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Schübler Chorales
' ( 'six chorales of diverse kinds, to be played on an organ with two manuals and pedal'), commonly known as the ''Schübler Chorales'' (german: Schübler-Choräle), BWV 645–650, is a set of chorale preludes composed by Johann Sebastian Bach. Johann Georg Schübler, after whom the collection came to be named, published it in 1747 or before August 1748, in Zella St. Blasii. At least five preludes of the compilation are transcribed from movements in Bach's church cantatas, mostly chorale cantatas he had composed around two decades earlier. These six chorales provide an approachable version of the music of the cantatas through the more marketable medium of keyboard transcriptions. Virtually all Bach's cantatas were unpublished in his lifetime. Context and content The hymn tunes of the Lutheran hymns on which the chorale settings included in the ''Schübler Chorales'' are based can be identified by their Zahn number. The fourth chorale of the set is however ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonus Peregrinus
, the wandering tone, or the ninth tone, is a reciting tone in Gregorian chant. The chant example here is not identified as the ''tonus peregrinus'' in the ''Liber usualis'' (see LU, pp. 760–761), although it is in Aeolian mode. For the ''tonus peregrinus'' in its customary usage for Psalm 113, see LU p. 160. Characteristics As a reciting tone the does not fit in any of the original eight church modes, because a verse recited in this tone has a different tenor note in the first half of the verse from the second half of the verse.Lundberg 2012 pp. 7–17 It is this diversion from a single recitation note which gives the name , literally "wanders". Traditionally, the tenor note in the first half of a verse sung according to the is a tone higher than the tenor note in the second half of the verse. Also usually the last note of a melodic formula is a perfect fifth below the first tenor note. History In Gregorian chant the existed before the modal system was expande ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Fantasia
Chorale fantasia is a type of large composition based on a chorale melody, both works for organ, and vocal settings, for example the opening movements of Bach's chorale cantatas, with the chorale melody as a cantus firmus. History Chorale fantasias first appeared in the 17th century in the works of North German composers such as Jan Pieterszoon Sweelinck (who arguably had the greatest influence on the genre), Heinrich Scheidemann and Franz Tunder (who, however, rarely used the term). Their works would treat each phrase of a chorale differently, thus becoming large, sectional compositions with elaborate development of the chorale melody. By mid-18th century this type of organ composition was practically non-existent. Johann Sebastian Bach used the term first to designate a whole variety of different organ chorale types (during his period in Weimar), and then limited its use to large compositions with the chorale melody presented in the bass. Bach also wrote movements which have b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Last Sunday Before Advent)
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV 140
('Awake, calls the voice to us'), 140, also known as ''Sleepers Wake'', is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731. Bach composed this cantata to complete his second annual cycle of chorale cantatas, begun in 1724. The cantata is based on the hymn in three stanzas "" (1599) by Philipp Nicolai, which covers the prescribed reading for the Sunday, the parable of the Ten Virgins. The text and tune of the three stanzas of the hymn appears unchanged in three of seven movements (1, 4 and 7). An unknown author supplied additional poetry for the inner movements as sequences of recitative and duet, based on the love poetry of the Song of Songs. Bach structured the cantata in seven movements, setting the first stanza as a chorale fantasia, the second stanza in the central movement in the style of a choral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visitation (Christianity)
In Christianity, the Visitation is the visit of Mary, who was pregnant with Jesus, to Elizabeth, who was pregnant with John the Baptist, in the Gospel of Luke, . It is also the name of a Christian feast day commemorating this visit, celebrated on 31 May in the feast-celebrating branches of Western Christianity (most and mainstream calendars of Catholics and High Church Anglicans (or as 2 July in calendars of 1263–1969, retained in the modern calendar of some countries whose bishops' conferences wanted to retain this, notably Germany and Slovakia) and 30 March in Eastern Christianity. The episode is one of the standard scenes shown in cycles of the Life of the Virgin in art, and sometimes in larger cycles of the Life of Christ in art. Biblical narrative Mary visits her relative Elizabeth; they are both pregnant: Mary with Jesus, and Elizabeth with John the Baptist. Mary left Nazareth immediately after the Annunciation and went "into the hill country ... into a city o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV 10
In 1724 Johann Sebastian Bach composed the church cantata ''Meine Seel erhebt den Herren'', 10, as part of his second cantata cycle. Taken from Martin Luther's German translation of the Magnificat canticle ("Meine Seele erhebt den Herren"), the title translates as "My soul magnifies the Lord". Also known as Bach's ''German Magnificat'', the work follows his chorale cantata format. Bach composed ''Meine Seel erhebt den Herren'' for the Feast of the Visitation (2 July), which commemorates Mary's visit to Elizabeth as narrated in the Gospel of Luke, 1st chapter, verses 39 to 56. In that narrative the words of the Magnificat, Luke 1:46–55, are spoken by Mary. Traditionally, Luther's translation of the biblical text is sung to a German variant of the tonus peregrinus or ninth psalm tone, concluding with a doxology, translated from the Gloria Patri, on the same tune. Bach based his BWV 10 cantata on Luther's German Magnificat and its traditional setting, working te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Digital
Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of Bach family, his family. Early manuscripts of such compositions are a major focus of the website, which provides access to high-resolution digitized versions of many of these. Scholarship on manuscripts and versions of compositions is summarized on separate pages, with references to scholarly sources and editions. The database portal has been online since 2010. History In 2000, two years after Uwe Wolf (musicologist), Uwe Wolf had suggested the possibility of supporting the publication of the New Bach Edition (NBE) with digital media, a project named Bach Digital started as an initiative of the Internationale Bachakademie Stuttgart, but without direct involvement of the then editor of the NBE, the Johann Sebastian Bach Institute in Göttingen. After four years the project remained unconvincing: it lagge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV 6
(Stay with us, for evening falls), 6, is a cantata by Johann Sebastian Bach for use in a Lutheran service. He composed it in Leipzig in 1725 for Easter Monday and first performed it on 2 April 1725. The prescribed readings for the feast day were Peter's sermon from the Acts of the Apostles, and the Road to Emmaus narration from the Gospel of Luke. The text by an anonymous librettist begins with a line from the gospel, and includes as the third movement two stanzas from Philipp Melanchthon's hymn "" and its second stanza by Nikolaus Selnecker. The text ends with the second stanza of Martin Luther's hymn "". Derived from the gospel scene, the topic is pleading for light in a situation of threatening darkness. Bach structured the cantata in six movements and scored it for four vocal soloists, a four-part choir and a Baroque instrumental ensemble of oboes, strings and continuo. The extended opening chorus is formed like a French overture and has been compared to '' Ruht wohl, ihr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liturgical Year
The liturgical year, also called the church year, Christian year or kalendar, consists of the cycle of liturgical seasons in Christian churches that determines when feast days, including celebrations of saints, are to be observed, and which portions of Scripture are to be read either in an annual cycle or in a cycle of several years. Distinct liturgical colours may be used in connection with different seasons of the liturgical year. The dates of the festivals vary somewhat among the different churches, although the sequence and logic is largely the same. Liturgical cycle The liturgical cycle divides the year into a series of seasons, each with their own mood, theological emphases, and modes of prayer, which can be signified by different ways of decorating churches, colours of paraments and vestments for clergy, scriptural readings, themes for preaching and even different traditions and practices often observed personally or in the home. In churches that follow the litu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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