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Harlequin
Harlequin (; it, Arlecchino ; lmo, Arlechin, Bergamasque pronunciation ) is the best-known of the '' zanni'' or comic servant characters from the Italian '' commedia dell'arte'', associated with the city of Bergamo. The role is traditionally believed to have been introduced by Zan Ganassa in the late 16th century, was definitively popularized by the Italian actor Tristano Martinelli in Paris in 1584–1585, and became a stock character after Martinelli's death in 1630. The Harlequin is characterized by his checkered costume. His role is that of a light-hearted, nimble, and astute servant, often acting to thwart the plans of his master, and pursuing his own love interest, Columbina, with wit and resourcefulness, often competing with the sterner and melancholic Pierrot. He later develops into a prototype of the romantic hero. Harlequin inherits his physical agility and his trickster qualities, as well as his name, from a mischievous "devil" character in medieval passi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harlequinade
''Harlequinade'' is a British comic theatrical genre, defined by the ''Oxford English Dictionary'' as "that part of a pantomime in which the harlequin and clown play the principal parts". It developed in England between the 17th and mid-19th centuries. It was originally a slapstick adaptation or variant of the Commedia dell'arte, which originated in Italy and reached its apogee there in the 16th and 17th centuries. The story of the Harlequinade revolves around a comic incident in the lives of its five main characters: Harlequin, who loves Columbine; Columbine's greedy and foolish father Pantaloon (evolved from the character Pantalone), who tries to separate the lovers in league with the mischievous Clown; and the servant, Pierrot, usually involving chaotic chase scenes with a bumbling policeman. Originally a mime (silent) act with music and stylised dance, the harlequinade later employed some dialogue, but it remained primarily a visual spectacle. Early in its development, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pantomime
Pantomime (; informally panto) is a type of musical comedy stage production designed for family entertainment. It was developed in England and is performed throughout the United Kingdom, Ireland and (to a lesser extent) in other English-speaking countries, especially during the Christmas and New Year season. Modern pantomime includes songs, gags, slapstick comedy and dancing. It employs gender-crossing actors and combines topical humour with a story more or less based on a well-known fairy tale, fable or folk tale.Reid-Walsh, Jacqueline. "Pantomime", ''The Oxford Encyclopedia of Children's Literature'', Jack Zipes (ed.), Oxford University Press (2006), Pantomime is a participatory form of theatre, in which the audience is encouraged and expected to sing along with certain parts of the music and shout out phrases to the performers. Pantomime has a long theatrical history in Western culture dating back to the era of classical theatre. It developed partly from the 16th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Grimaldi
Joseph Grimaldi (18 December 1778 – 31 May 1837) was an English actor, comedian and dancer, who became the most popular English entertainer of the Regency era.Byrne, Eugene"The patient" Historyextra.com, 13 April 2012 In the early 1800s, he expanded the role of Clown in the harlequinade that formed part of British pantomimes, notably at the Theatre Royal, Drury Lane and the Sadler's Wells and Covent Garden theatres. He became so dominant on the London comic stage that the harlequinade role of Clown became known as "Joey", and both the nickname and Grimaldi's whiteface make-up design were, and still are, used by other types of clowns. Grimaldi originated catchphrases such as "Here we are again!", which continue to feature in modern pantomimes. Born in London to an entertainer father, Grimaldi began to perform as a child, making his stage debut at Drury Lane in 1780. He became successful at the Sadler's Wells Theatre the following year; his first major role was as Little ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierrot
Pierrot ( , , ) is a stock character of pantomime and '' commedia dell'arte'', whose origins are in the late seventeenth-century Italian troupe of players performing in Paris and known as the Comédie-Italienne. The name is a diminutive of ''Pierre'' (Peter), via the suffix '' -ot.'' His character in contemporary popular culture — in poetry, fiction, and the visual arts, as well as works for the stage, screen, and concert hall — is that of the sad clown, often pining for love of Columbine, who usually breaks his heart and leaves him for Harlequin. Performing unmasked, with a whitened face, he wears a loose white blouse with large buttons and wide white pantaloons. Sometimes he appears with a frilled collaret and a hat, usually with a close-fitting crown and wide round brim and, more rarely, with a conical shape like a dunce's cap. Pierrot's character developed from being a buffoon to an avatar of the disenfranchised. Many cultural movements found him amenable to their res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Rich (producer)
John Rich (1692–1761) was an important director and theatre manager in 18th-century London. He opened The New Theatre at Lincoln's Inn Fields (1714), which he managed until he opened the Theatre Royal, Covent Garden (1732). He managed Covent Garden until 1761, putting on ever more lavish productions. He introduced pantomime to the English stage and played a dancing and mute Harlequin himself from 1717 to 1760 under the stage name of "Lun.", PeoplePlayUK Theatre Museum, retrieved 2 July 2007 Rich's version of the servant character, Arlecchino, moved away from the poor, disheveled, loud, and crude character, to a colorfully-dressed, silent Harlequin, performing fanciful tricks, dances and magic. The British idea of the Harlequin character was heavily inspired by Rich's idea of a silent character. Rich's choice of being a silent character was influenced by his unappealing voice, which he was well aware of. Biography Rich's theatre specialized in what contemporaries called "s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristano Martinelli
