Christian Mourier-Petersen
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Christian Mourier-Petersen
Christian Vilhelm Mourier-Petersen (26 November 1858 at Holbækgård, Randers – 19 May 1945 in Copenhagen) was a Danish painter. He was the son of a landowner A.T.H. Mourier-Petersen, graduated in 1878, studied medicine, graduated under Carl F. Andersen, and attended the Royal Danish Academy of Fine Arts from April 1880 to early 1883. He was then at the Kunstnernes Frie Studieskoler (Artists' Free Study Schools) under Laurits Tuxen from 1883 to 1886. He lived abroad in the late 1880s, especially in France. He was a friend of Vincent van Gogh, whom he had met in Arles. In May 1888 he travelled to Paris, where he rented a studio from Theo van Gogh, the painter's brother. He also met the Impressionists. He returned to Denmark, where he co-founded The Free Exhibition in 1890. He was a member until 1932. He was also employed by Royal Copenhagen as an artist (signature in underglaze) in the period 1894–95. He is buried in Hellerup Cemetery Hellerup Cemetery ( Danish: Gelleru ...
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Christian Mourier-Petersen Vers 1890
Christians () are people who follow or adhere to Christianity, a Monotheism, monotheistic Abrahamic religion based on the life and teachings of Jesus in Christianity, Jesus Christ. The words ''Christ (title), Christ'' and ''Christian'' derive from the Koine Greek title ''Christós'' (Χριστός), a translation of the Biblical Hebrew term ''mashiach'' (מָשִׁיחַ) (usually rendered as ''messiah'' in English). While there are diverse interpretations of Christianity which sometimes conflict, they are united in believing that Jesus has a unique significance. The term ''Christian'' used as an adjective is descriptive of anything associated with Christianity or Christian churches, or in a proverbial sense "all that is noble, and good, and Christ-like." It does not have a meaning of 'of Christ' or 'related or pertaining to Christ'. According to a 2011 Pew Research Center survey, there were 2.2 billion Christians around the world in 2010, up from about 600 million in 1910. T ...
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Randers
Randers () is a city in Randers Municipality, Central Denmark Region on the Jutland peninsula. It is Denmark's sixth-largest city, with a population of 62,802 (as of 1 January 2022).BY3: Population 1st January by urban areas, area and population density
The Mobile Statbank from Statistics Denmark
Randers is the municipality's main town and the site of its municipal council. By road it is north of , east of Viborg, and northwest of

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Copenhagen
Copenhagen ( or .; da, København ) is the capital and most populous city of Denmark, with a proper population of around 815.000 in the last quarter of 2022; and some 1.370,000 in the urban area; and the wider Copenhagen metropolitan area has 2,057,142 people. Copenhagen is on the islands of Zealand and Amager, separated from Malmö, Sweden, by the Øresund strait. The Øresund Bridge connects the two cities by rail and road. Originally a Viking fishing village established in the 10th century in the vicinity of what is now Gammel Strand, Copenhagen became the capital of Denmark in the early 15th century. Beginning in the 17th century, it consolidated its position as a regional centre of power with its institutions, defences, and armed forces. During the Renaissance the city served as the de facto capital of the Kalmar Union, being the seat of monarchy, governing the majority of the present day Nordic region in a personal union with Sweden and Norway ruled by the Danis ...
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Royal Danish Academy Of Fine Arts
The Royal Danish Academy of Fine Arts ( da, Det Kongelige Danske Kunstakademi - Billedkunst Skolerne) has provided education in the arts for more than 250 years, playing its part in the development of the art of Denmark. History The Royal Danish Academy of Portraiture, Sculpture, and Architecture in Copenhagen was inaugurated on 31 March 1754, and given as a gift to the King Frederik V on his 31st birthday. Its name was changed to the Royal Danish Academy of Painting, Sculpture, and Architecture in 1771. At the same event, Johann Friedrich Struensee introduced a new scheme in the academy to encourage artisan apprentices to take supplementary classes in drawing so as to develop the notion of "good taste". The building boom resulting from the Great Fire of 1795 greatly profited from this initiative. In 1814 the name was changed again, this time to the Royal Danish Academy of Fine Arts. It is still situated in its original building, the Charlottenborg Palace, located on the Ko ...
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Kunstnernes Frie Studieskoler
Kunstnernes Frie Studieskoler was an art school established in Copenhagen in 1882 as a protest against the policies of the Royal Danish Academy of Fine Arts and to provide an alternative to its educational program. It existed until 1912 and was a central institution of the Modern Breakthrough in Danish art. History Foundation of the new school From its foundation in 1754, the Royal Danish Academy of Fine Arts exercised a dominating role in the education of artists in Denmark. During the first half of the 19th century, with Christoffer Wilhelm Eckersberg as the central figure, the institution was the basis of what has become known as the Golden Age of Danish Painting. Another major influence at the academy was professor Niels Laurits Høyen who advocated a nationalistic approach to art. Gradually the legacy from Eckersberg, who died in 1854, and Høyen's demand for nationalistic art became an obstacle deterring the assimilation of new trends from abroad and creating a vacuum in Dani ...
