Chicago Civic Opera Company
   HOME
*





Chicago Civic Opera Company
The Civic Opera Company (1922–1931) was a Chicago company that produced seven seasons of grand opera in the Auditorium Theatre from 1922 to 1928, and three seasons at its own Civic Opera House from 1929 to 1931 before falling victim to financial difficulties brought on in part by the Great Depression. The company consisted largely of the remnants of the Chicago Opera Association, a company that produced seven seasons of grand opera in the Auditorium Theatre from 1915 until its bankruptcy in 1921. Chicago Opera Association The Chicago Opera Association produced seven seasons of grand opera in Chicago's Auditorium Theatre from 1915 to 1921. The founding artistic director and principal conductor was Cleofonte Campanini, while the general manager and chief underwriter was Harold F. McCormick. When Campanini died in December 1919 he was replaced by the composer Gino Marinuzzi, who staged his own ''Jacquerie'' as the opening production of the 1920–21 season. In January 1921, op ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Chicago
(''City in a Garden''); I Will , image_map = , map_caption = Interactive Map of Chicago , coordinates = , coordinates_footnotes = , subdivision_type = Country , subdivision_name = United States , subdivision_type1 = State , subdivision_type2 = Counties , subdivision_name1 = Illinois , subdivision_name2 = Cook and DuPage , established_title = Settled , established_date = , established_title2 = Incorporated (city) , established_date2 = , founder = Jean Baptiste Point du Sable , government_type = Mayor–council , governing_body = Chicago City Council , leader_title = Mayor , leader_name = Lori Lightfoot ( D) , leader_title1 = City Clerk , leader_name1 = Anna Valencia ( D) , unit_pref = Imperial , area_footnotes = , area_tot ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Anna Fitziu
Anna Fitziu (April 1, 1887 – April 20, 1967) was an American soprano who had a prolific international opera career during the early part of the 20th century. Her signature roles included Fiora in ''L'amore dei tre re'', Mimi in ''La bohème'', Nedda in ''Pagliacci'', and the title roles in ''Isabeau'', ''Madama Butterfly'', and ''Tosca''. After her singing career ended, she embarked on a second career as a voice teacher. Among her notable pupils was opera singer Shirley Verrett. Early life and career She was born as Anna Powell in Huntington, West Virginia, on April 1, 1887. Fitziu began her career as a chorus girl and concert soloist in New York City in 1902. At this point in her career she worked under the name "Anna Fitzhugh", taking the last name from an old Virginia family (a member of which included Continental Congress delegate William Fitzhugh) that she was related to. She went to Chicago in early 1903 to portray a number of smaller roles in the musical comedy ''The Wiz ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Tito Schipa
Tito Schipa (; born Raffaele Attilio Amedeo Schipa; 2 January 1889 in Lecce16 December 1965) was an Italian lyric tenor A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widel ..., considered the greatest Tenore di grazia, tenore di grazia and one of the most popular tenors of the century. Biography Schipa was born as Raffaele Attilio Amedeo Schipa on 27 December 1888 in Lecce in Apulia into an Arbëreshë people, Arbëreshë family; his birthday was recorded as January 2, 1889 for military conscription purposes. He studied in Milan and made his operatic debut at age 21 in 1910 at Vercelli. He subsequently appeared throughout Italy and in Buenos Aires, Argentina. In 1917, he created the role of Ruggiero in Giacomo Puccini, Puccini's ''La rondine''. In 1919, Schipa traveled to the United ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Rosa Raisa
Rosa Raisa (30 May 189328 September 1963) was a Polish-born and Italian-trained Russian-Jewish dramatic operatic soprano who became a naturalized American. She possessed a voice of remarkable power and was the creator of the title role of Puccini's last opera, ''Turandot'', at La Scala, Milan. Life and career Early life and operatic beginnings She was born as Raitza Burchstein, the daughter of Herschel and Frieda Leah Burchstein, in Białystok (Tsarist Russia, now Poland) in 1893. Some of family fled Russia when she was 14 due to the pogroms, emigrating to Italy. There Raitza met Dario Ascarelli, who recognized her talent and potential and sponsored her at the Naples Conservatory ( San Pietro a Majella). Her teacher at the conservatory, the contralto Barbara Marchisio (1833–1919), had been one of the most prominent Italian singers of the mid-19th century. Marchisio brought Raisa in 1912 to Cleofonte Campanini, a leading operatic conductor and impresario. After the auditio ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Giovanni Polese
