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Chorale Preludes By Johann Sebastian Bach
Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Symphony No. 3 (Saint-Saëns), Saint-Saëns's Third Symphony) * Such tune with a harmony, harmonic accompaniment (e.g. chorale monody, chorales included in ''Schemellis Gesangbuch'') * Such a tune presented in a homophony, homophonic or homorhythmic harmonisation, usually four-part harmony (e.g. List of chorales of Johann Sebastian Bach, Bach's four-part chorales, or the chorale included in the second movement of Symphony No. 5 (Mahler), Mahler's Fifth Symphony) * A more complex setting of a hymn(-like) tune (e.g. chorale fantasia form in Johann Sebastian Bach, Bach's ''Schübler Chorales'', or a combination of compositional techniques in César Franck's ') The chorale originated when Martin Luther translated sacred ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Matthäuspassion O Haupt Voll Blut Und Wunden
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the ''Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schübler Chorales
' ( 'six chorales of diverse kinds, to be played on an organ with two manuals and pedal'), commonly known as the ''Schübler Chorales'' (german: Schübler-Choräle), BWV 645–650, is a set of chorale preludes composed by Johann Sebastian Bach. Johann Georg Schübler, after whom the collection came to be named, published it in 1747 or before August 1748, in Zella St. Blasii. At least five preludes of the compilation are transcribed from movements in Bach's church cantatas, mostly chorale cantatas he had composed around two decades earlier. These six chorales provide an approachable version of the music of the cantatas through the more marketable medium of keyboard transcriptions. Virtually all Bach's cantatas were unpublished in his lifetime. Context and content The hymn tunes of the Lutheran hymns on which the chorale settings included in the ''Schübler Chorales'' are based can be identified by their Zahn number. The fourth chorale of the set is however ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romantic Music
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism—the intellectual, artistic and literary movement that became prominent in Western culture from approximately 1798 until 1837. Romantic composers sought to create music that was individualistic, emotional, dramatic and often programmatic; reflecting broader trends within the movements of Romantic literature, poetry, art, and philosophy. Romantic music was often ostensibly inspired by (or else sought to evoke) non-musical stimuli, such as nature, literature, poetry, super-natural elements or the fine arts. It included features such as increased chromaticism and moved away from traditional forms. Background The Romantic movement was an artistic, literary, and intellectual movement that originated in the second half of the 18th century in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottfried Heinrich Stölzel
Gottfried Heinrich Stölzel (13 January 1690 in – 27 November 1749 in Gotha) was a prolific German composer of the Baroque era. Stölzel was an accomplished German stylist who wrote a good many of the poetic texts for his vocal works. Biography Stölzel was born in Grünstädtel, in the Erzgebirge, on 13 January 1690. His father, organist in Grünstädtel, gave him his first music education. When he was thirteen, he was sent to study in Schneeberg, where he was taught music, including thoroughbass, by cantor Christian Umlaufft, a former student of Johann Kuhnau. A few years later he was admitted to the gymnasium in Gera, where he further practiced music under Emanuel Kegel, the director of the court chapel. Some of his educators took a dim view of music, and tried to divert his attention from it: apart from engaging in poetry and oratory, Stölzel nonetheless continued to develop his interest in music.Mattheson 1740Mizler 1754Melvin P. Unger, editor"Introduction" pp.&nb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitatives
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monody
In music, monody refers to a solo vocal style distinguished by having a single melodic line and instrumental accompaniment. Although such music is found in various cultures throughout history, the term is specifically applied to Italian song of the early 17th century, particularly the period from about 1600 to 1640. The term is used both for the style and for individual songs (so one can speak both of monody as a whole as well as a particular monody). The term itself is a recent invention of scholars. No composer of the 17th century ever called a piece a monody. Compositions in monodic form might be called madrigals, motets, or even concertos (in the earlier sense of "concertato", meaning "with instruments"). In poetry, the term monody has become specialized to refer to a poem in which one person laments another's death. (In the context of ancient Greek literature, monody, , could simply refer to lyric poetry sung by a single performer, rather than by a chorus.) History Music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SATB
SATB is an initialism that describes the scoring of compositions for choirs, and also choirs (or consorts) of instruments. The initials are for the voice types: S for soprano, A for alto, T for tenor and B for bass. Choral music Four-part harmony using soprano, alto, tenor and bass is a common scoring in classical music, including chorales and most Bach cantatas.Shrock, DennisChoral Repertoire''Oxford University Press'', 2009, p. 298, The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir", of Bach's ''Wachet auf, ruft uns die Stimme'', BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. "SATB/SATB" is used when a double choir is required, as in Penderecki's ''Polish Requiem''. or SSATB, with divided sopranos, which is a typical scoring in English church music. A listing for Bach's ''M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurized air (called ''wind'') through the organ pipes selected from a keyboard. Because each pipe produces a single pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre and volume throughout the keyboard compass. Most organs have many ranks of pipes of differing timbre, pitch, and volume that the player can employ singly or in combination through the use of controls called stops. A pipe organ has one or more keyboards (called '' manuals'') played by the hands, and a pedal clavier played by the feet; each keyboard controls its own division, or group of stops. The keyboard(s), pedalboard, and stops are housed in the organ's ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, unlike the piano and harpsichord whose sound begins to dissipate immediately after a key is depressed. The smallest po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choir
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'choru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metre (music)
In music, metre ( Commonwealth spelling) or meter (American spelling) refers to regularly recurring patterns and accents such as bars and beats. Unlike rhythm, metric onsets are not necessarily sounded, but are nevertheless implied by the performer (or performers) and expected by the listener. A variety of systems exist throughout the world for organising and playing metrical music, such as the Indian system of '' tala'' and similar systems in Arabic and African music. Western music inherited the concept of metre from poetry, where it denotes: the number of lines in a verse; the number of syllables in each line; and the arrangement of those syllables as long or short, accented or unaccented. The first coherent system of rhythmic notation in modern Western music was based on rhythmic modes derived from the basic types of metrical unit in the quantitative metre of classical ancient Greek and Latin poetry. Later music for dances such as the pavane and galliard consisted of m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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