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Colascione
The colascione (or calascione, Italian: [], French: ''colachon'' [], also sometimes known as liuto della giraffa meaning giraffe-lute, a reference to its long neck) is a plucked string instrument from the late Renaissance and early Baroque periods,Anthony Baines: Lexikon der Musikinstrumente. J.B. Metzler'sche Verlagsbuchhandlung, Stuttgart 2005, S. 66 with a lute-like resonant body and a very long neck. It was mainly used in southern Italy. It has two or three strings tuned in fifths. Noteworthy are the great similarities of the colascione with instruments such as the dutar or the saz. Nevertheless, there are important differences, such as the bridge being on the top of the body. Fotothek df tg 0008352 Akustik ^ Saiteninstrument ^ Zupfinstrument ^ Colachon ^ Ordensliteratur.jpg, Image of Colascione from woodcut from Deutsche Fotothek File:Colascione.jpg, A modern reconstruction File:Domenico Colla and his brother.jpg, Domenico Colla and his brother, who toured Europe in the 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandora
File:Mandora MET DP168838.jpg, 6~9 courses lute (Calchedon, Calichon) (1726)Georg Kinsky: Musikhistorisches Museum von Wilhelm Heyer in Cöln, Bd. 2, Köln 1912, S. 98. File:Gallichon, Muzeum Instrumentów Muzycznych w Pradze.jpg, Gallichon The mandora or gallichon is a type of 18th- and early 19th-century lute, with six to nine courses of strings. The terms were interchangeable, with ''mandora'' more commonly used from the mid-18th century onwards. History ''Mandora'' or ''gallichon'' generally refers to a bass lute from the 1700s, with a vibrating string length of 72 centimeters or greater, used in Germany and Bohemia. It could be either single- or double-strung. James Tyler pointed out in his book ''The Early Mandolin'' that the word mandora was rarely encountered before the 18th century. Then, it referred to a large bass lute. The gallichone, as it was better known, was a type of 6 or 8-course bass lute (possibly a descendant of the guiterne and/or chitarra italiana) us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calichon
File:Mandora MET DP168838.jpg, 6~9 courses lute (Calchedon, Calichon) (1726)Georg Kinsky: Musikhistorisches Museum von Wilhelm Heyer in Cöln, Bd. 2, Köln 1912, S. 98. File:Gallichon, Muzeum Instrumentów Muzycznych w Pradze.jpg, Gallichon The mandora or gallichon is a type of 18th- and early 19th-century lute, with six to nine courses of strings. The terms were interchangeable, with ''mandora'' more commonly used from the mid-18th century onwards. History ''Mandora'' or ''gallichon'' generally refers to a bass lute from the 1700s, with a vibrating string length of 72 centimeters or greater, used in Germany and Bohemia. It could be either single- or double-strung. James Tyler pointed out in his book ''The Early Mandolin'' that the word mandora was rarely encountered before the 18th century. Then, it referred to a large bass lute. The gallichone, as it was better known, was a type of 6 or 8-course bass lute (possibly a descendant of the guiterne and/or chitarra italiana) us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Colla
Domenico Colla was an 18th-century Brescian composer and performer who traveled Europe in the 1760s, performing in the most important theaters and salons. Together with his brother Giuseppe, he was one of the Signori Colla, or the Colla brothers. The brothers played in royal circles; they performed before Frederick the Great in 1765 in the palace at Sanssouci. They were in London in 1766, where it was advertised that they had performed before the British royalty, as well as other the royal families of Europe. The brothers were also noted for being survivors of slavery in Algiers, rescued from it by the King of Poland. The brothers played the colascione and colascioncino and guitar. Domenico's name is attached to six sonatas for the smaller colascioncino. The cocolascione was a long-necked lute (strings 100 –130 cm), possibly related to the dutar or tanbur The term ''Tanbur'' ( fa, تنبور, ) can refer to various long-necked string instruments originating in M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dutar
The ''dutar'' (also ''Dotara, dotar''; fa, دوتار, dutâr; russian: Дутар; tg, дутор; ug, دۇتار, ucy=Дутар, Dutar; uz, dutor; ; dng, Дутар) is a traditional Iranian long-necked two-stringed lute found in Iran and Central Asia. Its name comes from the Persian language, Persian word for "two strings", دوتار ''do tār'' (< دو ''do'' "two",تار ''tār'' "string"), although the Herati dutar of Afghanistan has fourteen strings. Dutar is very popular in Tajikistan and Khorasan province of Iran. When played, the strings are usually plucked by the Uyghur people, Uyghurs of Western China and strummed and plucked by the Tājik people, Tajiks, Turkmen people, Turkmen, Uzbeks. Related instruments include the Kazakhstan, Kazakh dombra. The Dutar is also an important instrument among the Kurds of Khorasan amongst whom Haj Ghorban Soleimani of Quchan was a noted virtuoso. In Kurdish languages, Kurdish one who plays the dutar is known as a bakci (bakhshi), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bağlama
The ''bağlama'' or ''saz'' is a family of plucked string instruments, long-necked lutes used in Ottoman classical music, Turkish folk music, Turkish Arabesque music, Azerbaijani music, Kurdish music, Armenian music and in parts of Syria, Iraq and the Balkan countries. ''Bağlama'' ( tr, bağlama) is Turkish from ''bağlamak'', "to tie". It is . ''Saz'' ( fa, ساز) means "to make; to compose" in Persian. It is . According to ''The New Grove Dictionary of Music and Musicians'', "the terms 'bağlama' and 'saz' are used somewhat interchangeably in Turkey." Like the Western lute and the Middle-Eastern oud, it has a deep round back, but a much longer neck. It can be played with a plectrum or with a fingerpicking style known as ''şelpe''. In the music of Greece the name ''baglamas'' ( el, μπαγλαμάς) is given to a treble bouzouki, a related instrument. The Turkish settlement of Anatolia from the late eleventh century onward saw the introduction of a two-string Turkmen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutes
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can short ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