Giovanni Polese (1873 – January 1952) was an Italian operatic baritone who had an active international singing career from 1894-1928. He achieved the height of his success in the United States in the years 1908-1916 in the cities of Boston, Chicago, New York, and Philadelphia, and again from 1926-1928 in Chicago. While he sang a broad repertoire from the French, German, and Italian repertoires, he was most celebrated for his performances in the operas of Giuseppe Verdi. His voice is preserved on more than 20 recordings made by Edison Records. Early life and career Born in Venice, Polese studied singing in his native city and made his professional singing debut performing there in a concert in 1892. He made his opera debut in 1894 at the Teatro Unione in Viterbo as Barnaba in Amilcare Ponchielli's '' La Gioconda''. He was also heard that year as Don Carlo in ''Ernani'' in Viterbo; as Enrico in Gaetano Donizetti's ''Lucia di Lammermoor'' and Tonio in Ruggero Leoncavallo's ''Pagli ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Claudia Muzio
Claudia Muzio (7 February 1889 – 24 May 1936) was an Italian operatic soprano who enjoyed an international career during the early 20th century. Early years Claudina Emilia Maria Muzzio was born in Pavia, the daughter of Carlo Muzio, an operatic stage manager, whose engagements during her childhood took the family to opera houses around Italy as well as to Covent Garden in London and to the Metropolitan Opera in New York. Her mother was a choir singer, Giovanna Gavirati. Muzio arrived in London at the age of 2 and went to school there, becoming fluent in English, before returning to Italy at the age of 16 to study in Turin with Annetta Casaloni, a piano teacher and former operatic mezzo-soprano who had created the role of Maddalena in the world première of Verdi's ''Rigoletto''. Muzio then continued her vocal studies in Milan with Elettra Callery-Viviani. She also took the stage name of Claudia Muzio. Career Muzio made her operatic début in Arezzo (15 January 1910) in the t ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Lucien Muratore
Lucien Muratore (29 August 1876 – 16 July 1954, in Paris) was a French actor and operatic tenor, particularly associated with the French repertory. Life and career Lucien Muratore was born Marseille to Italian parents from Piedmont. He trained first as a cornist, and later as an actor. He made his debut at the Odéon theatre in Paris, where he played opposite such actresses as Sarah Bernhardt and Réjane. He then studied at the Paris Music Conservatory, and made his operatic debut in 1902, at the Opéra-Comique, creating the King in Reynaldo Hahn's ''La carmélite''. He made his debut at La Monnaie in 1904, as ''Werther'', and the following year at the Palais Garnier, as Renaud in Lully's '' Armide''. He created several Massenet operas such as '' Ariane'' and ''Bacchus'', at the Opéra, and ''Roma'', in Monte Carlo. He also took part in the creation of ''La Catalane'' by Le Borne, ''Monna Vanna'' by Henry Février, ''Déjanire'' by Camille Saint-Saëns, and ''Pénélope'' ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Tamaki Miura
, was a Japanese opera singer who performed as Cio-Cio-San in Puccini's ''Madama Butterfly''. Early life Miura was born the first daughter of Shibata Mōho and Shibata Towa () on February 22, 1884 in Tokyo, Japan. Shibata, a music lover had his daughter learn Japanese traditional dance and music. In her high school days, Miura set her mind to live a professional musician life under influence of her musical teacher Sugiura Chika, an alumna of Tokyo Music School. Just before Miura entered Tokyo Music School in 1900, she married an army medical officer Fujii Zen'ichi, whom her father Mōho had urged her to wed. They later divorced in 1907, after she graduated and started her professional career. At Tokyo Music School, Miura learned piano, singing, and violin. When Japan held its first opera performance in 1903 at the auditorium of Tokyo Music School, Miura had a role while a student and gained a reputation. In 1904 she graduated Tokyo Music School and soon was employed with its fa ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Carmen Melis