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Laurits Tuxen
Laurits Regner Tuxen (9 December 1853 – 21 November 1927) was a Danish painter and sculptor specialising in figure painting. He was also associated with the Skagen Painters. He was the first head of Kunstnernes Frie Studieskoler, an art school established in the 1880s to provide an alternative to the education offered by the Royal Danish Academy of Fine Arts. Biography Lauritz Regner Tuxen grew up in Copenhagen, Denmark. He was the son of Nicolai Elias Tuxen (1810–1891) and Bertha Laura Giødvad (1815–1908). His father was a naval officer and director of the Danish naval shipyard (''Orlogsværftet''). The still life-and flowerpainter Nicoline Tuxen (1847–1931) was his older sister. From 1868 to 1872, he studied at the Royal Danish Academy of Art together with Peder Severin Krøyer (1851–1909). He studied in the Paris studio of Léon Bonnat during 1875–1876 and again from 1877 to 1878. He first visited Skagen in 1870, returning on several occasions. In the ...
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Vincent Van Gogh
Vincent Willem van Gogh (; 30 March 185329 July 1890) was a Dutch Post-Impressionism, Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include Trees and Undergrowth (Van Gogh series), landscapes, Still life paintings by Vincent van Gogh (Paris), still lifes, Portraits by Vincent van Gogh, portraits and Portraits of Vincent van Gogh, self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive paintwork, brushwork that contributed to the foundations of modern art. Not commercially successful, he struggled with severe depression and poverty, eventually leading to his suicide at age thirty-seven. Born into an upper-middle class family, Van Gogh drew as a child and was serious, quiet, and thoughtful. As a young man, he worked as an ar ...
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Arles
Arles (, , ; oc, label= Provençal, Arle ; Classical la, Arelate) is a coastal city and commune in the South of France, a subprefecture in the Bouches-du-Rhône department of the Provence-Alpes-Côte d'Azur region, in the former province of Provence. A large part of the Camargue, the largest wetlands in France, is located on the territory of the commune, making it the largest commune in Metropolitan France in terms of geographic territory. (Maripasoula, French Guiana, is much larger than Arles). The city has a long history, and was of considerable importance in the Roman province of Gallia Narbonensis. The Roman and Romanesque Monuments of Arles were listed as UNESCO World Heritage Sites in 1981 for their testimony to the history of the region. Many artists have lived and worked in this area because of the southern light, including Pablo Picasso, Paul Gauguin, Jacques Réattu, and Peter Brown. The Dutch post-Impressionist painter Vincent van Gogh lived in Arles from 1888 ...
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Theo Van Gogh (art Dealer)
Theodorus van GoghNaifeh, Steven and Gregory White Smith. Van Gogh: the Life, p.23 New York: Random House (2011); (; 1 May 1857 – 25 January 1891) was a Dutch art dealer, the younger brother of Vincent van Gogh. Theo's unfailing financial and emotional support allowed his brother to devote himself entirely to painting. Theo died at the age of 33, six months after his brother died at the age of 37. At his death Theo owned practically all of his brother's artwork. Theo's widow Jo van Gogh-Bonger worked tirelessly to promote the work of Vincent and keep alive the memory of her husband. Theo made a significant impact on the art world as an art dealer, playing a crucial role in the introduction of contemporary Dutch and French art to the public. His widow was able to draw on the connections that Theo made to promote Vincent's work. In 1914, she reburied Theo's remains next to his brother Vincent's. Early life Theodorus "Theo" van Gogh was born on 1 May 1857 in the village of ...
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Impressionism
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical review published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogo ...
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Den Frie Udstilling
Den Frie Udstilling ('The Free Exhibition') is a Danish artists' association, founded in 1891 by artists in protest against the admission requirements for the Kunsthal Charlottenborg. Modeled on the Salon des Refusés, it is Denmark's oldest association of artists. Now located on Copenhagen's Oslo Plads next to Østerport Station, it works as an arts centre, continuing to exhibit works created and selected by contemporary artists rather than those chosen by cultural authorities. History The organization was initiated by the painter Johan Rohde (1856–1935) and included several founding members: Jens Ferdinand Willumsen, Anne Marie Carl-Nielsen, Vilhelm Hammershøi, Johanne Cathrine Krebs, the couple Harald and Agnes Slott-Møller, Christian Mourier-Petersen and Malthe Engelsted. The first exhibition in 1891 presented 100 works by 18 artists, including Peder Severin Krøyer, Julius Paulsen and Kristian Zahrtmann, who were among Denmark's greatest painters of the period.
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Royal Copenhagen
Royal Copenhagen, officially the Royal Porcelain Factory ( da, Den Kongelige Porcelænsfabrik), is a Danish manufacturer of porcelain products and was founded in Copenhagen in 1775 under the protection of Danish Dowager Queen Juliane Marie. It is recognized by its factory mark, the three wavy lines above each other, symbolizing Denmark's three straits: Storebælt, Lillebælt and Øresund. Early years Starting in the 17th century, Europeans, long fascinated by the blue and white porcelain exported from China during the Ming and Qing dynasties, began to imitate the precious ware. The Royal Copenhagen manufactory's operations began in a converted post office in 1775. It was founded by chemist Frantz Heinrich Müller who was given a 50-year monopoly to create porcelain. Though royal patronage was not at first official, the first pieces manufactured were dining services for the royal family. When, in 1779, King Christian VII assumed financial responsibility, the manufactory was sty ...
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