Tristano Martinelli (c. 1556 – 1630), called ''Dominus Arlecchinorum'', the "Master of Harlequins", was an Italian actor in the ''commedia dell'arte'' tradition. He is probably the first actor to use the name 'Harlequin' for the ''secondo zanni'' role. Biography Martinelli was active in France in 1584 to 1585, where he presumably first acted in his ''Arlequin'' role. There is no mention of the ''Arlequin, Arlecchino,'' or ''Harlequin'' character prior to Martinelli's time in Paris. Arlecchino first clearly appears in Martinelli's 1601 publication ''Compositions de Rhetorique,'' yet Tristano Martinelli would follow his name in 1590s signatures with "'''detto Arlechino comico'',' or 'alias Arlechino."'' For the carnival of 1584, he picked a name taken from French folklore, the devil ''Herlequin'', for his performance to a Parisian audience. His character wore a linen costume of colourful patches, and a hare-tail on his cap to indicate cowardice, a black leather half-mask, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Payne (pantomimist)
William Henry Schofield Payne (1804–18 December 1878) was an actor, dancer and pantomimist, who created much of the stage business connected with the character Harlequin in 19th-century harlequinades. He was the father of the Victorian era pantomime clowns the Payne Brothers. Life and career Born in the City of London in 1804, W H Payne was apprenticed to Isaac Cowen, a stockbroker; but in his eighteenth year he ran away, and joined a travelling theatrical company in the Warwickshire circuit. He rose to play small parts at the Theatre Royal, Birmingham. Returning to London, he studied under Grimaldi and Bologna at Sadler's Wells Theatre, and then obtained an engagement at an East-end theatre, and in the following year (1825) migrated to the Pavilion Theatre. Here he remained some years, playing small parts, which he raised into importance by the admirable expression of his pantomimic action. At Christmas he represented the character Clown, with Miss Rountree (afterwards his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SAND Maurice Masques Et Bouffons 01
Sand is a granular material composed of finely divided mineral particles. Sand has various compositions but is defined by its grain size. Sand grains are smaller than gravel and coarser than silt. Sand can also refer to a textural class of soil or soil type; i.e., a soil containing more than 85 percent sand-sized particles by mass. The composition of sand varies, depending on the local rock sources and conditions, but the most common constituent of sand in inland continental settings and non-tropical coastal settings is silica (silicon dioxide, or SiO2), usually in the form of quartz. Calcium carbonate is the second most common type of sand, for example, aragonite, which has mostly been created, over the past 500million years, by various forms of life, like coral and shellfish. For example, it is the primary form of sand apparent in areas where reefs have dominated the ecosystem for millions of years like the Caribbean. Somewhat more rarely, sand may be composed of calc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herla
Herla or King Herla ( ang, *Her(e)la Cyning) is a legendary leader of the mythical Germanic Wild Hunt and the name from which the Old French term '' Herlequin'' may have been derived. Herla often has been identified as Woden and in the writings of the twelfth-century writer Walter Map, he is portrayed as a legendary king of the Britons who became the leader of the Wild Hunt after a visit to the Otherworld, only to return some three hundred years later, after the Anglo-Saxon settlement of Britain. Map's tale occurs in two versions in his '' De nugis curialium''. The first and longer account, found in section 1.12, provides far more detail; it tells of Herla's encounter with an otherworldly being, his journey to the latter's homeland, his transformation into the leader of the Hunt after his return to the human realm, and, finally, the disappearance of Herla and his band during the first year of the reign of Henry II of England (a synopsis of this longer version appears below). The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wild Hunt
The Wild Hunt is a folklore motif (Motif E501 in Stith Thompson's Motif-Index of Folk-Literature) that occurs in the folklore of various northern European cultures. Wild Hunts typically involve a chase led by a mythological figure escorted by a ghostly or supernatural group of hunters engaged in pursuit. The leader of the hunt is often a named figure associated with Odin in Germanic legends, but may variously be a historical or legendary figure like Theodoric the Great, the Danish king , the Welsh psychopomp , biblical figures such as Herod, Cain, Gabriel, or the Devil, or an unidentified lost soul or spirit either male or female. The hunters are generally the souls of the dead or ghostly dogs, sometimes fairies, valkyries, or elves. Seeing the Wild Hunt was thought to forebode some catastrophe such as war or plague, or at best the death of the one who witnessed it. People encountering the Hunt might also be abducted to the underworld or the fairy kingdom. In some insta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Normandy
Normandy (; french: link=no, Normandie ; nrf, Normaundie, Nouormandie ; from Old French , plural of ''Normant'', originally from the word for "northman" in several Scandinavian languages) is a geographical and cultural region in Northwestern Europe, roughly coextensive with the historical Duchy of Normandy. Normandy comprises mainland Normandy (a part of France) and the Channel Islands (mostly the British Crown Dependencies). It covers . Its population is 3,499,280. The inhabitants of Normandy are known as Normans, and the region is the historic homeland of the Norman language. Large settlements include Rouen, Caen, Le Havre and Cherbourg. The cultural region of Normandy is roughly similar to the historical Duchy of Normandy, which includes small areas now part of the departments of Mayenne and Sarthe. The Channel Islands (French: ''Îles Anglo-Normandes'') are also historically part of Normandy; they cover and comprise two bailiwicks: Guernsey and Jersey, which a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orderic Vitalis
Orderic Vitalis ( la, Ordericus Vitalis; 16 February 1075 – ) was an English chronicler and Benedictine monk who wrote one of the great contemporary chronicles of 11th- and 12th-century Normandy and Anglo-Norman England. Modern historians view him as a reliable source. Background Orderic was born on 16 February 1075 in Atcham, Shropshire, England, the eldest son of a French priest, Odelerius of Orléans, who had entered the service of Roger de Montgomery, 1st Earl of Shrewsbury, and had received from his patron a chapel there. By the late 11th century, clerical marriage was still not uncommon in western Christendom. Orderic was one of the few monks who were of mixed parentage as his mother was of English heritage. When Orderic was five, his parents sent him to an English monk, Siward by name, who kept a school in the Abbey of SS Peter and Paul at Shrewsbury. At the age of ten, Orderic was entrusted as an oblate to the Abbey of Saint-Evroul in the Duchy of Normandy, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