Carmen Melis (15 August 1885 – 19 December 1967) was an Italian operatic soprano who had a major international career during the first four decades of the 20th century. She was known, above all, as a verismo soprano, and was one of the most interesting singing actresses of the early 20th century. She made her debut in Novara in 1905 and her career rapidly developed in her native country over the next four years. From 1909 to 1916 she performed with important opera companies in the United States; after which she was busy performing at many of Europe's most important opera houses. From 1917 until her retirement from the stage in 1935 she was particularly active at the Teatro Costanzi in Rome and at La Scala in Milan. After her singing career ended, she embarked on a second career as a voice teacher. Her most notable student was soprano Renata Tebaldi. Education and early career in Europe Born in Cagliari, Melis began her voice studies with dramatic soprano Teresina Singer in Flore ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Mary McCormic
Mary McCormic (November 11, 1889DOB is from her grave marker; the DOD listed in thSocial Security Death Indexstates November 12, 1895; the grave marker is consistent with archival records, namely the 1910 US Census, which, places her DOB around 1889-1890 – February 10, 1981) was an American operatic soprano and a professor of opera at the University of North Texas College of Music (1945–1960). Career For more than a decade (early 1920s to late 1930s), McCormic was among the most famous sopranos in the world. She was most known for her leading roles with the Paris National Opera, the Opéra-Comique (14 years), the Monte Carlo Opera, and the Chicago Civic Opera (10 years). She spent much of 1937 touring with the Kryl Symphony Orchestra. McCormic was born in Belleville, Arkansas. A onetime obscure Arkansas housewife, McCormic rose to stardom and enjoyed a colorful personal life — four marriages and four divorces (men of no resemblance to one another), almos ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Edith Mason
Edith Mason (March 22, 1892 – November 26, 1973) was an American soprano. Biography She was born Edith Barnes on March 22, 1892, in St. Louis, Missouri and studied in Boston, Philadelphia, and Paris. She made her singing début on January 27, 1912, as Nedda in '' Pagliacci'' with the Boston Opera Company. During the next three years, she sang in Europe at Nice, Marseilles, and Paris. In 1914 she was singing at the Opera Comique in Paris when the war terminated her engagement. Returning to America, she made her debut at the Metropolitan as Sophie in Der Rosenkavalier on November 20, 1915. From 1917 to 1919, she was a member of the Metropolitan Opera Company. In 1919, she married Giorgio Polacco. In 1921 she became one of the leading singers of the Chicago Opera Association. She divorced Polacco on July 21, 1929, and was married to Dr. Maurice Bernstein, guardian of the young Orson Welles. She remarried Polacco on May 15, 1931. They divorced in 1937. She later married Will ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Nina Koshetz
Nina Koshetz ( uk, Ніна Павлівна Кошиць; russian: Нина Павловна Кошиц; née Poray-Koshetz ( :uk:Порай-Кошиці); 30 December 1891 – 14 May 1965) was a Russian-Ukrainian, later American opera soprano, recital singer and actress, and the niece of Alexander Koshetz. Early life and career Nina Koshetz was born in Kyiv, then moved to Moscow and became an opera singer. Her father, opera singer Pavel Koshetz ( uk, Павло Олексійович Кошиць; ru: Павел Алексеевич Кошиц; 1863 - 2 March 1904), committed suicide in 1904, when Nina was 12 years old. From 1908–13 she studied in Moscow State Conservatory with Konstantin Igumnov and Sergei Taneyev, among others. Having received voice lessons in France from the retired dramatic soprano Felia Litvinne, she sang leading roles in opera and performed in principal opera houses across Russia and Europe. In the late 1910s she performed at the Petrograd Conserva ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]