theatre, Schoenfeld (formerly Plymouth) Theatre, which was developed concurrently. The Broadhurst's facade is made of Buff (colour), buff-colored brick and Architectural terracotta, terracotta and is divided into two sections: a stage house to the west and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tryout (theatre)
A tryout is the staging of performances of a theatrical production (i.e., a play or musical) at an out-of-town venue for evaluation and possible revision before the production premieres on Broadway theatre, Broadway or the West End theatre, West End (i.e., the highest level of live theater in the English-speaking world). A tryout is similar to a workshop production in that the point is to identify and eliminate embarrassing flaws before the production is put on before highly demanding New York or London audiences. Unlike a workshop, it is usually much more developed, less rough, and close to the intended final product. If a tryout goes well and irons out the last few bugs, then that assures the project's investors of its eventual success—namely, when the production debuts on Broadway or the West End, it will already be fully polished and more likely to receive favorable reviews and play to sold-out houses for several years, so they can recoup their investment. Conversely, tryouts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shubert Theatre (Boston)
The Shubert Theatre is a theatre (building), theatre in Boston, Massachusetts, at 263-265 Tremont Street in the Boston Theater District. It opened on January 24, 1910, with a production of Shakespeare's ''The Taming of the Shrew'' starring E. H. Sothern and Julia Marlowe. Architect Thomas Marriott James, Thomas M. James (Hill, James, & Whitaker) designed the building, which seats approximately 1,600 people. Originally conceived as The Lyric Theatre by developer Charles H. Bond, it was taken over by The Shubert Organization in 1908 after Bond's death. The building was added to the National Register of Historic Places in 1980. In February 1996, the Boch Center, Wang Center signed a 40-year lease agreement to operate the theatre with the Shubert Organization, which continues to own the building and property; the theatre reopened after renovation in November 1996, as the first stop on the First National Tour of Rent (musical), RENT. The Ernie Boch Jr., Boch family became the namesake ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Caesar
Irving Caesar (born Isidor Keiser, July 4, 1895 – December 18, 1996) was an American lyricist and theater composer who wrote lyrics for numerous song standards, including " Swanee", "Sometimes I'm Happy", "Crazy Rhythm", and " Tea for Two", one of the most frequently recorded tunes ever written. In 1972, he was inducted into the Songwriters Hall of Fame. Biography Caesar, the son of Morris Keiser, a Romanian Jew, was born in New York City, United States. His older brother Arthur Caesar was a successful Hollywood screenwriter. The Caesar brothers spent their childhood and teen years in Yorkville, the same Manhattan neighborhood where the Marx Brothers were raised. Caesar knew the Marx Brothers during his childhood. He was educated at Chappaqua Mountain Institute in Chappaqua, New York. In his career, Caesar collaborated with a wide variety of composers and songwriters, including Rudolf Friml, George Gershwin, Sigmund Romberg, Victor Herbert, Ted Koehler and Ray Hender ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaudeville
Vaudeville (; ) is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs or ballets. It became popular in the United States and Canada from the early 1880s until the early 1930s, but the idea of vaudeville's theatre changed radically from its French antecedent. In some ways analogous to music hall from Victorian Britain, a typical North American vaudeville performance was made up of a series of separate, unrelated acts grouped together on a common bill. Types of acts have included popular and classical musicians, singers, dancers, comedians, trained animals, magicians, ventriloquists, strongmen, female and male impersonators, acrobats, clowns, illustrated songs, jugglers, one-act plays or scenes from plays, athletes, lecturing celebrities, minstrels, and movies. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keith-Albee-Orpheum
The Keith-Albee-Orpheum Corporation was the owner of a chain of vaudeville and motion picture theatres. It was formed by the merger of the holdings of Benjamin Franklin Keith and Edward Franklin Albee II and Martin Beck's Orpheum Circuit. History The company was incorporated in Delaware on January 28, 1928, to acquire the stocks of the B.F. Keith Corporation; Orpheum Circuit, Inc.; Vaudeville Collection Agency; B.F. Keith-Albee Vaudeville Exchange; and Greater New York Corporation. The company operated a chain of vaudeville and motion picture theatres in the United States and Canada with a seating capacity of 1,500,000 persons. The combined theater chain then had over 700 theaters in the United States and Canada. A total of 15,000 vaudeville performers were booked through the new entity. In May 1928, a controlling portion of stock was sold to Joseph P. Kennedy, from whom it was purchased in October by the Radio Corporation of America (RCA) as part of the deal, along with Film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
